Dayyan Eng
bilang Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ
The drama film Inseparable, starring Kevin Spacey, Daniel Wu, Beibi Gong, etc., directed by Dayyan Eng, was released on May 4, 2012 in China. It tells the story of A troubled young man, Li faces pressure at work and problems at home with his moody wife. Chuck, rescues Li from the brink of despair and becomes an unlikely mentor. But who is Chuck really. This is a Drama, Misteryo film with a runtime of 97 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 5.4/10 from 2,255 viewers.
Dayyan Eng
bilang Director
Kevin Spacey
bilang Chuck
Daniel Wu
bilang Li
Beibi Gong
bilang Pang
Ni Yan
bilang Ms. Yang
Peter Stormare
bilang Richard
Kenneth Tsang
bilang Mr. Wang
Mo Zhang
bilang Sun Biao
Tongsheng Han
bilang Officer Lin
Yanhui Wang
bilang Male Tofu Vendor
Xueyun Bai
bilang Female Tofu Vendor
Xiaoxing Zhai
bilang Crowbar Guy
Ningyu Zhao
bilang Doctor
Dayyan Eng
bilang Neighbor
Lisa S.
bilang Neighbor's Girlfriend
Chao Wu
bilang Snitch
Sen Lin
bilang Tricycle Peasant
Qun Xiao
bilang Crash Driver
Guoliang Li
bilang Company Driver
Dayyan Eng
bilang Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 panalo at 43 nominasyon sa kabuuan
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source: Inseparable
Some things shouldn't be separated. And this "Tag Team" that forms here is one of those "things". Over 50 % of the movie is in Chinese (unless you watch a dubbed version in your country), but that shouldn't make this movie less appealing to you. The dreams, desires and ambitions portrayed here do not feel far removed to anyone (well some of them and the others are at least understandable). For those of you who have been watching movies from China from time to time, you will notice the main actor in this. You might see a few things coming (it's right there ... or not), but that doesn't take the fun away from things. Nicely played and executed with much gusto. A superhero movie that isn't just that
Daniel Wu plays a mild mannered, affluent, urban professional in Guangzhou who is faced with a few personal problems which the film generalizes as the consequence of modern China's capitalist system. He works at a seemingly unscrupulous corporation which is rushing to market with an unsafe prosthetic product despite his objections. He is 'asked' by a supervisor to lie about the product's safety at an upcoming public securities exchange hearing. Daniel is also bypassed for a promotion which is given to the son of the company's owner. At home, he struggles to maintain his marriage after his wife who had recently suffered the miscarriage of a deformed fetus. It is revealed later that the wife was taking folic supplements from a company that had been using fillers in their products. This part is based on a true story. Unable to cope with these pressures, Daniel's character attempts suicide but is foiled by a mysterious, nosy expat neighbor, Kevin Spacey who has some unconventional ideas for Daniel's catharsis. They include vandalism and costumed vigilantism. Daniel's bilingual character is unconvincing as is the washed up looking Spacey who appeared awkward and out of place. Perhaps that was intentional when we learn towards the end that Spacey's character and the version of the 'wife' who accompanied them on their escapades are not who they seem. This was an unoriginal, choppy genre blend of 'KickAss','Breaking Bad' and some sophomoric social commentary about China's post-marxist economic boom.
Kevin Spacey. Do you like him? If so, you should probably like this film because, like so many of his films of late, he basically carries the whole affair. That's not saying the other actors are bad (they're all quite good, actually), but it's just that Spacey has the best part, therefore all the best lines to go with it. It's about a young man who's basically having a bit of a breakdown - his job and marriage are both in turmoil, but things start looking up when he meets his neighbour, Spacey, who gives him some radical advice on taking charge of his life. Before long, the pair are donning costumes and looking for trouble. It's also a bit of a mind-bender. Don't expect it to be an easy ride when it comes to near the end and the frequent use of subtitles will mean you have to pay attention at all times. It's not the most original of films (in fact there's a very famous film starring Brad Pitt that it - loosely - reminded me of, but I won't say which as it might give away important plot points). However, Spacey is as good as ever and it's a watchable way of spending an hour and a half. It's not a classic, but you shouldn't feel too disappointed. http://thewrongtreemoviereviews.blogspot.co.uk/
Figure this for a spoiler. The film is basically another Mulholland Dr. but without the gratuitous and shocking sex scenes. This director lets the audience in on the secret, that the point of view is from an unreliable character, a bit sooner. There seem to be two subtexts. One about modern white collar life in China. They other about the United States lecturing China. There are even a few flashes of the surreal to remind me of Fellini. For me there were two disappointments. The first is the flabby Kevin Spacey. It is not flattering to America, but I guess its deliberate and part of the "lecturing" subtext. The other is the fairy tale blitz out. You go the whole film thinking "this is going to end bad" but at the last moment the fairy godmother steps in and clears everything up. I think that is deliberate too because the director makes it so obvious. So there might be some hidden subversive third subtext lying underneath it all. Anyway, not having Chinese sensibilities, I am sure I missed a lot, and have to give it only a 7 out of my own inability to understand well enough.
The writer and director of this film was Dayyan Eng. His story relates the unusual experiences of Li (Daniel Wu) a design engineer at an up and coming industrial firm which makes human prosthetic limbs. He is good at his job, but now comes under tremendous pressure to hurry up and finish his latest design, which seems to have a flaw in it. At the same time, his marriage is falling apart and he seeks desperately to save it. However, he finds life difficult and far too demanding to deal with and decides to commit suicide. However, like everything else in his crumbling situation he is interrupted by Chuck (Kevin Spacey) a very noisy neighbor, who offers to help. Having tried medicinal drugs, Li discovers they create more problems for him and Chuck's advice only turns him into a Superhero. The movie is briefly comical, but it is not sustained. Indeed, with the likes of Kevin Spacey and with character actor (Armagoddon) Peter Stormare this audience member expected much, much more. As it is, Spacey's exceptional talents are wasted and the movie submerges into deep waters where it is relegated to sink on it's own. ***
I'm afraid I can't agree with some of the other reviewers on here. I really liked this film - for a number of reasons. It was fast-paced, funny, while highlighting some of the issues facing an increasingly commercialising China. Mental illness, cultural erosion, love, loss, crime - this story has it all. Living in Asia, I watch a lot of movies of various ethnicities - it's nice to see some 'serious' film- making that doesn't have a cast of tens of thousands, a music score with 200 dancers, or based on a folk story from a thousand years ago, etc. The reviewers that derided this film as being derivative are missing the point - as well as being factually incorrect, IMHO - this is a modern, urban tale of an emerging China and as such is almost impossible to compare with something from the West. While the sub-plot of the buddy movie that allows Spacey his role, the more pervasive story line is the modernisation of China. I think a lot of Western audiences, given the opportunity to see this film, will be surprised at the way life is heading in Asia - the old stereotypes are falling daily. The impact this film has had around Asia is indicative of the scarcity of quality home-grown drama. While on a storytelling level this film was a little uneven, what it does is breaks ground for other directors and sets the stage for audiences to expect a level and content of Chinese film-making previously unseen. For years now China has been making technically superior films - beautiful scenery and cinematography, massive sets and casts of thousands along with stunning design and costuming, but nearly always the subject was historical stories or epic fiction. Seeing a new wave of Chinese directors making films for an increasingly cosmopolitan middle-class is heartening as this pushes further the maturation of China as a modern, democratic country. Once you start to see films such as this exposing some of the foibles in society, you know that acceptance is not far behind, and acceptance breeds an egalitarian society. I love visiting the new China and I look forward with relish to Mr Eng's next work.
The movie tells the story of a man who has encountered a series of misfortunate events that has made him lose hope. This certainly isn't the first time seeing this kind of story line. What the writers have done is combine a few story lines together to make something "new". The first 20 minutes of the movie lays down the ground very nicely but from their it seems to go down and then back up due to the many twists that happen right to the end. The acting was awful. Kevin Spacey didn't seem at the top of his game and Daniel Wu's was just average. The rest of the cast didn't do much in terms of acting to help make the viewer feel the emotions of the characters. Directing was also average nothing special. Although there are many down sides to this movie it seems to have a charm about it that kind of makes it enjoyable. I don't think it is a must see but if you like to be surprised when watching movies this could be a good option.
This is far from being a original flick which is alright if the progressions and development is good. But that isn't really the case here, it's kind of a "Fight Club" meets "Kick-Ass" mash up that isn't all that fun or thrilling. It's watchable but pretty darn mediocre at best. Instead it just comes off mediocre. Putting 2 different concept into one movie can work and in this case it does to some degree. But those 2 concepts or ideas has been done much better individually. The editing is also poorly done and just seem all over the place sometimes. It's like a group of people got together and was like dude "Fight Club" is a cool movie or other movies that has to do with some dude hallucinating and lets put vigilante superheroes in it cause that is always cool. For a straight to DVD movie the production is decent and the cinematography is good for a straight to DVD movie. The thought of a guy that is down on his luck so breaks down and hallucinates and becomes a vigilante superhero with no powers may seem like a coherent movie that would be cool to watch. And I will say it's watchable but nothing special. 5.8/10
In the same depth as Inception and Shutter Island. A Tragedy and Recovery. Thoughtful journey and emotional struggle. Very Enjoyable, subtly comedic, well planned and insightful. Good Character Development, Wonderful Acting, and enjoyable soundtrack. Good Storytelling, and is deeply insightful. Certain scenes left me curious, and questioning, progressive content, and great locations. Defiantly Worth a Watch. I don't really want to talk to much more about the story, as you need to just see this movie. If you love getting lost in the story, and connecting with the main character, this gives you a chance to feel his thoughts and to think as he would, to really sympathize with the character, and question your own thought process and existence.
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Isang mahabang review na sumasaklaw kung bakit natatangi ang Project Hail Mary sa 2026: kalidad ng adaptation, siyentipikong pagkukuwento, lalim ng damdamin, at mga reaksyon ng manonood.
Ang mga kwentong komedya ay ginawa para magbigay-aliw sa pamamagitan ng katatawanan. Kabilang sa mga popular na format ang situational comedy, sketch-style humor, workplace comedy, at romantic comedy.
Binibigyang-diin ng mga action title ang excitement, pisikal na labanan, mga bayaning karakter, at mabilis na pagkukuwento. Madalas itinatampok ng mga adventure title ang eksplorasyon, survival, o malalaking paglalakbay.
Sinusundan ng mga crime drama ang mga imbestigador, detective, abogado, o mamamahayag habang nilulutas nila ang mga kasong kriminal. Hinihikayat ng mga mystery story ang mga manonood na tumuklas ng mga clue kasama ang mga karakter.
Tinutuklas ng science fiction ang futuristic na teknolohiya, paglalakbay sa kalawakan, artificial intelligence, alternatibong realidad, at siyentipikong haka-haka.
Ang horror storytelling ay lumilikha ng suspense sa pamamagitan ng psychological tension, supernatural na pangyayari, halimaw, o survival scenarios.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.
Kabilang sa animation ang mga gawa para sa bata, pamilya, at matatanda, mula sa educational content hanggang sa kumplikadong dramatikong pagkukuwento.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.