Greg Jardin
bilang Director
English,Filipino,Français,Indonesian,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা
The komedya film It's What's Inside, starring Brittany O'Grady, James Morosini, Gavin Leatherwood, etc., directed by Greg Jardin, was released on October 4, 2024 in Estados Unidos. It tells the story of Isang grupo ng mga kaibigan ang nagtitipon para sa isang pre-wedding party na nauwi sa isang eksistensyal na bangungot kapag dumating ang isang hiwalay na kaibigan na may dalang mahiwagang laro na pumukaw sa matagal nang itinatagong mga lihim, pagnanasa, at sama ng loob. This is a Komedya, Misteryo, Sci-Fi film with a runtime of 103 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 6.6/10 from 52,014 viewers.
Greg Jardin
bilang Director
Brittany O'Grady
bilang Shelby
James Morosini
bilang Cyrus
Gavin Leatherwood
bilang Dennis
Nina Bloomgarden
bilang Maya
Alycia Debnam-Carey
bilang Nikki
Reina Hardesty
bilang Brooke
Devon Terrell
bilang Reuben
David W. Thompson
bilang Forbes
Madison Davenport
bilang Beatrice
Myhraliza Aala
bilang County Deputy
Francisco Diego Garcia
bilang State Trooper
Dana Millican
bilang Driver
Aly Nordlie
bilang Sophia
Tyrone J. Criss
bilang Party Guest
A. Brian Daniels
bilang Wedding Guest
Tommy Hestmark
bilang Cashier
Timothy Krabill
bilang Prison Guard
Jesaar Landavaso
bilang Convenient Store Customer
Greg Jardin
bilang Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 panalo at 43 nominasyon sa kabuuan
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a few funny moments but overall crappy movie, 2/5
the most fucked up mind bending stuff i have never seen
current fav
it doesn't have sound
A very terrible movie you will regret watching it
Magandang pelikula!
Magandang pelikula!
Magandang pelikula!
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It's What's Inside had so much potential to be an inventive and sharp horror-comedy, but it completely falls apart thanks to one of the most infuriating, gutless endings I've seen in recent years. I'm tired of this insidious trend in modern writing where morally bankrupt characters face zero consequences, and it's honestly starting to **** me off. What is wrong with these writers? Is there some secret club where they pat each other on the back for celebrating the absolute worst kinds of behavior and call it "bold" or "subversive" storytelling? This movie is a perfect example of that nonsense. The premise is intriguing: a body-swapping device brings a group of estranged friends' dirty laundry and hidden agendas to the surface. It could have been a biting satire on friendship, envy, and identity, but instead, we get a story that revels in one character's unrepentant selfishness-Shelby, who manipulates and torments her friends with psychotic glee-and then does nothing with it. Shelby, who spends the whole movie exploiting everyone around her, should have met a fittingly brutal end. Instead, she's neatly returned to her own body, unscathed, no worse for wear, and free to carry on like nothing happened. And don't get me started on the ending itself! There's no fallout, no consequences for Shelby's absolutely monstrous behavior. It's as if the writers are terrified of holding their characters accountable. They're too busy trying to be "morally ambiguous" to realize that they're not saying anything meaningful at all. All we're left with is an empty, cynical void that glorifies terrible people simply because it's trendy to do so. I can't express how absolutely tired I am of this kind of storytelling. It's a slap in the face to audiences who want to see real narratives with real stakes. Look, I can appreciate creativity and artistic direction. It's What's Inside is visually impressive, with inventive camerawork and a wild, frenetic style that mirrors the chaotic nature of the plot. The way the body swaps are depicted, with jarring cuts and split-screen effects, is fantastic. The director clearly had a strong vision, and there's a sense of dark humor bubbling under the surface that almost works-almost. But good visuals and a unique premise don't make up for the fact that I feel like I wasted my time watching a movie that refuses to commit to its own themes. To whoever is in charge of this trend-whether it's the screenwriters, producers, or some studio exec-stop. Just stop making everything morally gray for the sake of being "different." Not every character needs to be likeable, but for the love of all things cinematic, actions should have consequences. If I wanted to see toxic people get away with garbage behavior, I'd just turn on the news. When I watch a movie, I want a story that means something, not another empty celebration of cruelty disguised as "nuanced" storytelling. I'm giving It's What's Inside a 5 out of 10. Half the score goes to the creative premise and stylish direction. The rest? It's dragged down by cowardly writing and a soulless ending that made me want to throw my remote at the screen. If you're as sick as I am of movies that glorify ***holes getting away with everything, save yourself the frustration and skip this one. Because at the end of the day, there's nothing inside this movie except wasted potential.
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Isang mahabang review na sumasaklaw kung bakit natatangi ang Project Hail Mary sa 2026: kalidad ng adaptation, siyentipikong pagkukuwento, lalim ng damdamin, at mga reaksyon ng manonood.
Ang mga kwentong komedya ay ginawa para magbigay-aliw sa pamamagitan ng katatawanan. Kabilang sa mga popular na format ang situational comedy, sketch-style humor, workplace comedy, at romantic comedy.
Binibigyang-diin ng mga action title ang excitement, pisikal na labanan, mga bayaning karakter, at mabilis na pagkukuwento. Madalas itinatampok ng mga adventure title ang eksplorasyon, survival, o malalaking paglalakbay.
Sinusundan ng mga crime drama ang mga imbestigador, detective, abogado, o mamamahayag habang nilulutas nila ang mga kasong kriminal. Hinihikayat ng mga mystery story ang mga manonood na tumuklas ng mga clue kasama ang mga karakter.
Tinutuklas ng science fiction ang futuristic na teknolohiya, paglalakbay sa kalawakan, artificial intelligence, alternatibong realidad, at siyentipikong haka-haka.
Ang horror storytelling ay lumilikha ng suspense sa pamamagitan ng psychological tension, supernatural na pangyayari, halimaw, o survival scenarios.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.
Kabilang sa animation ang mga gawa para sa bata, pamilya, at matatanda, mula sa educational content hanggang sa kumplikadong dramatikong pagkukuwento.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.