Matt Di Angelo
bilang Brad
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ
The krimen film London Payback, starring Matt Di Angelo, Lili Bordán, Stephen Marcus, etc., directed by an unlisted director, was released on October 4, 2014 in the United Kingdom. It tells the story of 48 hours in the life of a burnt-out City lawyer who loses his job, falls for a call girl and steals £400,000 from a gangland boss - who wants every penny of it back. This is a Krimen, Romansa, Thriller film with a runtime of 89 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 4.3/10 from 390 viewers.
Matt Di Angelo
bilang Brad
Lili Bordán
bilang Jodie
Stephen Marcus
bilang Ben
Darren Ripley
bilang Phil
Velibor Topic
bilang Dmitri
Christian Brassington
bilang Tom
Anna Passey
bilang Sasha
Jeff Leach
bilang Dean
Lindsay Armaou
bilang Georgina
Funda Önal
bilang Josephine
Alan Ford
bilang Jack
George Weightman
bilang Kingo
Martin Richardson
bilang Greg
Duncan Casey
bilang Raef
Ricky Groves
bilang Sweeney
Frazer Hines
bilang Mr. Hemmings
Emma Fletcher
bilang Ms. Derewight
Jon Campling
bilang Mr. Grimm
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 panalo at 43 nominasyon sa kabuuan
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source: The Smoke
Layer Cake is one of my fav. movies. It's amazing how many of its actors went onto "super stardom".Although this film isn't quite in the same league, I really enjoyed how often the director kept pulling surprises on me, time after time. It became quite absorbing, waiting to see if once again, I had the "wrong end of the stick." Sure, a few flat sections, but the dramatic scenes more than make up for it. Great views of London too.
Possible midpoint plot spoiler. Brad Walker (Matt Di Angelo) gets his walking papers in the first few minutes of the film and his girlfriend also leaves him (Anna Passey) for his friend Tom (Christian Brassington). While doing a few lines on a bowl in a nightclub he overhears about a drop-off which he copies down because...he does. Then by coincidence the car doing the drop off just so happens to stop in front of the little cafe he is sitting at...facing the license plate of said car. While the driver leaves for a quick pit stop, Brad steals the car, makes the drop, collects the cash in what would seem to be a clean get away. Not only unbelievably do the bad guys figure out it is him, but a high price mobster prostitute lands in his lap the same day. Now I don't mind one or two freakish events in a story. Heck, if you are going for a weird cult film, the more the merrier. However this film lacks the over the top grindhouse style to get away with a bunch of stuff that just wouldn't happen. I found the main characters to be dull. Our two stooges who botched things up were the only decently written characters as the talked about films, i.e. "Godfather vs Star Wars." Could have been better. F-bomb, sex, nudity (Lili Bordán, Anna Passey, Lindsay Armaou, Funda Önal, Nicola Kelleher ?)
It's not often that I end up watching a film almost entirely without merit purely by my own choice but unfortunately I have only myself and some misleading critic reviews to blame for this wasted 90 minutes. The storyline is so unbelievable that it makes eastenders seem like a gritty east end documentary/drama. The characters are both exceptionally shallow and deeply flawed, the dialogue is mostly appalling other than a few mildly amusing interchanges between some of the villains and the most appealing part of the whole movie is the ending - not the content of the ending itself but the actual cessation of poor quality viewing that was truly like a weight being lifted from my chest. I love a shameless "glamorous" gangster flick like lock stock, snatch or layer cake but this is nothing like those. It's a very cheap impersonation. This film is the movie equivalent of one of those fake aftershaves you see a street vendor selling for £5 on a stall in turkey. Save your time and do something more productive like sitting in the dark alone rather than watch this.
From the start The Smoke feels a bit different from your usual gangster carnage flick from the Tanters and the Sothcotts of this world - which might be why those fooled by the mis-marketing of this romantic crime thriller as a "proper lads' film" might feel a little misled. The producers seem to have tried to up the ante with chases through underground train stations, exploding cars and a Paris-set finale with a reformed hooker given a second chance in life (and a dalmatian!) at the foot of the Eiffel Tower. Not your average gangster move. And while they don't fully succeed in delivering the next Layer Cake or Lock Stock, at worst it feels like a noble failure. Matt di'Angelo's turn as Brad, the lawyer having the baddest of bad days, deserves praise and plaudits - he's more than your average soap star and it shows. His co-star Lili Bordan oozes sex and vulnerability in equal measure with her damaged call girl Jodie. Without their performances, the film would possibly struggle to anchor but they act as a gel to the rest of the narrative. As good leads should! You get the feeling that much of the film is on a cutting room floor somewhere though and that something bolder was on the cards. Jeff Leach, who plays Brad's best mate Dean, spoke about many of his best scenes not making the final cut for some reason, and Wikipedia refer to this 89 minute release as the "studio cut". So maybe a Director's Cut is bobbing around out there for people to really judge one day...
I saw this film repackaged as London Payback, with a cover to make it look like a London gangster film. It really isn't. Instead what we get is an ultra-cheap romance/crime thriller in which a young man is having a very bad day and must use his wits and experience to see him through. This film feels very much like one of those cheaply-made Danny Dyer films set in London, except it's even worse than that. Somebody must have been convinced that Matt Di Angelo had the presence to hold a film together, but he really doesn't - and this is from somebody who liked him in EASTENDERS. The gangster stuff that plays out is clichéd and unfunny, and features over the top performances from actors who typically play bit part or background actors in other gangster films (Stephen Marcus and Velibor Topic in particular) but are given leading roles here. Oh, and Alan Ford is on board too, playing yet another version of his villain character from SNATCH. Ricky Groves (Garry in EASTENDERS) has a cameo. From the first minute to the last, everything is predictable, and the quality of the camera-work is so poor that this looks like a homemade movie. Surely this has to be the lowest common denominator of the British gangster genre?
What can I say...total and utter load of rubbish. Bad story, bad script, bad acting. Even with Alan Ford drafted in to play the character as he did in Snatch (Brick Top) it still couldn't be saved. Lots of faces from other Brit Gangster movies but you get the impression they showed up for an hour, filmed their scenes, got paid and pissed off home in time for Eastenders. Plot lines are either too predictable or they are too implausible to work. The female love interest has as much charisma as a mattress, the two goons searching for the lead character are like Bill and Ben, one is a Welsh hitman who goes by the name of 'The Viper'....because British hitmen always have names that sound like characters in X Men!!! Do not waste your time people, 5 reviews in 4 years really does sum this movie up.
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Binibigyang-diin ng mga action title ang excitement, pisikal na labanan, mga bayaning karakter, at mabilis na pagkukuwento. Madalas itinatampok ng mga adventure title ang eksplorasyon, survival, o malalaking paglalakbay.
Sinusundan ng mga crime drama ang mga imbestigador, detective, abogado, o mamamahayag habang nilulutas nila ang mga kasong kriminal. Hinihikayat ng mga mystery story ang mga manonood na tumuklas ng mga clue kasama ang mga karakter.
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Ang horror storytelling ay lumilikha ng suspense sa pamamagitan ng psychological tension, supernatural na pangyayari, halimaw, o survival scenarios.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.
Kabilang sa animation ang mga gawa para sa bata, pamilya, at matatanda, mula sa educational content hanggang sa kumplikadong dramatikong pagkukuwento.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.