Christina Hendricks
bilang Billy
English,Filipino,Français,Indonesian,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ
The drama film Lost River, starring Christina Hendricks, Iain De Caestecker, Matt Smith, etc., directed by an unlisted director, was released on April 10, 2015 in Estados Unidos. It tells the story of A single mother is swept into a dark underworld, while her teenage son discovers a road that leads him to a secret underwater town. This is a Drama, Pantasya, Misteryo film with a runtime of 95 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 5.7/10 from 19,961 viewers.
Christina Hendricks
bilang Billy
Iain De Caestecker
bilang Bones
Matt Smith
bilang Bully
Saoirse Ronan
bilang Rat
Ben Mendelsohn
bilang Dave
Eva Mendes
bilang Cat
Reda Kateb
bilang Cab Driver
Barbara Steele
bilang Grandma
Landyn Stewart
bilang Franky
Rob Zabrecky
bilang MC
Shannon Plumb
bilang Fanny
Torrey Wigfield
bilang Face
Misty Robinette
bilang Misty
Holly Schlegel
bilang Holly
Thomas McDonald
bilang Skip
Larry Mongo
bilang Larry
Robert Skrok
bilang Demolition Guy
Aris Costner
bilang Marylou a.k.a. Mama Aris
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 panalo at 43 nominasyon sa kabuuan
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ممل جداً.... لايستحق المشاهدة.
In the abandoned city of Lost River, Billy, a single mother of two, is led into a macabre underworld in her desperate attempt to save her childhood home and hold her family together. Her teenage son Bones, discovers a mystery about the origins of the titular place that triggers curiosity and sets into motion a journey that will test his limits and the limits of those who surround him. This film could have been brilliant, thinking back a few days after watching this total farce of a movie, it had some amazing visuals, some really visceral imagery, so while Gosling cannot write or direct at this time in his career, he has a wonderful eye. And yes, it does appear that he's just graduated from the Winding Refn school of film making, but there was something there, something screaming to get out and be prolific, but this just angered me that little bit more. When you have no coherent plot, or narrative, even the most bonkers, colourful characters cannot save it, and these characters are just wasted, wandering the titular place spitting out obscenities and nonsense, that makes you question Goslings sanity at times. If Werner Herzog had partnered with David Lynch, and allowed George Lucas and Michael Bay to write Twin Peaks ,this would have been the outcome. Wonderful to look at, really beautiful in places, but it's a load of old wannabe artsy pap.
Beware, this movie is quite dark and disturbing. It has a certain Terry Gilliam feel about it, although it goes deeper and touches the dark bottom of your soul. It is beautifully shot, has a constant subtle tension and very good music. Although the story is rather predictable it reminded me of the greatest epic tales of mankind. Very rich and creative debut. Good actors and superb camera work, settings and effects. The movie feels like a true nightmare sometimes, don't be fooled, though - it is not a classical horror movie or thriller. It is more like a dark dream put onto celluloid. You see lots of blood and some violence, still it will not work for typical fans of guts and gore movies. Real cinema.
Few indie films of late have more effectively captured the inescapable, haunting truth of urban decay in a narrative capacity the way 'Lost River' does. We may hear about it in the news, or occasionally see glimpses of it via online write-ups but are we really getting the whole story? Still, Lost River's eerie tale of a young man and his mother's desperate attempt to hold onto their rapidly decaying home gets under your skin. It's not the kind of story everyone will enjoy, some frankly won't have the stomach for it. Despite it sporting a supremely well written and directed script by Ryan Gosling - with visuals and cinematography that are breathtaking, hypnotic and cryptically gorgeous. The fact that corporate greed is literally wiping out entire towns across the United States is a reality some are just not going to be interested in, but that might be this film's central conceit. The American Dream is slowly but surely turning into a sad, and devolved nightmare - governed by 'dark subcultures' which seem to be gaining momentum while murder, mass genocide, chaos and destruction continue to reign supreme. This is what's at the twisted heart of 'Lost River.' It also beautifully pays homage to Argento, Bava, Lynch, Tarkovsky and more. Some might feel inclined to make accusations that name actors like Barbara Steele are grossly underused. That may or may not be true, but I'd wager those folks are missing the point. If you're looking for a supremely bizarre, heady, visually striking foray into what some folks will do to hold onto their own little status-quos then this film is not to be missed.
Lost River. Nice first try from Gosling. A bit of Malick and Refn without the soul. Gosling has some interesting ideas. He failed in putting them together neatly, which may have been on purpose. In an age of omnipresent shiny stuff to grab our attention, Goslings shiny stuff doesn't quite hold mine. Good performances. Matt smith was a surprise. Ronin steals every scene she's in. Hendricks is OK, but predictable compared to the other performances. Mendez was great. Gosling knows how to get the most out of her. Story was a kind of redneck fairy tail that seems to be trending in Goslings mind. 4th movie in a row if you start from drive, through place bt pines, to Lost River.
Yes, that's right. Most of us throughout life aspire to add a string to their bow now and then. However Gosling does the opposite here by offering up this piece of crap to diminish his flailing reputation. Maybe i'm biased here as i never considered him as even a half decent actor. He gives Wood a bad name. Not only can't he act, he can't even offer a good yarn. He obviously took on the Director's role as no other Director in the land would touch it with a bargepole. Can you see any studio taking this script on if it wasn't for his name? Please do not waste your time watching this unless you are related to Gosling and have to endure it.
Ryan Gosling's first rodeo at the Writer/Director's chair was something. The dramatic mystery-fantasy ride that Gosling is taking us on is enchanting but also disturbing. Lost River first looks like a documentary or an old film but it gets weird real fast. The documentary aspect of it comes from the debt crisis theme the movie has, people choking with debts leaving their homes, deserted neighborhoods and ghost towns but the film goes from a very grounded theme into a phantasmagorical world filled with disturbing dark metaphors with violent and/or dodgy characters. The music is hypnotic and fits the surrealism atmosphere of the film but it gets annoying real fast. Although it mostly fits the movie, there's almost too much of it, the music is not really helping in the cinematic experience of Lost River. No matter how you may feel about the movie you can't deny that it's beautifully acted. Ryan Gosling knows how to pick his cast but the one I was most surprised about, was Iain De Caestecker, whose presence and performance was electric. Iain is impressive, from the second he appears on screen everything you need to know about his character is there, you can read it on his face, his attitude and hear it in his voice. He held his own next to Hendricks and Ronan, as it turns out he is incredibly talented. I know Lost River must be - is - a metaphor but god I need help to figure it out. I may not be doing enough drugs to understand that film or I haven't experience enough of life but it was difficult for me to decipher. A short version of the film would have been fine, great even, but a full feature film, wow that's something. Lost River is an experience, like any ride in an amusement park it will leave its mark but it doesn't mean that you'll enjoy it. @wornoutspines
The plot seems centered around a mom with two kids trying to hold on to their home in a virtually deserted part of town. She's months behind in mortgage payments. She takes a job at this weird club to earn money to pay the mortgage. Everything else in the movie seems designed to complement that idea: her oldest son scavenges copper from abandoned homes for money to buy car parts so he can fix his car and leave for who knows where; a neighbor girl who speaks of a curse on the city that can only be undone by dredging up something from part of the city under water; a vicious hoodlum type that thinks he's lord and master over this deserted part of town. These elements ARE connected but not very well. I got from the main characters a sense of helplessness, a sense of hopelessness and desperation. It wasn't spectacular but there was some interesting photography. By the end I was scratching my head wondering how to makes sense of what I saw. I'm not sure it makes sense.
Watched the trailer and was mesmerized by some of the imagery that Ryan Gosling has managed to capture. Then I watched the film itself. It felt like i was watching the extended version of the trailer, small snippets of dialogue surrounded by vast dreamlike imagery but with no actual story to go with it. This film isn't bad its just that it's not very good either. I felt like i was left wanting a little bit more, that it hadn't really fulfilled my appetite. That said there is potential and because Gosling is just so damned cool I will be looking forward to the next step (Fan boy mode deactivated).
This movie is a beautiful metaphor, a dark fairy tale where a mythological hero needs to break the spell to save a society in decadence. The setting is a city in decay ruled by evil and violence (if you love abandoned places and urban exploration you will love this movie). The soundtrack is a piece of art. The moment where the young lovers dance in an abandoned building is one of the most beautiful shots I have seen lately. The lovers need to fight to find hope in a place where society is in decay and people are trapped by sadness. The lake is a metaphor of the past, under the water lives the lost world, the things that we lost, the past that is still haunting us. I was a bit skeptical about Ryan Gosling's debut as a director, but I must say that he has surprised me. You need to watch this movie as it is, a fairy tale and a metaphor of today's decadent society.
Isang detalyadong pagtalakay sa mga kamakailang pagbabago sa presyo, kung bakit muling isinasaalang-alang ng mga user ang kanilang setup sa panonood, at kung paano suriin ang alternatibong workflow nang hindi nawawala ang iyong mga gawi sa pagtuklas.
Alamin ang tamang paraan para i-install ang Movie Box APK: mga pangunahing kaalaman sa bersyon muna, pagkatapos ay malinis na mga hakbang sa pag-install, at sa huli kung paano pumili sa TV, iOS, Web, at app usage paths.
Isang mahabang review na sumasaklaw kung bakit natatangi ang Project Hail Mary sa 2026: kalidad ng adaptation, siyentipikong pagkukuwento, lalim ng damdamin, at mga reaksyon ng manonood.
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Binibigyang-diin ng mga action title ang excitement, pisikal na labanan, mga bayaning karakter, at mabilis na pagkukuwento. Madalas itinatampok ng mga adventure title ang eksplorasyon, survival, o malalaking paglalakbay.
Sinusundan ng mga crime drama ang mga imbestigador, detective, abogado, o mamamahayag habang nilulutas nila ang mga kasong kriminal. Hinihikayat ng mga mystery story ang mga manonood na tumuklas ng mga clue kasama ang mga karakter.
Tinutuklas ng science fiction ang futuristic na teknolohiya, paglalakbay sa kalawakan, artificial intelligence, alternatibong realidad, at siyentipikong haka-haka.
Ang horror storytelling ay lumilikha ng suspense sa pamamagitan ng psychological tension, supernatural na pangyayari, halimaw, o survival scenarios.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.
Kabilang sa animation ang mga gawa para sa bata, pamilya, at matatanda, mula sa educational content hanggang sa kumplikadong dramatikong pagkukuwento.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.