Josie Rourke
bilang Director
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The talambuhay film Mary Queen of Scots, starring Saoirse Ronan, Margot Robbie, Jack Lowden, etc., directed by Josie Rourke, was released on December 21, 2018 in the United Kingdom. It tells the story of Mary Stuart's (Saoirse Ronan's) attempt to overthrow her cousin Elizabeth I (Margot Robbie), Queen of England, finds her condemned to years of imprisonment before facing execution. This is a Talambuhay, Drama, Kasaysayan film with a runtime of 124 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 6.3/10 from 59,650 viewers.
Josie Rourke
bilang Director
Saoirse Ronan
bilang Mary Stuart
Margot Robbie
bilang Queen Elizabeth I
Jack Lowden
bilang Henry Darnley
Angela Bain
bilang Snuffer Woman
Richard Cant
bilang Thomas Andrews
Guy Rhys
bilang Earl of Kent
Thom Petty
bilang Earl of Shrewsbury
Izuka Hoyle
bilang Mary Seton
John Ramm
bilang Bull
Simon Russell Beale
bilang Robert Beale
Abby Cassidy
bilang Fotheringhay Gentlewoman
Shalisha James-Davis
bilang Fotheringhay Gentlewoman
Maria Dragus
bilang Mary Fleming
Eileen O'Higgins
bilang Mary Beaton
Liah O'Prey
bilang Mary Livingston
Greg Miller Burns
bilang Thomas Hepburn
Aneurin Pascoe
bilang John Hepburn
Adrian Derrick-Palmer
bilang George Dalgleish
Beau Willimon
bilang Writer
John Guy
bilang Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 panalo at 43 nominasyon sa kabuuan
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there is no audio like what am I supposed to listen to the subtitles
Magandang pelikula!
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🩷
What's worse, inaccurate dialog/accents or PC casting gone OUT OF CONTROL in a historical drama? I don't know but who gave this woman a chance to direct this story?? Why? These people were white, deal with it, that's life. The theater background of the director is also painfully obvious at points in the performances; way over the top, just like stage actors would do. I guess she thought the audience wouldn't be able to hear the actors (she forgot about the big shotgun mic!) One star. 0 if I could. Don't even bother on Netflix.
This movie was a waste of time. It ignored the reality of two powerful women in favor of an invented gay drama. It reduced Mary to a girl who spent most of the movie be undressed by her servants, being sexually assaulted by men, drinking and giggling with her girls about boys and sex and worrying about marrying for love. Queen Elizabeth is made to look like the mad hater and queen of hearts from Tim Burton's version of Alice in Wonderland and spends most of the movie worrying about her appearance and her barren womb. The movie was more about the men around these women than the actual women. The script could have been better if written by a college student studying history. It was that disappointing. This movie was a waste of the location, costuming, cinematography and actors.
Ok I will start by stating what everyone else has already stated, this movie is a hot mess of terrible inaccuracies, and the moronic world of Hollyweird has gone too far trying to be "diverse and overly PC" Scotland in the 1500's was not full of black and Asian people! This has got to stop! Can we go back to making movies just for the sake of movie making? This is akin to making a historical black or Asian movie full of blonde white actors, which I know would cause absolute uproar but somehow this is ok because it fit Hollywood's agenda! I for one will be boycotting all movies from now on, my faith in the movie making process is gone, there is nothing more I would like to see now than for Hollywood to implode...never to be heard from again!
Not a godawful movie, but close. Badly miscast: Mary with a strong Irish accent; Margot Robbie in appearance, voice, and acting not convincing as a Queen, the daughter of Henry VIII, or the force of history Elizabeth I was. The screenplay not only departs from the historical record for farcical reasons (Mary's dramatic life and death need little massaging) but introduces anachronisms ranging from gender study issues, to the incongruous casting of minorities in some virtue peddling Oscar Ceremony shoutout. Adding in, for whatever reason, a prominent but historically impossible gay/cross dressing subplot, thriving in 16th Century, John Knox-ian Holyrood Castle. Hard to follow during long stretches of promise/double cross/dastardly plots a go go/to war or not to war, and when followed intermittently interesting. I left feeling even more admiration for Shakespeare: his distillation of the complexity and violence of Scottish history in Macbeth, with nary a nod to his or our modern sensitivities of the moment, is, in the context of reviewing this movie, as of comparing Duane Allman's solo in Crossroads, to my awkward, and slow version of Pipeline by the Ventures.
If you want to watch a brilliantly acted and truthful adaption of this piece of history then look no further than the BBCs early 70s series Elizabeth R staring Glenda Jackson. I would thoroughly recommend it for younger history buffs and those who like their history factually correct.
As much as a love watch Saorise Ronan, and she was very good in this movie, I would NOT recommend it. It was so far off from being historically correct that it isn't even funny. The previews are NOT what they appear the movie truly is.
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Alamin ang tamang paraan para i-install ang Movie Box APK: mga pangunahing kaalaman sa bersyon muna, pagkatapos ay malinis na mga hakbang sa pag-install, at sa huli kung paano pumili sa TV, iOS, Web, at app usage paths.
Isang mahabang review na sumasaklaw kung bakit natatangi ang Project Hail Mary sa 2026: kalidad ng adaptation, siyentipikong pagkukuwento, lalim ng damdamin, at mga reaksyon ng manonood.
Ang mga kwentong komedya ay ginawa para magbigay-aliw sa pamamagitan ng katatawanan. Kabilang sa mga popular na format ang situational comedy, sketch-style humor, workplace comedy, at romantic comedy.
Binibigyang-diin ng mga action title ang excitement, pisikal na labanan, mga bayaning karakter, at mabilis na pagkukuwento. Madalas itinatampok ng mga adventure title ang eksplorasyon, survival, o malalaking paglalakbay.
Sinusundan ng mga crime drama ang mga imbestigador, detective, abogado, o mamamahayag habang nilulutas nila ang mga kasong kriminal. Hinihikayat ng mga mystery story ang mga manonood na tumuklas ng mga clue kasama ang mga karakter.
Tinutuklas ng science fiction ang futuristic na teknolohiya, paglalakbay sa kalawakan, artificial intelligence, alternatibong realidad, at siyentipikong haka-haka.
Ang horror storytelling ay lumilikha ng suspense sa pamamagitan ng psychological tension, supernatural na pangyayari, halimaw, o survival scenarios.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.
Kabilang sa animation ang mga gawa para sa bata, pamilya, at matatanda, mula sa educational content hanggang sa kumplikadong dramatikong pagkukuwento.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.