Ryôhei Watanabe
bilang Director
English,Filipino,Français,Indonesian,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ,中文
The krimen film Melancholy, starring Keito Akutsu, Aya Ayano, Coco, etc., directed by Ryôhei Watanabe, was released on February 5, 2021 in Hapon. It tells the story of Koharu holds down a public sector job and does it well. Then disaster strikes. Her family and home are stricken. She is personally affected when her man lusts after other women including a co-worker of his. A white knight appears who is willing to be with her, love her and marry her. What happens next is no Cinderella story however. This is a Krimen, Drama, Misteryo film with a runtime of 114 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 6.0/10 from 360 viewers.
Ryôhei Watanabe
bilang Director
Keito Akutsu
bilang Wataru Yokoyama
Aya Ayano
bilang Reina
Coco
bilang Hikari Izumisawa
En Ikoma
bilang Asuka Yamada
Ryo Ishibashi
bilang Masaaki Fukuura
Yuki Mamiya
bilang Mami Yamada
Bokuzô Masana
bilang Kameoka
Kenta Matsushima
bilang Seki
Atom Mizuishi
bilang Hiromu
Shiori Nozawa
bilang Kurumi Kobayashi
Saki Takamatsu
bilang Koharu Fukura (young)
Kei Tanaka
bilang Daigo Izumisawa
Tao Tsuchiya
bilang Koharu
Anna Yamada
bilang Chinatsu Fukuura
Rikako Akiyoshi
bilang Writer
Ryôhei Watanabe
bilang Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 panalo at 43 nominasyon sa kabuuan
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I really wanna know who comes up with stories like this, who approves big-budged, big-stars movies for them, and who the target audience is supposed to be. So the movie is kinda like a two-tone movie, with the first 45 minutes being somewhat of a romantic comedy and the rest of the movie being quite different. I don't have a problem with that. The problem is that after we start getting introduced to the idea that "something is wrong", the behaviour of the characters starts to make less and less sense. I get it that a character can be revealed to not be who they seem to be during the story; but is the main character, who for most of the movie is depicted as nothing but a benevolent heroine through and through, also supposed to turn psycho and literally murder a whole classroom (or perhaps a whole school) of innocent elementary students? Like, WHAT THE FUG, really? What is the audience supposed to feel? What's the intended emotional response for the makers of the movie? Disgust? Confusion? Regret of spending two hours watching this crap? If that was the goal, congratulations to the director/screenwriter, because I feel all of those things. And beyond the shock ending, the story as a whole doesn't really make much sense. We are told that the father of the family has experienced some trauma with his mother as a kid, okay, but why or how this trauma is still somehow lingering over him and even more so his daughter, is not really delved into. And what's the deal with the ex wife? What's the deal with the weird painting, why do they put super creepy eyes on their family portrait? What the real deal with the infantile regression? What's the deal with the daughter having a sudden change of behaviour from one scene to the next? What's the deal with their left ears? Yes the father was slapped by the mother and almost became deaf from the left ear, but why would the daughter have that trauma too? We can only speculate, but I don't think a good story leaves so many plot holes. I can take a shock ending or a complete change in direction for the story, but it has to make sense. The characters in this movie didn't make much sense and their story is hardly well explained.
Not even Tsuchiya Tao could save this movie. As the other reviewers have mentioned, the first half and second half of the movie has a different tone. First half seems to portray a cheerful character who has moved on from her past. The second half seems to be a film with psychotic family squabbles and trouble. Perhaps one has to be Japanese to understand the context? (since I'm not). But if this film resonates with the Japanese, it should garner more attention, right? The storyline is not just overzealous, but utter ridiculous story writing that makes cheap, jump-scare horror movies seem like Oscar-winning material.
Dropped out after 30 minutes, fast worward a little, didnt see anything i liked .. bad acting, bad directing, bad writing.. i dont care about the rest.
I decided to watch this Movie, based solely on the Poster, and the Storyline. Although it was filed under the genre of Crime, as it unfolded before me, there were enough elements in it to pass under the genre of Horror. I enjoyed it, because I felt the impact made by the Characters, and the way the Story was told. (Warning, if you are very particular about every single small detail shared in a Movie itself, then this Movie is not for you, because you will probably feel that it tries to do too much.)
Very difficult to understand what is going on. It seems the 8 year old daughter kills a student, parents accuse school of bullying the daughter over PA, somehow girl dies (not clear how/by whom) and parents inject insulin into all the students and kills them all.
Don't let the first 45 minutes fools you. This is no romantic drama nor family drama at all. This deals with the deepest and darkest of every couple's heart: family Does your family come first? Does your spouse come first? Does your child come first? And how do you rate yourself as a spouse and a mother or father? Does your past define you as a person?
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Isang detalyadong pagtalakay sa mga kamakailang pagbabago sa presyo, kung bakit muling isinasaalang-alang ng mga user ang kanilang setup sa panonood, at kung paano suriin ang alternatibong workflow nang hindi nawawala ang iyong mga gawi sa pagtuklas.
Alamin ang tamang paraan para i-install ang Movie Box APK: mga pangunahing kaalaman sa bersyon muna, pagkatapos ay malinis na mga hakbang sa pag-install, at sa huli kung paano pumili sa TV, iOS, Web, at app usage paths.
Isang mahabang review na sumasaklaw kung bakit natatangi ang Project Hail Mary sa 2026: kalidad ng adaptation, siyentipikong pagkukuwento, lalim ng damdamin, at mga reaksyon ng manonood.
Ang mga kwentong komedya ay ginawa para magbigay-aliw sa pamamagitan ng katatawanan. Kabilang sa mga popular na format ang situational comedy, sketch-style humor, workplace comedy, at romantic comedy.
Binibigyang-diin ng mga action title ang excitement, pisikal na labanan, mga bayaning karakter, at mabilis na pagkukuwento. Madalas itinatampok ng mga adventure title ang eksplorasyon, survival, o malalaking paglalakbay.
Sinusundan ng mga crime drama ang mga imbestigador, detective, abogado, o mamamahayag habang nilulutas nila ang mga kasong kriminal. Hinihikayat ng mga mystery story ang mga manonood na tumuklas ng mga clue kasama ang mga karakter.
Tinutuklas ng science fiction ang futuristic na teknolohiya, paglalakbay sa kalawakan, artificial intelligence, alternatibong realidad, at siyentipikong haka-haka.
Ang horror storytelling ay lumilikha ng suspense sa pamamagitan ng psychological tension, supernatural na pangyayari, halimaw, o survival scenarios.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.
Kabilang sa animation ang mga gawa para sa bata, pamilya, at matatanda, mula sa educational content hanggang sa kumplikadong dramatikong pagkukuwento.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.