Mattson Tomlin
bilang Director
English,Filipino,Français,Indonesian,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ,中文
The drama film Mother/Android, starring Chloë Grace Moretz, Algee Smith, Raúl Castillo, etc., directed by Mattson Tomlin, was released on December 17, 2021 in Estados Unidos. It tells the story of In a post-apocalyptic world rocked by a violent android uprising, a young pregnant woman and her boyfriend desperately search for safety. This is a Drama, Sci-Fi, Thriller film with a runtime of 110 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 5.0/10 from 22,596 viewers.
Mattson Tomlin
bilang Director
Chloë Grace Moretz
bilang Georgia
Algee Smith
bilang Sam
Raúl Castillo
bilang Arthur
Linnea Gardner
bilang Sarah
Kiara Pichardo
bilang Lisa
Oscar Wahlberg
bilang Derrick
Christian Mallen
bilang Kevin
Jared Reinfeldt
bilang Connor
Liam McNeill
bilang Daniel
Stephen Thorne
bilang Eli
Jon F. Merz
bilang Mr Olsen
Tamara Hickey
bilang Mrs Olsen
Jason Bowen
bilang Boston Lieutenant
Hana Kim
bilang Korean Official
Benz Veal
bilang Patrol
Will Lyman
bilang Captain
Owen Burke
bilang Officer Norton
Kate Avallone
bilang Doctor Howe
Mattson Tomlin
bilang Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 panalo at 43 nominasyon sa kabuuan
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Wow, you can really tell a pandemic is going on with films nowadays. This was just relentlessly depressing. That's "okay" in film, but not if there's no other point to it. Please tell me, anyone, why did film exist other than to watch Chloe Grace Moretz cry a lot? First of all, the title of the film was a miss. Could they just not think of anything else? Second, as is often the case in films of this type, there is little explanation as to "why" it's all happening. "Androids don't like people anymore." Got it. But the real problem with this film was the pacing. The glacial, quicksand pacing. There were about 5 endings to this film, each a long shot of people just staring. The climax of the action happens with 15 minutes left, so we literally get 15 minutes of Chloe staring into the distance wondering what her kid's life would have been like. It's the entire end of the film, what were they thinking?! Awful script, awful writing. What a waste!
Magandang pelikula!
Magandang pelikula!
Magandang pelikula!
The robot get crazy line is totally ok to watch, indeed I think the chase n kill not too enough. The survivor is a pregnant lady who escape from the kill and story turn terribly boring by adding the mother and new born baby separation at the end..... really can't fit in and both storyline put together just not alright, like drinking a soup and put French fries inside.....
Lazy obvious writing, shocking editing, big ambitions on a small budget, the soldiers are bad, the women is pregnant, it attempts to use the awkwardness & misery to build tension. Even hard stories require some hope & light to keep you interested, but this movie just trudges along creating one sad scene after another. The two leads keep doing & saying dumb things to again create tension, so much you get annoyed at the two leads for being so stupid, I started seeing the androids as more interesting. A good example of the movie churn that streaming has created, this is a sad pointless movie.
It's a tale of hope, and loss, and love, and mourning. Of dreams dashed and hopes burgeoning. It's a tale of strength and survival and stoicism and it is told by Moretz at the peak of her acting. I remember her in Hugo as a child and she has matured far beyond what I ever thought she would. She carried and drove the film, and for maybe the 5th time ever I give this an 8. It's a very powerful and strong film with great direction, fantastic score and superlative acting, don't miss it.
All in all good film that manages to convey strong feelings of anxiety also proposing some nice twists. Too bad that the plot is not very original and that in some places it has holes to send it forward, in particular there is a huge screenplay towards the end that serves to keep the plot going which is too big not to be noticed.
This movie starts out as a post-apocalyptic zombie flick, but with androids. It delivers a surprising and satisfying final third. Chloe was completely believable as a struggling mother-to-be, and the acting was entirely convincing overall. Good if you like interesting takes on the android apocalypse. Bad if you need non-stop action.
Ending made me delete my rant and increase number of stars. This girl is amazing actress. Movie is slow, heavy and sad. Story is not new but, the tech, the drama, heavy loss. Sad movie.
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Isang mahabang review na sumasaklaw kung bakit natatangi ang Project Hail Mary sa 2026: kalidad ng adaptation, siyentipikong pagkukuwento, lalim ng damdamin, at mga reaksyon ng manonood.
Ang mga kwentong komedya ay ginawa para magbigay-aliw sa pamamagitan ng katatawanan. Kabilang sa mga popular na format ang situational comedy, sketch-style humor, workplace comedy, at romantic comedy.
Binibigyang-diin ng mga action title ang excitement, pisikal na labanan, mga bayaning karakter, at mabilis na pagkukuwento. Madalas itinatampok ng mga adventure title ang eksplorasyon, survival, o malalaking paglalakbay.
Sinusundan ng mga crime drama ang mga imbestigador, detective, abogado, o mamamahayag habang nilulutas nila ang mga kasong kriminal. Hinihikayat ng mga mystery story ang mga manonood na tumuklas ng mga clue kasama ang mga karakter.
Tinutuklas ng science fiction ang futuristic na teknolohiya, paglalakbay sa kalawakan, artificial intelligence, alternatibong realidad, at siyentipikong haka-haka.
Ang horror storytelling ay lumilikha ng suspense sa pamamagitan ng psychological tension, supernatural na pangyayari, halimaw, o survival scenarios.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.
Kabilang sa animation ang mga gawa para sa bata, pamilya, at matatanda, mula sa educational content hanggang sa kumplikadong dramatikong pagkukuwento.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.