Lee Ji-seung
bilang Director
The krimen film Mother Vengeance, starring Ma Dong-seok, Choo Kwi-jung, Jae-Hee Lee, etc., directed by Lee Ji-seung, was released on April 18, 2013 in Korea. It tells the story of A mother goes to extreme measures against her daughter's attacker after feeling that the local law enforcement have failed her. This is a Krimen, Drama, Thriller film with a runtime of 75 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 5.8/10 from 376 viewers.
Lee Ji-seung
bilang Director
Ma Dong-seok
bilang Detective Ma
Choo Kwi-jung
bilang Victim counselor
Jae-Hee Lee
bilang Hyun-Joo (child)
Sung-Woo Bae
bilang Husband
Tae-goo Eom
bilang Officer at police substation
Hwang Tae-kwang
bilang Man
Jang Young-Nam
bilang Azooma
Lee Ji-seung
bilang Writer
Hyunwoo Kim
bilang Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 panalo at 43 nominasyon sa kabuuan
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Magandang pelikula!
Magandang pelikula!
It seems Ji-seung Lee has been taking notes in his many years spent on the producing end of the film business. Here he delivers a relatively short, but powerful film tackling some very sensitive issues. He walks the viewer through one of the most heinous of crimes possible, sexual assault against a child. As serious of a crime as that is, Lee chooses to expose another evil, one not so easily identified, one of which as shown here in the film, is seemingly just as unconscionable-The indifference of the very people we as society so delicately entrust to deal with these sensitive criminal matters. With his unique eye Lee exposes the evil that law enforcement and everyday people can commit by choosing not to see what is squarely in front of them, choosing to ignore the plight of the woman, something that reaches more into the climate of social female prejudice, which is strongly represented throughout the film as Yoon is dismissed time after time by the males that are in charge of her case. Making the move from strictly producing as he has done in the past, Lee's unique way of dividing up the narrative took what could have been a fairly simple story and found subtle ways for drawing in the viewer to feel Yoon's (Young-nam Jang) pain and frustration as she desperately seeks the proper attention from police. Do note in the film Yoon is constantly referred to as Azooma, a condescending form of address for an older married woman in Korea, serving as yet another form of prejudice toward Yoon. It was an incident that occurred by chance, one day Yoon was running late from a business meeting to pick up her ten year old daughter from school. Unfortunately, a serial pedophile was lurking nearby, his sights set firmly on the young girl. As she started down the sidewalk, the predator, identified only as "man"(Taekwang Hwang), quickly rolls up along side her, explaining he knew her mom and to come with him in the car. It was later that night that the child's raped and wounded body was found in a trash pile. With no witnesses and since the man had taken every precaution possible not to leave any trace evidence, the police take little to no action to track down the offender and have no patience for Yoon's constant demands for action. The specific actions of Detective Ma (Ma Dong Seok) are so indifferent and unconscionable that certain scenes involving him interacting with both mother and daughter are infuriating to watch. Even after Yoon tracks down the attacker physically, the police that respond are easily outwitted into thinking that Yoon was just some "Azooma". To throw in extra complication, the father of the child, Yoon's ex- husband Dr. Lee, is some form of a celebrity there in Korea. So he uses whatever influence he has to hinder and ultimately close the investigation. All the while the camera is fixed on Yoon and she does a superb job showing the myriad of emotional transitions that her character goes through. In all it was a very satisfying Korean film that gets under your skin and leaves you with a strong semblance justice has been had, while certainly not delivered in a conventional means, it's a violent, but fitting resolution indeed. EDIT(2017):phi-thanh-nguyen, good to see you enjoyed the film despite having sh!t for brains. Stay classy.
A simple revenge story deliver with different screenplay.. A littke kid was raped brutally by a guy..soo her mother seeks revenge indepently... Good screenplay And making of the film.. Must watch movie..!!
Seriously Davis were you on cr4ck, pot and mushrooms when you were watching this movie? If the filmmaker's intention was to p1ss people off it was a great success. Your review is trash in my opinion and I hate your guts for tricking me into watching this. Why? Because this movie is the worst I've seen in ages, filled with incompetent stupid !@#$ for brain people I can't even describe without spoiling. Also the random montage and flashbacks or whatever I should call that, i.e. when they show short fragments of different timed events and then later on show the same fragment with a little extra make no sense at all. Is this a new way of building up a tension, because the only thing it was building up was my rage meter. Also, the fact that it is a short movie they should fire the c0k3addict that didn't know how to restrain himself from excessive use of the copy paste button and mixed up the whole bundle while blindfolded. This movie would've been better if it lasted only 15 minutes which obviously the last 15 minutes of it. A two for the justice at the end and special effects.
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Isang mahabang review na sumasaklaw kung bakit natatangi ang Project Hail Mary sa 2026: kalidad ng adaptation, siyentipikong pagkukuwento, lalim ng damdamin, at mga reaksyon ng manonood.
Ang mga kwentong komedya ay ginawa para magbigay-aliw sa pamamagitan ng katatawanan. Kabilang sa mga popular na format ang situational comedy, sketch-style humor, workplace comedy, at romantic comedy.
Binibigyang-diin ng mga action title ang excitement, pisikal na labanan, mga bayaning karakter, at mabilis na pagkukuwento. Madalas itinatampok ng mga adventure title ang eksplorasyon, survival, o malalaking paglalakbay.
Sinusundan ng mga crime drama ang mga imbestigador, detective, abogado, o mamamahayag habang nilulutas nila ang mga kasong kriminal. Hinihikayat ng mga mystery story ang mga manonood na tumuklas ng mga clue kasama ang mga karakter.
Tinutuklas ng science fiction ang futuristic na teknolohiya, paglalakbay sa kalawakan, artificial intelligence, alternatibong realidad, at siyentipikong haka-haka.
Ang horror storytelling ay lumilikha ng suspense sa pamamagitan ng psychological tension, supernatural na pangyayari, halimaw, o survival scenarios.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.
Kabilang sa animation ang mga gawa para sa bata, pamilya, at matatanda, mula sa educational content hanggang sa kumplikadong dramatikong pagkukuwento.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.