Dakota Gorman
bilang Director
English,Filipino,Indonesian,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ,中文
The komedya film Natural Disasters, starring Dillon Lane, Natalee Linez, Emma Deckers, etc., directed by Dakota Gorman, was released on July 15, 2021 in Estados Unidos. It tells the story of Three friends in their mid-20s struggle to navigate their professional and personal lives, colliding head on with the messy, hilarious and dreadful growing pangs of adulthood. This is a Komedya, Drama film with a runtime of 105 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 4.8/10 from 387 viewers.
Dakota Gorman
bilang Director
Dillon Lane
bilang Kyle
Natalee Linez
bilang Casey
Emma Deckers
bilang Morgan
Matt Angel
bilang Lowick
Dakota Gorman
bilang Sage
Chris Costanz
bilang Nathan
Parvesh Cheena
bilang Laurel
Cate Cohen
bilang Miranda
Sterling Sulieman
bilang Jared
James Hyde
bilang Andrew
Anisha Adusumilli
bilang Trish
Joey Vahedi
bilang Max
Dusty Warren
bilang Allen
Teagan Sirset
bilang Amber
Sean Riggs
bilang Tristan
Michaela Sasner
bilang Aubrey
Madeleine Gardella
bilang Sarah
Ryan W. Garcia
bilang Adrian
Dakota Gorman
bilang Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 panalo at 43 nominasyon sa kabuuan
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Magandang pelikula!
Magandang pelikula!
source: Natural Disasters
Unless you find fascination in endless discussions by dull, mediocre-looking young women about such thought provoking topics as ingesting a certain body fluid, there's just no reason to watch this slow moving, indulgent nonsense. Not even after they changed the misleading title (from Natural Disasters) before it hit streaming platforms to the equally misleading but even less clever clickbait label: All About Sex. Though it's rated for ages 18+ there's no actual nudity and the simulated, fake sex is less interesting than the new title of this ludicrous mess. It's just more junk about young women whose lives revolve around the men in them. I would have thought by this point in modern cinema we would be past the notion that a woman is nothing without a man in her life. These dippy whiners didn't get the memo. The unknown actors are minimally talented, and the characters all less than interesting. The only thing worse than the two titles, the stupid and graphic conversations, the idiotic plot, and the dry humping with most of their clothes still on, is the writing. There seems to be a dearth of good writers because there is a lot of terrible junk like this that gets made these days. They have definitely scraped the bottom of the barrel for untalented writers who can regurgitate unoriginal, boring tripe like this. Why was this even made?
One should think that since Sex and the City there should not be any male existing being surprised that women talk about sex. And that they enjoy (sometimes) and like to gossip a bit about their own lifes and the lives of others. That being said, would I say that the characters in the movie always act in their best interest? No. But do the circumstances allow for them to go ... all out? Act a fool as some might also say. I would argue there is enough sentiment for them to be angry and irrational (as some would put it). No one does always the right thing or the best thing or whatever you would call it. The performances are good - which is really something that is needed with a talky movie like the one at hand here. You may not like the subject matter - you may not be able to identify with our main characters either ... but they feel three dimensional. They feel like they are well written - and they feel like the actors got into their skin - no pun intended.
I think for this day in age, it's a very good movie. And has relatable moments that happen in real life. Acting was alright but I would point more towards the story and relatability.
Title stated what I feel. Little long and just weak version of the famous TV series. But it's not too bad just similarity with S&C makes me compare.
I watched this on Amazon Prime under the title of "All About Sex." I think that both titles are an unfortunate choice to better promote and reflect this friendship dramedy. The three lead characters are generally very likable people who you want to care about and understand. Each does a good job with the role. There are enough good scenes to hold your interest and make you watch. The script however, was not as commendable as the acting. I was quite disappointed in the how the script kept the characters from finding and nurturing a truly rewarding and genuine romance, mostly due to the lack of opportunities depicted in an urban setting. Not that it isn't believable that young women can often find it challenging to find a satisfying and loving romance, but the script doesn't offer many worthwhile suitors to begin with. Girls that attractive usually encounter attention from more potential love interests than we see in the film. This movie gives you the impression that while it takes place in a city, there just aren't that many people around to talk with. That said, the really hard to believe story line was between Morgan and Lowick. The character of Lowick comes across as just too nice, sensitive, caring and open-minded to have the reaction he displays when Morgan reveals her secret. Either he suffers from dual personality disorder or you have a very irreconcilable contradiction on your hands trying to believe that he is really that hurt over the her revelation. I'm sorry, but it's just not the reaction most guys would have, let alone a guy initially made out to be that nice. To Emma Decker's credit, she does an excellent job in the earlier part of the film making her character's dilemma believable and relatable. Unfortunately, a few too many moments in the script seem to purposefully keep our trio from getting too far in developing their life potential, and film wise, from allowing the movie to better develop its potential. No, not all scripts need to end happily ever after, but I think this script could have allowed us a more endearing growth in the life of its characters. A good start would have been to stop trying to act out so many cliches in the supporting scenes, especially at the coffee shop. Overall, there are enough good things about the film to mildly recommend it. Unavoidably though, its just one of those movies that leaves you with too many things to critique rather than enjoy. Ultimately, you end up getting attached enough to characters to really want the movie (script) to have been better.
Its not just ALL ABOUT SEX but actually all about the friendship of three young women. Really funny back and forth dialogue! Really fun and memorable characters all throughout the film. I especially loved the coffee shop manager, absolutely hilarious! There are some sexy and provocative moments that are actually really funny in the comedy of the film. Well worth a watch!
W** did i just watch? Some. Some filler text. Some filler text. Some filler text.
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Isang mahabang review na sumasaklaw kung bakit natatangi ang Project Hail Mary sa 2026: kalidad ng adaptation, siyentipikong pagkukuwento, lalim ng damdamin, at mga reaksyon ng manonood.
Ang mga kwentong komedya ay ginawa para magbigay-aliw sa pamamagitan ng katatawanan. Kabilang sa mga popular na format ang situational comedy, sketch-style humor, workplace comedy, at romantic comedy.
Binibigyang-diin ng mga action title ang excitement, pisikal na labanan, mga bayaning karakter, at mabilis na pagkukuwento. Madalas itinatampok ng mga adventure title ang eksplorasyon, survival, o malalaking paglalakbay.
Sinusundan ng mga crime drama ang mga imbestigador, detective, abogado, o mamamahayag habang nilulutas nila ang mga kasong kriminal. Hinihikayat ng mga mystery story ang mga manonood na tumuklas ng mga clue kasama ang mga karakter.
Tinutuklas ng science fiction ang futuristic na teknolohiya, paglalakbay sa kalawakan, artificial intelligence, alternatibong realidad, at siyentipikong haka-haka.
Ang horror storytelling ay lumilikha ng suspense sa pamamagitan ng psychological tension, supernatural na pangyayari, halimaw, o survival scenarios.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.
Kabilang sa animation ang mga gawa para sa bata, pamilya, at matatanda, mula sa educational content hanggang sa kumplikadong dramatikong pagkukuwento.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.