Lloyd Lee Barnett
bilang Director
English,Filipino,Français,Indonesian,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,中文
The aksyon film Ninja Apocalypse, starring Christian Oliver, Les Brandt, Cary-Hiroyuki Tagawa, etc., directed by Lloyd Lee Barnett, was released on August 5, 2014 in Estados Unidos. It tells the story of Framed for assassinating the Grandmaster, the Lost Ninja Clan must fight their way up an underground nuclear bunker filled with hordes of supernatural enemies, mutants, and flesh-eating zombies. This is an Aksyon, Pantasya, Katatakutan film with a runtime of 84 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 3.2/10 from 1,015 viewers.
Lloyd Lee Barnett
bilang Director
Christian Oliver
bilang Cage
Les Brandt
bilang Surge
Cary-Hiroyuki Tagawa
bilang Fumitaka
Ernie Reyes Jr.
bilang Hiroshi
Isaac C. Singleton Jr.
bilang Sky
Kaiwi Lyman
bilang Trillion
West Liang
bilang Becker
Tara Macken
bilang Mar
Antoinette Kalaj
bilang Siren
Alvin Hsing
bilang Horace
Bryan Cartago
bilang Rafter
Mark Heidelberger
bilang Ninja Guard Captain
Alex Huynh
bilang Tribal Chief
Ashley Scott Meyers
bilang Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 panalo at 43 nominasyon sa kabuuan
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I feel very lucky that, despite the increasingly daunting prospects of funding, I live in a time when independent filmmakers can indulge the craziest of ideas. NINJA APOCALYPSE is not the most barking cinematic outing you can find, but it is an exercise of creative abandon. I imagine director Lloyd Lee Barnett trying to decide on whether to make a movie about ninjas, superhumans, or zombies and saying "Screw it - I'll make a movie about all of them!" Though low-budget movies on all of those subjects abound, Barnett's effort is still a modestly unique and entertaining adventure. While it's not for everyone, it's an effective niche flick for adventurous viewers. The story: Framed for murdering the master of all post-apocalyptic ninja bands (Cary Hiroyuki-Tagawa), the leader of the Lost Clan (Christian Oliver) and his compatriots must face mutants, zombies, and their fellow ninjas as they fight their way out of a subterranean bunker. The most important things director Barnett brings to the production is enthusiasm and a sense of pacing. I can't claim that any technical or dramatic aspect of the film is anything more than a mixed bag, but directorial fervor bleeds into the story and gives it the energy that's so important to B-movies. We never get a good handle on any of the characters, but the plot is fun to follow in the same way that it's fun to play a video game. There are so many cool ideas stuffed into the feature – reptilian desert ninjas, regenerating zombies, THE LAST AIRBENDER-esque control of the elements, etc. – that it's easy to feel overwhelmed, and none of them are examined thoroughly, but there's enough indulgence to recognize this as an attention-maintaining tactic. It's effective, if you know what you're getting in to. Despite the amplitude of people throwing electricity, fireballs, and particle weapons at each other, this is foremost a martial arts film and features a ton of fighting. Like the special effects, it's a mixed bag, but even at their worst, the fights are pretty bearable and the performers are admirably athletic (including Christian Oliver, even though he's substantially doubled for his tricking). Swordfighting is the name of the game, and to this end, the movie benefits from the inclusion of supporting stars Alex Huynh, Alvin Hsing, and Ernie Reyes, Jr., even though they only get one match apiece. None of the fights are exceptional, but there are some neat examples of close-quarters choreography and an absence of annoying camera angles and editing tricks. Tentatively, I approve. Chances are that NINJA APOCALYPSE will not dramatically affect your life, so if you decide to watch it, I suggest doing so during a time that you would have spent being unproductive anyway. Consider it a rental, but do consider it if B-movies are your thing. You can do much worse.
The title sounds good but it's nothing but an failed attempt to imitate the cult classic The Warriors, it's almost like it was made by a couple of teens which tried to be cool by adding super powers to a few characters ala Mortal Kombat/Street Fighter 2. The actors can't even act properly, i lost my interest after 32 minutes. It's a complete waste of your time having to sit through this abysmal piece of crap.
After the end of the world as we know it, the wise master Fumitaka calls all Ninja clans for a peaceful assembly. He is murdered by an unknown killer, and the leader of the Lost Clan is framed for it. He wants to find out who the real killer is, but before he can start his revenge mission, the Lost Clan members have to butcher a bunch of zombies living (or rather: existing undead) next door for some strange reason. Cary-Hiroyuki Tagawa ('Tekken', 'Mortal Kombat') as Fumitaka is the only serious actor here. All the others seem to be a bunch of students. Asian movie fans will probably cringe in their seat when they watch the amateurish fights, looks more like a Saturday night tavern brawl than trained ninjas at work. Nothing needs to make sense here, for example the Siren clan wears shiny new skintight black leather, while everyone else wears dirty rags. The script must have been some kind of fanboy dream, filmed with a minimal budget almost entirely in somebody's basement, there are hardly any outdoor scenes to show the 'postapocalyptic world'. I think 'Ninja Apocalypse' was not a complete waste of time to watch, because it is one of those movies which are so bad they become rather funny, occasionally at least.
This movie was entertaining to watch as it had a cast that did a good job in their roles and the special effects along with the cinematography were outstanding. The fights were well choreographed and the script was evidently mostly copied from another movie but it was pretty good overall.
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Isang mahabang review na sumasaklaw kung bakit natatangi ang Project Hail Mary sa 2026: kalidad ng adaptation, siyentipikong pagkukuwento, lalim ng damdamin, at mga reaksyon ng manonood.
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Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.