Jerrod Carmichael
bilang Director
English,Filipino,Français,Indonesian,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ
The komedya film On the Count of Three, starring Jerrod Carmichael, Christopher Abbott, Tiffany Haddish, etc., directed by Jerrod Carmichael, was released on May 13, 2022 in Estados Unidos. It tells the story of Jerrod Carmichael makes his directorial debut and stars in On the Count of Three, a darkly comic feature about two best friends, Val (Carmichael) and Kevin (Christopher Abbott), on the last day of their lives. This is a Komedya, Krimen, Drama film with a runtime of 86 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 7.0/10 from 10,063 viewers.
Jerrod Carmichael
bilang Director
Jerrod Carmichael
bilang Val
Christopher Abbott
bilang Kevin
Tiffany Haddish
bilang Natasha
Lavell Crawford
bilang Donny
J.B. Smoove
bilang Lyndell
Henry Winkler
bilang Dr. Brenner
Ryan McDonald
bilang Brian
Allison Busner
bilang Leah
Jamie Mac
bilang Todd
Tori Hammond
bilang Lori
Jared Abrahamson
bilang Wyatt
Zachary Aiello
bilang Andre
Sydney Van Delft
bilang Beth
Huy Hao Tran
bilang Janitor
Matthew Gorman
bilang Dennis
Craig Arnold
bilang Eddie
Clyde Whitham
bilang Mr. Ritchie
Sharon Forrester
bilang Nurse
Ari Katcher
bilang Writer
Ryan Welch
bilang Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 panalo at 43 nominasyon sa kabuuan
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On the Count of three is a funny and dark new film by Jerrod Carmichael who stars along side Christopher Abbott. There two performances make this one of the best movies of 2022. Both these guys are emotional, layered, funny, and even a little scary and make the movie a great experience for fans of acting. Supporting roles from Henry Winkler, Tiffany Hadish, JB Smoove, and Huel while small, are all played with tip top perfection. This film goes from laugh out loud hilarious to jaw dropping sadness with ease, and not many films can do that. Check this one out, if you wanna watch something new.
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Magandang pelikula!
source: On the Count of Three
Solidly directed, splendidly acted, and wholly hilarious and witty while never losing its sharp edge of dark profound observations on life, loss, and purpose. I was surprised how the script manages to handle so many subplots and themes with grace and care, with none of them ever overshadowing the others. The characters are all monumentally flawed, saying and doing things that I certainly didn't agree with, but that's what made for such a satisfying human experience. Tiffany Haddish is in the movie for less than 5 minutes and she manages to portray what is arguably her best character on screen. That alone makes this movie worth checking out.
Feels like an unfinished product, never sure about what it wants to be. I don't even mean in terms of genre, as I guess it's supposed to be a dramedy and fails on that - surprisingly, the funny bits don't work at all! In a film with such a strong and in your-face soundtrack, it's curious that the film doesn't know if it wants to be a full metal piece or just a classical opera and it's on that weird approach to such strong thematics - with a 20 seconds exploration in some cases - that this don't land at all. Good acting from the duo, interesting different perspectives and arcs (even if it feel rushed) and some interesting bits about parallel stories/events, even if it tries too touch in too many subjects at the same time.
This is a decent movie that does a good job making you care about the characters and their struggles. The two leads give great performances and the movie has a good message. It does a nice job portraying the mental health aspects. I chose this movie because the first genre listed is comedy. But it was maybe 5% comedy. And a drama about mental health struggles isn't something I normally go for. If that's a subgenre you enjoy then I think you will like it. (1 viewing, 5/20/2022)
If you enjoy reading my Spoiler-Free reviews, please follow my blog :) Even though On the Count of Three isn't exactly a comedy or a light film based on a silly premise (How It Ends), I did expect humor to play a big part. In this regard, I wasn't disappointed. Christopher Abbott (Possessor) is particularly funny with all his self-debates about taboo matters such as racism and general discrimination, but there are several meaningful messages "hidden" in the seemingly comedic scenes. Let me also praise Jerrod Carmichael for his grounded, emotionally compelling display and for his terrific directing. The actors share impeccable chemistry and transform a supposedly close friendship into something really authentic. Val (Carmichael) and Kevin (Abbott) are incredibly relatable, which could make a movie about committing double suicide a bit dangerous. The screenplay from Ari Katcher and Ryan Welch is carefully written in a way that clearly demonstrates how different people deal with depression, sadness, stress, and so many other aspects in life that bring people down. Fortunately, these characters are built and developed in such a rich, enlightening manner that the ending - while shocking in its essence - works beautifully as a message that life is worth living no matter how tough it might be. This might be a confusing statement to write for people who have already seen the film, but it all has to do with the care that the viewers gain for the protagonists. The first act puts them at equal standpoints regarding suicide, but throughout the runtime, it's shown to the audience what happened in each of their lives. It's the subtle conversations, the apparently insignificant jokes here and there that ultimately turn the climax so emotionally effective. The best compliment I can offer this movie is that the ending - despite being somewhat expected - clearly transmits to the public what's right and wrong. Technically, exceptional camera work from Marshall Adams (beautiful long takes) and an amazing score from Owen Pallett elevate the overall picture. I wish the characters could have been more explored, but having in mind the short runtime, it's truly a great piece of filmmaking. On the Count of Three is one of those films I know I'll undoubtedly rewatch more than just a couple of times. Boasting two phenomenal performances from Christopher Abbott and Jerrod Carmichael (also the director), the genuine chemistry between the two actors elevate a close friendship into something that makes the viewers deeply care about their fate. Tremendous praise to Ari Katcher and Ryan Welch's screenplay, which is definitely the element that makes this movie one of the best I've seen this year. By writing it with extreme care and responsibility, the predictable yet impactful ending doesn't leave a margin for doubts about what's right or wrong. Everyone deals with the bad moments in life differently, but life is always worth living. I felt emotionally invested in the main characters to the point of wishing the film was longer so that the writers could dive deep into these protagonists. Technical shoutouts to the impressive camera work and remarkable score. In the end, I couldn't recommend it more. Rating: A-
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Binibigyang-diin ng mga action title ang excitement, pisikal na labanan, mga bayaning karakter, at mabilis na pagkukuwento. Madalas itinatampok ng mga adventure title ang eksplorasyon, survival, o malalaking paglalakbay.
Sinusundan ng mga crime drama ang mga imbestigador, detective, abogado, o mamamahayag habang nilulutas nila ang mga kasong kriminal. Hinihikayat ng mga mystery story ang mga manonood na tumuklas ng mga clue kasama ang mga karakter.
Tinutuklas ng science fiction ang futuristic na teknolohiya, paglalakbay sa kalawakan, artificial intelligence, alternatibong realidad, at siyentipikong haka-haka.
Ang horror storytelling ay lumilikha ng suspense sa pamamagitan ng psychological tension, supernatural na pangyayari, halimaw, o survival scenarios.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.
Kabilang sa animation ang mga gawa para sa bata, pamilya, at matatanda, mula sa educational content hanggang sa kumplikadong dramatikong pagkukuwento.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.