One Wild Moment

one wild moment in english

35:00 nipples 😶‍🌫️🫥

23:20...isme beti ki dost papa ko line maarti he...ye scene me wo apne pom pom nikal ke usse dikhati he

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I've watched this movie three times now, and each time it gets funnier. I liked the way the movie took its time to set the scene because you need to be quite tuned into the characters and the situation to enjoy how things unfold. I've always liked Vincent Cassel as an actor but have never seen him in a comic role; he was brilliant in this, really stole the show. His facial expressions were priceless and Francois Cluzet was his perfect sidekick. There were even a few more serious moments towards the end which I thought worked well and rang true. If you watch this with an open mind it's a lot of fun.

Greetings again from the darkness. In 1977, French Producer-Writer-Director-Actor Claude Berri directed a film version of his own original screenplay entitled IN A WILD MOMENT. In 1984, director Stanley Donen's (SINGIN' IN THE RAIN) final feature film was an Americanized remake that inexplicably left Mr. Berri as uncredited. Perhaps that's how Berri preferred it, since Donen's BLAME IT ON RIO was atrocious and nearly unwatchable despite a cast that included Michael Caine and a 21 year old Demi Moore. This third iteration, directed by Jean-Francois Richet (who co-wrote the adapted screenplay with Lisa Azuelos) does credit Berri, and returns the material to France where it's a better fit. Best friends Antoine and Laurent take their teenage daughters Louna and Marie (who are also best friends) on holiday to Antoine's childhood home in the Corsica countryside. The house is a bit rustic and neglected, has spotty (at best) internet, includes a family burial plot, and is miles from town. The only neighbor is an elderly gentleman and his roaming dog. The girls aren't nearly as taken with the serenity as their dads seem to be. Both dads are loving and protective of their daughters, though the usual teenager-parent squabbles occur regularly. Watching the interactions between the dads and daughters, between the two men, and between the two teenagers is quite entertaining and exceedingly believable. Of course, the core of the story is what happens in one "wild" moment when Laurent is simply being supportive of Antoine's daughter Louna - and her teenage crush of the older man shifts into seduction. A late night naked frolic on the beach crosses the line that should never be crossed. Laurent instantly regrets the action, and Louna falls "in love" like only a teenager can. The rest of the movie becomes an uneasy dance of lies, threats, insinuations and betrayals. Most of it is handled with a comedic intentions, and that compounds the feelings of queasiness and disgust that we have towards Laurent and his unacceptable and unforgivable (and illegal) actions. We see the two men frazzled for much different reasons. Though he doesn't know the identity of the "older man" who took advantage of his daughter, Antoine is obsessed with tracking him down and making him pay. On the other hand, Laurent is desperate to keep the secret from his friend, and that forces him to play along with Louna's taunting games. Two of France's biggest stars, Vincent Cassel (MESRINE) and Francois Cluzet (THE INTOUCHABLES, TELL NO ONE) play Laurent and Antoine, respectively, while Lola Le Lann (age 19 during filming) and Alice Isaaz are Louna and Marie. Mr. Cassel and Ms. Isaaz are especially effective - he in a no-win role, and she leaving us wanting even more characterization. Though it was filmed more than 3 years ago, it's now getting a second life. Original writer Claude Berri is probably best known for his stellar work on JEAN DE FLORETTE and MANON OF THE SPRING, and we can't help but think his script would work better in contemporary times if the comedy turned much darker and made it abundantly clear that Laurent's actions were entirely unacceptable - instead of leaving his response to young Louna's come-on as understandable. The film is produced by Thomas Langmann, the son of Claude Berri, and kicks off with the beautiful and familiar version of "La Mer", a 1946 song by Charles Trenet.

French movies are either so boring and dull or totally opposite: really awesome. This one is really great and kinda feel good movie ( at least for me). What I liked about the movie... I liked the landscapes and whole background. Really nice nature of the Corsica ( though I believe it was filmed somewhere in the south of France) and colors of the summer. The soundtrack to the movie was surprisingly new - Lean On, Diamonds by Rihanna and many recent hits. The girls are really believable ( well, I guess all they had to do is to be themselves) and Vincent. The other dad was over dramatic and I had a feeling he was trying too hard to act those angry and awkward situations that he becomes cartoonishly silly. I did not know that the movie is a remake of the 70's movie... I might look for it. The whole summertime feel and carelessness feel remind me of another French movie: The Pool. All in all, the movie is really watchable and enjoyable. It ends with a girl smiling...and I couldn't help but smile too. Seven + from me.

I loved it! You need to know Corse and its habitants to understand some of the great moments of this movie, it may also lose part of its great dialogues in translation. Vincent Cassel is at its best.

If you read a couple of things about this, then you know what direction this is going to. And the whole setup might annoy some people, because it does take its time to introduce the characters, make us aware of who is who and their general relationship with each other. I think it's important to know those things, others may disagree, just know where you are standing with this. Of course not all decisions by the characters are really good and appropriate. Otherwise we wouldn't have a movie and an issue in itself. The female in question has Lolita qualities and you can see where one would at least have thoughts that might not be in ones own best interest. Things are not always black and white, and people do certain things out of the spark of the moment (or because they were drunk). The ending ... well I'll let you decide what to make of it ...

This 2015 French comedy is almost a copy of the 1984 'Blame It on Rio'. Buddies go on a vacation with their teenage daughters and one of the precocious girls gets a crush on her dad's friend and goes a bit too far. That's pretty much the storyline of both movies in a nutshell. Of course the settings are different, la 'Provence' vs 'Rio' and the original version of the more recent of the two movies is in French. Also, as one might expect from a French movie, there is more nudity because the French are not so hung up on censorship. The dads are younger and more fit as well, of course. Now I happen to like the actors Vincent Cassel and François Cluzet so I don't want to sound as critical as I may have sounded in this intro description of the film. Both Cassel and Cluzet deliver as good performances as their counter parts Michael Caine and Joseph Bologna; Cluzet perhaps somewhat better than Bologna, but that's just my opinion. The daughters are played by lesser known Lola Le Lann and Alice Isaaz, though Isaac has already some acting awards in her profile while Le Lann hasn't but makes up for that with her main character juicy role as Louna, the lusty teenie. There's no doubt she will get more parts just as Michelle Johnson did after 'Blame It on Rio' because both women are gorgeous. Cassel plays the dad who couldn't resist the charms of his friend's daughter and has to clumsily cover the affair, just as Caine had to. The antics of that role do not lend themselves to high drama but it is at least entertaining. A major difference between both flics is the participation of the two dad's wives, make that one ex and one not, and also that the older movie featured the likes of Demi Moore and Valerie Harper is those roles, practically non existent in the French remake. Neither versions went so far as to be melodramatic, thankfully, so I simply describe the genre as comedy, but sure there's a bit of drama and romance but nothing impressive. If you haven't seen the 1984 movie, then you can simply watch this more current production; I doubt you'll care to see the two. One is enough. I watched the second because I'm a movie buff, I like Cassel and I expected the French film (not dubbed because I dislike those ) to have a more liberal tone, which it did, of course.