Omar
bilang Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ
The komedya film Oru Adaar Love, starring Roshan Abdul Rahoof, Noorin Shereef, Arun Kumar, etc., directed by Omar, was released on February 21, 2019 in India. It tells the story of Inilalarawan ng pelikula ang buhay at panahon ng isang grupo ng mga kaeskuwela na matalik na kaibigan. Habang naglalakbay sila sa mga pinakahindi malilimutang panahon ng kanilang buhay, nabubuo ang pangmatagalang pagkakaibigan at namumulaklak ang mga hindi pangkaraniwang kwento ng pag-iibigan. This is a Komedya, Romansa film with a runtime of 145 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 4.5/10 from 2,883 viewers.
Omar
bilang Director
Roshan Abdul Rahoof
bilang Roshan
Noorin Shereef
bilang Gadha John
Arun Kumar
bilang Gopu
Siyadh Shajahan
bilang Manavalan Jr
Mathew Joseph
bilang Mathew
Priya Prakash Varrier
bilang Priya Warrier
Siddique
bilang Police Officer
Hareesh Kanaran
bilang Unmesh
Althaf Salim
bilang Manikandan
Anjali Nair
bilang Teacher
Salim Kumar
bilang Manavalan
Aneesh Menon
bilang Shibu Sunny
Pradeep Kottayam
bilang Teacher
Kalabhavan Niyas
bilang Gadha's Father
Shivaji Guruvayoor
bilang Principal
Sarang Jayaprakash
bilang Writer
Omar
bilang Writer
Lulu Omar
bilang Writer
Lijo Panadan
bilang Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 panalo at 43 nominasyon sa kabuuan
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Magandang pelikula!
This not a movie its short film then I'm about this is short film short film director's and actors petitioning me
Awesome movie Good feel Noorin😍😍😍 Roshan😍😍 Enjoyed a lot....
Can't feel it as a cinema. Feel like a short filim nah not even a short filim
AWAKE UP FOR LAST 5 MINS DRAMA TO FEEL..................................................................................................................................................................................................................................................................................................................
Watched this movie .Not even a one time watch.I would rather stare at the wall for 120 minutes than watch this movie. Absolute crap. Priya varrier,the only thing she could do is wink and shoot at any random filmstar in stageshows. And Roshan, is he even a male,seems like he is a girl and she dont have basic acting skills.
Movie is Disaster priya is universal Disaster she doesn't no anything other than show off.. don't waste your money and time
It's a good entertainer, with the film going in perfect flow(climax could have been better though). An awesome work from the team of young debut actors. It's a nostalgic treat for many viewers (negative comments could also be related to their individual school experiences). Roshan perfectly played his role of the young school-romantic star...more than my expectations.
Dear friends plz don't watch this movie its really bad movie this movie give to the bad message to the society.. dear sensor borad plz don't allow this kind of movie to release kerala
Such an awful movie, don't waste your time if you don't want brain damage. Left the movie so angry and with such a bad feeling because of the horrible and rushed ending that had no place in the overall vibe of the film. Trust me, do yourself a favor and don't give in to the marketing and the wink because the entire film is disappointing in more than one way, be it having no direction or plot or just being plain boring and cringy. Keeping my braincells alive long enough to get through the film was such a daunting task on its own. The only credit I give this film is how it consistently managed to outperform itself from one random and out of place scene to another, until you finally have to face the boss of all cliched and nasty endings, the pathetic excuse of a climax this movie seems to boast. The concept was so promising, and they had the potential to be a lovely and meaningful coming of age film which I believe could've been one a kind in the malayalam film industry. Honorable mention to the heavily scattered misogyny throughout the film that promotes the idea of disrespecting, womanizing, and even everyday abuse from the hands of a 17 year old boy who happens to be the hero of the film! My only hope is that the boys and men who watch this movie don't think it's okay to practice the actions of the "hero" that go consistently unpunished and even forgiven and dismissed by the female lead. Tragic how this film used the degradation of women as cheap filler material to make up for a lack of plot. One word, disappointing. Watched it almost 10 hours ago but I am still so angry.
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Isang mahabang review na sumasaklaw kung bakit natatangi ang Project Hail Mary sa 2026: kalidad ng adaptation, siyentipikong pagkukuwento, lalim ng damdamin, at mga reaksyon ng manonood.
Ang mga kwentong komedya ay ginawa para magbigay-aliw sa pamamagitan ng katatawanan. Kabilang sa mga popular na format ang situational comedy, sketch-style humor, workplace comedy, at romantic comedy.
Binibigyang-diin ng mga action title ang excitement, pisikal na labanan, mga bayaning karakter, at mabilis na pagkukuwento. Madalas itinatampok ng mga adventure title ang eksplorasyon, survival, o malalaking paglalakbay.
Sinusundan ng mga crime drama ang mga imbestigador, detective, abogado, o mamamahayag habang nilulutas nila ang mga kasong kriminal. Hinihikayat ng mga mystery story ang mga manonood na tumuklas ng mga clue kasama ang mga karakter.
Tinutuklas ng science fiction ang futuristic na teknolohiya, paglalakbay sa kalawakan, artificial intelligence, alternatibong realidad, at siyentipikong haka-haka.
Ang horror storytelling ay lumilikha ng suspense sa pamamagitan ng psychological tension, supernatural na pangyayari, halimaw, o survival scenarios.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.
Kabilang sa animation ang mga gawa para sa bata, pamilya, at matatanda, mula sa educational content hanggang sa kumplikadong dramatikong pagkukuwento.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.