Bartlett Sher
bilang Director
English,Filipino,Français,Indonesian,Português,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,中文
The drama film Oslo, starring Ruth Wilson, Jeff Wilbusch, Andrew Scott, etc., directed by Bartlett Sher, was released on May 29, 2021 in Estados Unidos. It tells the story of Recounts the true-life, previously secret, back-channel negotiations in the development of the pivotal 1990s Oslo Peace Accords between Israel and the Palestinian Liberation Organization. This is a Drama, Kasaysayan, Thriller film with a runtime of 118 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 6.7/10 from 5,954 viewers.
Bartlett Sher
bilang Director
Ruth Wilson
bilang Mona Juul
Jeff Wilbusch
bilang Uri Savir
Andrew Scott
bilang Terje Rød-Larsen
Karel Dobrý
bilang Johan Jørgen Holst
Tobias Zilliacus
bilang Jan Egeland
Itzik Cohen
bilang Yossi Beilin
Salim Daw
bilang Ahmed Qurei
Doval'e Glickman
bilang Yair Hirschfeld
Waleed Zuaiter
bilang Hassan Asfour
Zdenek Pecha
bilang Norwegian Immigration Officer
Geraldine Alexander
bilang Toril Grandal
Joachim Paul Assböck
bilang Finn Grandal
Rotem Keinan
bilang Ron Pundak
Rostislav Novák Jr.
bilang Trond-Security Guard
Marian Mitas
bilang Thor-Security Guard
Igal Naor
bilang Joel Singer
Sasson Gabay
bilang Shimon Peres
Zdenka Volencová
bilang Swedish Queen
J.T. Rogers
bilang Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 panalo at 43 nominasyon sa kabuuan
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Magandang pelikula!
Magandang pelikula!
Magandang pelikula!
Magandang pelikula!
Magandang pelikula!
Magandang pelikula!
Magandang pelikula!
Terrible screenplay, nothing in it. Negotiations, then signatures. Lss this reqires 10 minutes and the of the movie is just a filler. Unrealistic, primitive characters, no actor can be successful in acting such a pathetic lines. The movie attempts to prove that Oslo accords were a success, but we see today that they achieved nothing. No peace, no security, nothing. This is one reason why this movie is bad - they want to justify a wrong point. The creators are idealistic and unprofessional guys, sorry.
IN BRIEF: Well acted but talky drama about the Oslo Peace Accord of 1993 that debates the issues without making its case. JIM'S REVIEW: (RECOMMENDED) Oslo was a slow go for this reviewer. The more prior knowledge one has about the Israel / Palestinian conflict, the more compelling the film will be. This reviewer must admit to be one of the uninformed. The movie tells the back story about the secret negotiations between Israeli Prime Minister Yitzhak Rabin and Palestine Liberation Organization Chairman Yasser Arafat in 1993. Other political representatives are their proxies and main characters, all leading to Oslo Peace Accords, as two Norwegian diplomats who are also husband and wife, Terje Rød-Larsen (Andrew Scott) and Mona Juul (Ruth Wilson), broker peace talks in Oslo. Adapting his Tony-winning play for the screen, J. T. Rogers cuts down his three hour play's length by an hour, although the film's pacing still seems much longer. Just how many scenes of constant bickering and debate between pompous men can be exciting, despite his fine prose? That is the central theme of the film. (And who would want to be caught in a room with these politician for an hour or two?) Bartlett Sher makes his directorial film debut and tries to cut back on the stagey proceedings by opening up the play with flashbacks. Archival footage of the war, and scenes of conversational walks outdoors, but he is only partially successful in his approach. I found the film a tad disappointing. While it does provide some historical and political insights, the overall result was turgid and unemotionally involving for me, despite its uniformly strong cast. Succinctly stated, unlike the movie itself, this dramatization lacks drama. Perhaps, the subject matter remains too frustrating and unsettling for this reviewer. The war in Gaza continues as the casualties mount to this day. Conflicts outweigh commonalities and borders stay ever-present. Since this initial meeting in Oslo nearly three decades ago, treaties have come and gone, with no real hope in sight. Some may like the fact that both Mr. Sher and Mr. Rogers never cast any blame on either party. But for me, the filmmakers compromise their own personal views and never take any side on the debate when more compassion and outrage is needed to be heard to make a broader impact on the topic. They remain neutral parties, without any solutions. And ultimately, so do I about this well-intentioned film. (GRADE: B-)
Being a political movie fan I kinda like this movie. The film seems like being dragged on but you can imagine what more draggy and difficult the real peace negotiation was. It shed some light into what is happening in politics of the area. Go watch this with an open mind and you will enjoy this.
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Isang mahabang review na sumasaklaw kung bakit natatangi ang Project Hail Mary sa 2026: kalidad ng adaptation, siyentipikong pagkukuwento, lalim ng damdamin, at mga reaksyon ng manonood.
Ang mga kwentong komedya ay ginawa para magbigay-aliw sa pamamagitan ng katatawanan. Kabilang sa mga popular na format ang situational comedy, sketch-style humor, workplace comedy, at romantic comedy.
Binibigyang-diin ng mga action title ang excitement, pisikal na labanan, mga bayaning karakter, at mabilis na pagkukuwento. Madalas itinatampok ng mga adventure title ang eksplorasyon, survival, o malalaking paglalakbay.
Sinusundan ng mga crime drama ang mga imbestigador, detective, abogado, o mamamahayag habang nilulutas nila ang mga kasong kriminal. Hinihikayat ng mga mystery story ang mga manonood na tumuklas ng mga clue kasama ang mga karakter.
Tinutuklas ng science fiction ang futuristic na teknolohiya, paglalakbay sa kalawakan, artificial intelligence, alternatibong realidad, at siyentipikong haka-haka.
Ang horror storytelling ay lumilikha ng suspense sa pamamagitan ng psychological tension, supernatural na pangyayari, halimaw, o survival scenarios.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.
Kabilang sa animation ang mga gawa para sa bata, pamilya, at matatanda, mula sa educational content hanggang sa kumplikadong dramatikong pagkukuwento.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.