Isaac Ezban
bilang Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ,中文
The drama film Parallel, starring Aml Ameen, Martin Wallström, Georgia King, etc., directed by Isaac Ezban, was released on December 11, 2020 in Canada. It tells the story of Isang grupo ng mga kaibigan ang natitisod sa isang salamin na nagsisilbing portal sa isang "multiverse", ngunit sa lalong madaling panahon natuklasan na ang pag-import ng kaalaman mula sa kabilang panig upang mapabuti ang kanilang buhay ay nagdudulot ng lalong mapanganib na mga kahihinatnan. This is a Drama, Misteryo, Sci-Fi film with a runtime of 104 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 5.9/10 from 6,001 viewers.
Isaac Ezban
bilang Director
Aml Ameen
bilang Devin
Martin Wallström
bilang Noel
Georgia King
bilang Leena
Mark O'Brien
bilang Josh
Alyssa Diaz
bilang Carmen
Josh Blacker
bilang Damion
Kathleen Quinlan
bilang Marissa
Chad Krowchuk
bilang Seth
Michael Kopsa
bilang Edward
Carrie Genzel
bilang Yvonne Lehmann
Bill Dow
bilang Reid
Leanna Brodie
bilang Masked Intruder
Arpad Balogh
bilang Meathead Boyfriend
Samantha Hodhod
bilang Striking Woman
Shannon Chan-Kent
bilang Jessica
David Harewood
bilang Mr. Parkes
Douglas Roy Dack
bilang Cashier
Mas Morimoto
bilang Art Buyer
Scott Blaszak
bilang Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 panalo at 43 nominasyon sa kabuuan
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hindi
hindi
thebest
Magandang pelikula!
A really fine indie gem. If you like independent and low budget Science Fiction movies, you likely will ... like this too. One thing that stood out to me, is that unlike some other efforts, this actually has an individual "sane" viewers can relate to. The character is not just relatable but also seems to do things with a moral compass attached to his decision making. Having said that, even he fails at times. Especially cringe worthy in the scene where the majority rule strikes ... but the story and some idea has to become reality - and some suspension has to be added. The one thing I actually have an issue with, is the ending. That really was meant to keep things somewhat open (although I would call them easy to decipher if you want to call it that) ... a shame, especially because there were good twists around anyway. Also the movie slows down a bit after a really impressive introduction into this ... world the movie is creating. But again, those I would all call minor "flaws" and they never really take away much of the fun you can have with it overall ...
Is this what passes as entertainment for millennials these days? This movie is a confusing mess, with a bunch of self absorbed, unappealing characters. Skip this one.
Good sci-fi movie, with intriguing possibilities but the whole thing felt unfulfilled in the end. Great acting from everyone though.
This is a low budget film with D list actors. The concept is a good one but the story is just badly told. The script is at the level of a high school drama production with acting to match. It's just not worth the time to watch beyond 30 minutes.
Sorry, but my already fragile suspension of disbelief was irrevocably shattered when they first went to the bar. Did you see the size of those shots? Not in my universe!
I had the joy of watching Isaac Ezban's a couple of months ago at BIFFF 2018. It has a great cast, and what I believe is a constant in Ezban's films, a great story. Ezban's touch is clear and noticeable. It is obvious that the studio believed in his vision. As for the performances, the cast maintained a consistent tone while marking a clear difference between the "versions" of the characters they were playing at the time. The most noticeable performance comes from the film's antagonist, Mr. Robot's Martin Wallström. The cinematography is for sure one of the most experimental aspects fo the film. The choice of providing a completely different visual narrative for each universe visited is brave and super creative but at moments it was a bit too weird for my personal taste. This English-language debut will be a breaking point for the director and it's a great first approach to a wider audience. He's got a hell of a job in adapting Summer of Night, his next project. Worth a watch for sure!!
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Isang mahabang review na sumasaklaw kung bakit natatangi ang Project Hail Mary sa 2026: kalidad ng adaptation, siyentipikong pagkukuwento, lalim ng damdamin, at mga reaksyon ng manonood.
Ang mga kwentong komedya ay ginawa para magbigay-aliw sa pamamagitan ng katatawanan. Kabilang sa mga popular na format ang situational comedy, sketch-style humor, workplace comedy, at romantic comedy.
Binibigyang-diin ng mga action title ang excitement, pisikal na labanan, mga bayaning karakter, at mabilis na pagkukuwento. Madalas itinatampok ng mga adventure title ang eksplorasyon, survival, o malalaking paglalakbay.
Sinusundan ng mga crime drama ang mga imbestigador, detective, abogado, o mamamahayag habang nilulutas nila ang mga kasong kriminal. Hinihikayat ng mga mystery story ang mga manonood na tumuklas ng mga clue kasama ang mga karakter.
Tinutuklas ng science fiction ang futuristic na teknolohiya, paglalakbay sa kalawakan, artificial intelligence, alternatibong realidad, at siyentipikong haka-haka.
Ang horror storytelling ay lumilikha ng suspense sa pamamagitan ng psychological tension, supernatural na pangyayari, halimaw, o survival scenarios.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.
Kabilang sa animation ang mga gawa para sa bata, pamilya, at matatanda, mula sa educational content hanggang sa kumplikadong dramatikong pagkukuwento.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.