Rayka Zehtabchi
bilang Director
The dokumentaryo film Period. End of Sentence., starring Ajeya, Anita, Gouri Choudari, etc., directed by Rayka Zehtabchi, was released on February 12, 2019 in Estados Unidos. It tells the story of Indian women fight the stigma surrounding menstruation and begin manufacturing sanitary pads. This is a Dokumentaryo, Maikli film with a runtime of 120 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 7.4/10 from 6,881 viewers.
Rayka Zehtabchi
bilang Director
Ajeya
bilang Self
Anita
bilang Self
Gouri Choudari
bilang Self
Healthy Emmie
bilang Self - Patient
Shabana Khan
bilang Self
Arunachalam Muruganatham
bilang Self
Preeti
bilang Self
Rekha
bilang Self
Roksana
bilang Self
Shashi
bilang Self
Shushma
bilang Self
Sulekha Singh
bilang Self
Sneha
bilang Self
Suman
bilang Self
Sushila
bilang Self
Usha
bilang Self
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 panalo at 43 nominasyon sa kabuuan
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Magandang pelikula!
Magandang pelikula!
Magandang pelikula!
Magandang pelikula!
Magandang pelikula!
Magandang pelikula!
This short documentary is so enlightening and such an important, wonderful way to reveal the struggles of women in poverty and in cultures where this subject is still so taboo they can't talk about it, that I really wish this was a full-length documentary. There is so much more to the story than this well done short reveals. Very well done! I am so glad it was honored with an Oscar, I would not have known about it, were it not for the Oscar ceremony, which I always watch, and then watch the nominees and winners that I haven't heard about before the show. Thank you!
What an uplifting and inspiring film. It shows how little (the effort needed to buy the women's machine) goes so far for them, not at all challenging the Oakland school's effort... I hold them in very high regard for having a plan to improve the lives of others around the world and achieve it through sales of bicycles, kickstarters and yogathons. How imaginative it was. Today it not only makes the group more hygienic, it helps to provide some autonomy and increased self-worth for women (in a highly patriarchal society). I highly recommend taking 26min and watching this ... Children and teenagers in particular want to show them how much influence they have to improve.
As a documentary it lacks clarity but it's good and unique for those people who doesn't aware of the rural areas in India. I have seen better documentaries than this but those doesn't have the reach as this has. Any how can't blame any one for the reach and marketing stuffs. Kudos the team behind this and congrats for the Oscars. The crew behind this movie should have acknowledged Arunachalam Muruganantham in their speech as he is man behind the low cost sanitary pad machine and our one and only "PADMAN" .
It was overall a heartwarming doc. It was really nice and touching to see these women start to feel empowered. Empowered about their bodies and finding work. My main problem is that it wasn't as heavy hitting as I was hoping it to be. Maybe thats because its a short film and so it lacks the time to delve deeper. But as an instance there is a sad moment where the women say that are not allowed to go to temple when they're menstruating. And its something that never gets investigated into further. I think it would have been interesting to dive a bit more into the culture and stigma around the issue. Or a few times they ask men questions like "Do you know what a period is"...or they ask the men who are visiting the women making pads if they know what they are doing, to which the men shyly respond "Diapers". And the documentary never really pushes this narrative further. I felt like it could have been a tad more compelling if they pushed a bit further on why this topic is so taboo and why so theyre embarrassed to talk about it. I get that this is even a big start for them and this "revolution" if you will, is just starting. But I don't know, it was a bit light. I still think its overall an enjoyable doc to watch that also covers important subject matter that will tug at your heartstrings and make you proud to be a woman...but could have been a bit more.
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Isang mahabang review na sumasaklaw kung bakit natatangi ang Project Hail Mary sa 2026: kalidad ng adaptation, siyentipikong pagkukuwento, lalim ng damdamin, at mga reaksyon ng manonood.
Ang mga kwentong komedya ay ginawa para magbigay-aliw sa pamamagitan ng katatawanan. Kabilang sa mga popular na format ang situational comedy, sketch-style humor, workplace comedy, at romantic comedy.
Binibigyang-diin ng mga action title ang excitement, pisikal na labanan, mga bayaning karakter, at mabilis na pagkukuwento. Madalas itinatampok ng mga adventure title ang eksplorasyon, survival, o malalaking paglalakbay.
Sinusundan ng mga crime drama ang mga imbestigador, detective, abogado, o mamamahayag habang nilulutas nila ang mga kasong kriminal. Hinihikayat ng mga mystery story ang mga manonood na tumuklas ng mga clue kasama ang mga karakter.
Tinutuklas ng science fiction ang futuristic na teknolohiya, paglalakbay sa kalawakan, artificial intelligence, alternatibong realidad, at siyentipikong haka-haka.
Ang horror storytelling ay lumilikha ng suspense sa pamamagitan ng psychological tension, supernatural na pangyayari, halimaw, o survival scenarios.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.
Kabilang sa animation ang mga gawa para sa bata, pamilya, at matatanda, mula sa educational content hanggang sa kumplikadong dramatikong pagkukuwento.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.