Ben Wheatley
bilang Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ
The drama film Rebecca, starring Lily James, Armie Hammer, Kristin Scott Thomas, etc., directed by Ben Wheatley, was released on October 21, 2020 in the United Kingdom. It tells the story of Isang batang bagong kasal ang dumating sa kahanga-hangang ari-arian ng pamilya ng kanyang asawa sa isang mahangin na baybayin ng Ingles at natagpuan ang kanyang sarili na nakikipaglaban sa anino ng kanyang unang asawa, si Rebecca, na ang pamana ay nananatili sa bahay pagkatapos ng kanyang kamatayan. This is a Drama, Misteryo, Romansa film with a runtime of 123 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 6.1/10 from 49,899 viewers.
Ben Wheatley
bilang Director
Lily James
bilang Mrs. de Winter
Armie Hammer
bilang Maxim de Winter
Kristin Scott Thomas
bilang Mrs. Danvers
Jacques Bouanich
bilang Taxi Driver
Marie Collins
bilang Guest with Dog
Ann Dowd
bilang Mrs. Van Hopper
Jean Dell
bilang Restaurant Maitre D'
Sophie Payan
bilang Restaurant Guest
Pippa Winslow
bilang Mrs. Jean Cabot
Lucy Russell
bilang Mrs. Clementine Whitney
Bruno Paviot
bilang Terrace Maitre D'
Stefo Linard
bilang Terrace Waiter
Tom Hudson
bilang Hotel Bellhop
Jeff Rawle
bilang Frith
Ashleigh Reynolds
bilang Robert
Bryony Miller
bilang Clarice
Tom Goodman-Hill
bilang Frank Crawley
Ben Crompton
bilang Ben
Jane Goldman
bilang Writer
Joe Shrapnel
bilang Writer
Anna Waterhouse
bilang Writer
Daphne Du Maurier
bilang Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 panalo at 43 nominasyon sa kabuuan
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Hindi dub
Magandang pelikula!
Magandang pelikula!
Magandang pelikula!
source: Rebecca
source: Rebecca
The lead actress was incredibly annoying! The writing was horrendous, the lead was so weak and timid, she jumped at everything and was incredibly irritating. The only reason I gave it a 1 was because of the beautiful house and scenery.
I was looking forward to this production as a fan of the book and the Hitchcock film and was wondering what a new version would add to it. The answer is - nothing, apart from a bit of sex on the beach ( not the cocktail). The two leads were totally uncharismatic. I am not familiar with Armie Hammer as an actor, he gave a creditable performance and looked handsome. Unfortunately, it wasn't of Maxim De Winter. There was no class, he was much too gentle and friendly and when he admitted how much he hated Rebecca, he just came over as a wimp. Lily James played the part of the un-named second wife as a school girl, why on earth would Maxim be interested in her. There was no gothic tension, Manderley appeared to be a large open library, as everyone trecked through a large tiled hallway that went on for ages. There was some beautiful photography of the South of France, but the restaurant refusing to serve the paid companion because she wasn't a guest was nonsense. She had a room at the hotel. After the first hour, I began to be bored and lost interest, but felt duty bound to stick with it to the end. I liked the performance of the cad by Sam Riley and it took me ages to work out where I had seen him before and then remembered it was the TV mini series SS-GB. However, in that he had a deep gravelly voice, damaged it was said at the time for singing Heavy Metal. Now he has morphed into SImon Williams. Everything dragged on and then was wound up quickly - a case of they think it's all over, it is now. If she was alive, Daphne Du Maurier must wonder where she went wrong.
This adds nothing to a classic. It is so lame of a remake, all it can do is try not to embarrass itself too badly as it did with that horrendous yellow suit. The acting is subpar, the few changes just takes away from the story, the costumes made you cringe at times, there was no mystery, no suspense, no foreboding atmosphere, no thrill and not even the Danvers character could add anything redeeming to this. There was nothing in this version that made the original such a timeless classic. At least in others adaptions, there was something of worth, even if it could not live up to its predecessor. You might want to stick to the original and forget this ever was made.
This movie is not a 'remake' of the 1940 Hitchcock version. It is a book adaptation, which is what I think people tend to forget. I have read the book and seen the earlier film version and I think others are being a bit overdramatic with comparisons. It is fine to prefer the Hitchcock version but I think this movie did a good job. It was enjoyable, acted well, and beautifully shot. I was expecting this to be a fun, light hearted romance based off other's comments and was pleasantly surprised. It did have a Great Gatsby feel at first when they were in Monte Carlo but that quickly changes once they get to Manderley and the difference is stark. The psychological aspect was definitely there and I found myself very anxious watching the narrator deal with the 'ghost' of Rebecca. Lily James did well portraying the main character as insecure and paranoid, and much of it was communicated through her body language. I felt her emotions right along with her. My biggest disappointment was the lack of relationship development with Max, and I also think they could have cast someone older because the large age difference isn't present here. Overall, I enjoyed this film. It could have went a bit longer, and I was fine with the ending. I actually prefer the ending over the Hitchcock version where Rebecca died accidentally instead of actually being murdered by her husband. To me that totally changes the whole narrative and I'm glad they kept true to the book there. It's a heavier story and I appreciated the upbeat final scene. Definitely a movie to watch and form your own opinions on. If you enjoy gothic romances, give this a chance.
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Isang mahabang review na sumasaklaw kung bakit natatangi ang Project Hail Mary sa 2026: kalidad ng adaptation, siyentipikong pagkukuwento, lalim ng damdamin, at mga reaksyon ng manonood.
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Binibigyang-diin ng mga action title ang excitement, pisikal na labanan, mga bayaning karakter, at mabilis na pagkukuwento. Madalas itinatampok ng mga adventure title ang eksplorasyon, survival, o malalaking paglalakbay.
Sinusundan ng mga crime drama ang mga imbestigador, detective, abogado, o mamamahayag habang nilulutas nila ang mga kasong kriminal. Hinihikayat ng mga mystery story ang mga manonood na tumuklas ng mga clue kasama ang mga karakter.
Tinutuklas ng science fiction ang futuristic na teknolohiya, paglalakbay sa kalawakan, artificial intelligence, alternatibong realidad, at siyentipikong haka-haka.
Ang horror storytelling ay lumilikha ng suspense sa pamamagitan ng psychological tension, supernatural na pangyayari, halimaw, o survival scenarios.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.
Kabilang sa animation ang mga gawa para sa bata, pamilya, at matatanda, mula sa educational content hanggang sa kumplikadong dramatikong pagkukuwento.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.