Renato De Maria
bilang Director
English,Filipino,Français,Indonesian,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ,中文
The aksyon film Robbing Mussolini, starring Pietro Castellitto, Matilda De Angelis, Tommaso Ragno, etc., directed by Renato De Maria, was released on October 26, 2022 in Italy. It tells the story of A Milanese wartime entrepreneur forms a band of misfits and rogues to stage an elaborate heist of a legendary treasure belonging to Benito Mussolini. This is an Aksyon, Komedya, Krimen film with a runtime of 90 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 5.5/10 from 2,965 viewers.
Renato De Maria
bilang Director
Pietro Castellitto
bilang Isola
Matilda De Angelis
bilang Yvonne
Tommaso Ragno
bilang Marcello Davoli
Isabella Ferrari
bilang Nora Cavalieri
Alberto Astorri
bilang Molotov
Maccio Capatonda
bilang Giovanni Fabbri
Luigi Fedele
bilang Amedeo
Rebecca Coco Edogamhe
bilang Hessa
Maurizio Lombardi
bilang Camillo Serbelloni
Lorenzo de Moor
bilang Achab
Luca Lo Destro
bilang Maghreb
Filippo Timi
bilang Achille Borsalino
Giorgio Antonini
bilang Leonida
Enrico Bergamasco
bilang Tenente hangar
Matteo Bergamo
bilang Comandante fabbrica
Giovanni James Bertoia
bilang Militare capoguardia
Lorenzo Bianchini
bilang Guardia esecuzione
Claudio Castana
bilang Nobile meneghino
Renato De Maria
bilang Writer
Federico Gnesini
bilang Writer
Valentina Strada
bilang Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 panalo at 43 nominasyon sa kabuuan
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A scoundrel story following good neo-noir fashion with leading ladies Isabella Ferrari in black as the falling regime, and Matilda de Angelis in red as the new era, symbolizing the transition of power in 1945 Italy. The Italian ragtag protagonists, as it were, promote themselves from petty black market affairs to try to get rich quick by grabbing no less than a truckload of Mussolini's gold. Go big or go home, as they say. The evil Nazis and Fascists in their fancy uniforms are stereotypically mostly represented in a rather unpleasant light lacking only horns, so not much guesswork is required in deciding which party to root for. Not much in the way of blood and gore, just a few gunfights and one car chase, but a fair story to while away an hour and a half. The opening and closing credits are played together with anachronistic "Paint it Black" (Tutto Nero in Italian, translates as Everything Black) which kind of makes sense in the end remembering the Fascists' black shirts. In the way of gore, there are more plentiful war films than this with a Netflix TV-MA rating. Anyways, a modern dissolution of Italy's fascist past not sinking to the level of preaching.
Magandang pelikula!
Magandang pelikula!
Magandang pelikula!
Magandang pelikula!
Magandang pelikula!
Magandang pelikula!
The quality of the cinematics is good and the historical details too. The faces all match the characters and the acting is good - all but for Castellitto Jr who is kind of unwatchable so bad he is this spoiled brat! The best character who made the movie interesting is Maccio's. The best acting is that of the fascist general, who is a new face for me in Italian cinema, but very interesting. The song arrangements were also good and, let's say, 'innovative classics'! A bit predictable development and ending, but still better than the usual action hollywood movies of the past 15 years. I feel that there are excess of Nazi based movies in the history of cinema and too few Fascist based movies because of one big reason: with the Nazis, hollywood can show Americans fighting evil, but with Fascist they would have to acknowledge the big role of Socialist freedom fighters! Usual obscurantist hypocrisy.
Sometimes a movie leaves you with some thoughts to think about, the other times it leaves you with nothing, as if you've never watched a movie at all. Rapiniamo il Duce is sadly closer to the latter but not without its buts too. Ever since I started learning Italian, their movies were mostly misses for me; it's an expressive language and for the most part I just couldn't grab what the characters are saying - and I was just reading the subtitles! - but this one was different. Maybe because it was produced for Netflix but I just didn't feel like it was really made for Italians and that's on the negative side actually. The whole movie seems like an American remake but with an all-Italian cast and that dissonance is palpable starting the first minutes. On the positive side though Rapiniamo il Duce is a stylish, fast-paced heist drama with fantastic inclusions of animated segments and 1940s appropriate soundtrack but it lacks consistency and the setting (last days of WWII) is only there to bring a feeling of urgency into narrative, not to be a leading vehicle for it. Main characters are no names that we know little to nothing about and therefore are not capable to empathize with anyone - the story plays out so fast it hasn't got time to draw backstories longer than a sentence or a five second clip and that rush is all over the place. The jokes would've been a well-fitting addition and probably the life saver for the movie but they don't exist here as well. All in all this is a well-crafted movie that looks marvelous on paper, as a comic book adaptation but as a standalone feature it is as lifeless as its main characters.
Don't take this so seriously and don't expect too much. The actors delivered a very good performance. The substance of the story lacks and some cheesy holes let's questions open. The spoken language is cool and the music remembers at times the war movies of the sixties. I don't think this movie is based on true events. The way they attacked the head quarter was really too easy to get in. The costumes and sceneries were well created. Nice landscapes at the end and who knows if there wil ever be a sequel. Finally I spent anyway an entertaining time cause I have for the moment really not more options to see on Netflix. 5/10.
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Isang mahabang review na sumasaklaw kung bakit natatangi ang Project Hail Mary sa 2026: kalidad ng adaptation, siyentipikong pagkukuwento, lalim ng damdamin, at mga reaksyon ng manonood.
Ang mga kwentong komedya ay ginawa para magbigay-aliw sa pamamagitan ng katatawanan. Kabilang sa mga popular na format ang situational comedy, sketch-style humor, workplace comedy, at romantic comedy.
Binibigyang-diin ng mga action title ang excitement, pisikal na labanan, mga bayaning karakter, at mabilis na pagkukuwento. Madalas itinatampok ng mga adventure title ang eksplorasyon, survival, o malalaking paglalakbay.
Sinusundan ng mga crime drama ang mga imbestigador, detective, abogado, o mamamahayag habang nilulutas nila ang mga kasong kriminal. Hinihikayat ng mga mystery story ang mga manonood na tumuklas ng mga clue kasama ang mga karakter.
Tinutuklas ng science fiction ang futuristic na teknolohiya, paglalakbay sa kalawakan, artificial intelligence, alternatibong realidad, at siyentipikong haka-haka.
Ang horror storytelling ay lumilikha ng suspense sa pamamagitan ng psychological tension, supernatural na pangyayari, halimaw, o survival scenarios.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.
Kabilang sa animation ang mga gawa para sa bata, pamilya, at matatanda, mula sa educational content hanggang sa kumplikadong dramatikong pagkukuwento.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.