Stevie Cruz-Martin
bilang Director
The TV series Safe Home, created by Anna Barnes and produced by an unlisted studio, first premiered on January 9, 2024 in Australia. The series spans 1 season with 4 episodes, featuring the voices of Aisha Dee, Mabel Li, Thomas Cocquerel, and Antonia Prebble. It follows the story of Phoebe leaves her job at a law firm and begins work at a family violence centre and she must navigate a path that isn't always clear, and people and events that aren't always as they appear. This is a Krimen, Drama, Thriller series and has received a rating of 7.7/10 from 1,007 viewers.
Stevie Cruz-Martin
bilang Director
Aisha Dee
bilang Phoebe Rook
Mabel Li
bilang Jenny Lee
Thomas Cocquerel
bilang Julian MacDonald
Antonia Prebble
bilang Grace Macdonald
Virginia Gay
bilang Eve
Chenoa Deemal
bilang Layla Morris
Hal Cumpston
bilang Max Kerr
David Roberts
bilang Gerard Priestly
Janet Andrewartha
bilang Diana Thompson
Tegan Stimson
bilang Ry
Anna Piper Scott
bilang Leanne
Frankie McNair
bilang Liv
Ian Bliss
bilang Detective O'Connor
Zia Kelly
bilang Phoebe Running Double
Nicholas Burton
bilang Xander
Katlyn Wong
bilang Cherry Yeo
Yuchen Wang
bilang Kelvin Yeo
Sian Ewers
bilang Sara
Anna Barnes
bilang Writer
Michelle Law
bilang Writer
Jean Tong
bilang Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 panalo at 43 nominasyon sa kabuuan
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It kept the hyperbolic stereotype story telling at bay and captured the nuanced complexity of each experience. The whole cast was incredible. Considering that this was such a departure from her other projects, Aisha was phenomenal. It was funny to see the commonalities between Phoebe and Kat (The Bold Type) lol both being in comms. Was riveted the whole way through, kept on edge with the adroit flash forwards, leading towards an unexpected ending. Brilliant work to hold such a difficult, complicated and sensitive subject matter that even if it involves so many perspectives, didn't feel clumsy or over the top.
I admit I had to steel myself to watch Safe Home, and initially did so mainly because I thought it was such a 'worthy' project. However, while saying Safe Home is 'enjoyable' sounds too flippant, this show is definitely not an 'eat your greens' viewing experience. Of course, it deals with a very confronting topic, but does so sensitively, and delivers its message(s) via well-constructed-thriller and engrossing-workplace-drama plots. In short, Safe Home is absolutely gripping, and really well acted and well written. All the cast are great, and Aisha Dee is superb in the lead. Congratulations to all involved!
My god this was a good mini series. I'm desperate for this to be made into a full series, there are just so many stories that could be told. This show was heartbreaking. It shows you that everyone is in danger of family violence, not matter your age, social class, gender, race...please pay attention to friends and colleagues and when someone asks for help give it to them. In regards to the show, the premise is new and fresh. It's extremely realistic. The acting is very well done, especially by the main actress. It had my attention from the beginning, the mystery had me guessing up until the end. A couple of coincidences but otherwise a great show.
As a male viewer, I was initially hesitant and almost switched off during the first 15 minutes of the opening episode due to the subject matter. However, the exceptional production values, brilliant script, skilled direction, and compelling acting kept me on board, and I'm grateful that they did. This series masterfully builds the drama through its clever use of time cuts. It keeps the audience guessing throughout. The impressive production values and overall quality of the show are a testament to the talent involved. Kudos to series creator Anna Barnes. I'm looking forward to her next endeavour. Highly recommended.
There is nothing new in this show. ALL of these scenarios have already happened, in our communities, around Australia. Be warned, it is confronting. Within the early scenes. If you have experienced violence, be prepared. It is very spare in its depictions of physical violence, and is not gratuitous, but it does not need to be. The threat of violence is just as terrifying. And the trauma and psychological impacts are evident in many of the characters I can't speak to whether the Community Legal Service is realistically represented. But for the different versions of family violence, this is, to my experience, authentic. The situations (plot) and character representations (acting) are entirely convincing. The boiling frog metaphor, whilst only alluded to in this show, is an accurate one. It creeps up on you, whilst at the same time, you rationalise the situation, and the perpetrator's behaviour. I suspect, the more 'clever' you are, the more convincing your rationalisations, to yourself as much as others. The underlying plotline of the 'murder' alluded to in the 1st episode, attempts to depict to the viewer, how we can ALL be taken in. "It can be anyone". I think it is also a challenging thought project, to question yourself, about any assumptions you may have made, before the denouement in the final episode. Yes this is a representation of, predominantly, women as victims. But that is factually accurate. Family violence towards women and consequently, children, is an epidemic in Australia. The institutions we have; Courts/Police/Services, have been identified as part of the problem - as is depicted in this show. For those of you who question its veracity, who propose it 'needs more irony', who think it is 'biased against men', consider your own internalised biases and your capacity for compassion. My hope is that at some point in my lifetime, we have moved on from; desperately needing to represent these stories. To; actually seeing solutions and change within our culture. A time when shows like this become painfully outdated.
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Isang mahabang review na sumasaklaw kung bakit natatangi ang Project Hail Mary sa 2026: kalidad ng adaptation, siyentipikong pagkukuwento, lalim ng damdamin, at mga reaksyon ng manonood.
Ang mga kwentong komedya ay ginawa para magbigay-aliw sa pamamagitan ng katatawanan. Kabilang sa mga popular na format ang situational comedy, sketch-style humor, workplace comedy, at romantic comedy.
Binibigyang-diin ng mga action title ang excitement, pisikal na labanan, mga bayaning karakter, at mabilis na pagkukuwento. Madalas itinatampok ng mga adventure title ang eksplorasyon, survival, o malalaking paglalakbay.
Sinusundan ng mga crime drama ang mga imbestigador, detective, abogado, o mamamahayag habang nilulutas nila ang mga kasong kriminal. Hinihikayat ng mga mystery story ang mga manonood na tumuklas ng mga clue kasama ang mga karakter.
Tinutuklas ng science fiction ang futuristic na teknolohiya, paglalakbay sa kalawakan, artificial intelligence, alternatibong realidad, at siyentipikong haka-haka.
Ang horror storytelling ay lumilikha ng suspense sa pamamagitan ng psychological tension, supernatural na pangyayari, halimaw, o survival scenarios.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.
Kabilang sa animation ang mga gawa para sa bata, pamilya, at matatanda, mula sa educational content hanggang sa kumplikadong dramatikong pagkukuwento.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.