Beth de Araújo
bilang Director
English,Filipino,Français,Indonesian,اَلْعَرَبِيَّةُ,اُردُو,বাংলা
The katatakutan film Soft & Quiet, starring Stefanie Estes, Olivia Luccardi, Dana Millican, etc., directed by Beth de Araújo, was released on November 4, 2022 in Estados Unidos. It tells the story of Playing out in real time, an elementary school teacher organizes a mixer of like-minded women, when she encounters a woman from her past, leading to a volatile chain of events. This is a Katatakutan, Thriller film with a runtime of 92 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 6.2/10 from 12,862 viewers.
Beth de Araújo
bilang Director
Stefanie Estes
bilang Emily
Olivia Luccardi
bilang Leslie
Dana Millican
bilang Kim
Melissa Paulo
bilang Anne
Eleanore Pienta
bilang Marjorie
Cissy Ly
bilang Lily
Jon Beavers
bilang Craig
Jayden Leavitt
bilang Brian
Shannon Mahoney
bilang Jessica
Rebekah Wiggins
bilang Alice
Josh Peters
bilang Father
Nina E. Jordan
bilang Nora
Jovita Molina
bilang Maria
Beth de Araújo
bilang Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 panalo at 43 nominasyon sa kabuuan
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The female leads, portrayed as out-of-the-closet bigots turned loose, were too ridiculously unbelievable to really hate, which weakened the motivation to care about their inevitable demise. The lead bully's discovery of a failed pregnancy...was that supposed to be her justification for starting a chapter of Nazis? Also weak was the stupid woman from Nebraska who for some reason spoke with a Southern accent(?), a mixed stereotype that ironically revealed the writer's own weird prejudices. Admittedly, the means of their demise was uniquely done, it but didn't make up for the fact that even caricatures of bigots aren't this silly.
Not a horror movie, and lacking in any semblance of entertainment value. This movie is like being trapped in a junior high auditorium being lectured on the evils of racism...with a bunch of tired cinema-verite tropes and manufactured outrage that feels about as genuine as the canned laughter on an 80s TV sitcom. POSSIBLE SPOILERS Labeling this a horror movie is about as deep a stretch on the genre as I've ever seen. This is not Martyrs or Speak No Evil--which is the kind of breathless, 'I can't believe I sat through this' buzz this film is getting. I was bored and irritated. Once the central theme is revealed, it's basically racist idiots being racist. Period. You get to watch obnoxious, unlikeable, characters do horrible, stupid things for 90 minutes without any empathy or insight to engage you other than being dutifully outraged. Big surprise: the world has racists in it. And they might be your kid's teacher, or the woman running the neighborhood store. Which would be interesting if the film explored the intricacies of racism and how its tendrils spread, and the economic and cultural elements that allow it to take root and grow. But instead, we get a 'shooting-fish-in-a-barrel' diatribe wrapped up in a one-take gimmick that just feels like smoke and mirrors to distract from how thin the story is. The central characters are so odious from the start--even before it's revealed that they are Nazis--I'm left with no emotional stake in the proceedings. Everything that follows just feels like the filmmakers patting themselves on the back for how 'daring' they are, instead of trying to navigate an emotional thread that will resonate and create real dialogue. If only there was a movie that lured you in emotionally, with a charismatic central character who earned your empathy, who then traversed a tragic arc spurned by their racist underpinnings, only to come out the other side with true perspective and regret. Imagine how haunting, shocking and satisfying that would be. Oh, wait--they made that movie. It's called American History X. Watch that instead and skip this one altogether.
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Ang mga kwentong komedya ay ginawa para magbigay-aliw sa pamamagitan ng katatawanan. Kabilang sa mga popular na format ang situational comedy, sketch-style humor, workplace comedy, at romantic comedy.
Binibigyang-diin ng mga action title ang excitement, pisikal na labanan, mga bayaning karakter, at mabilis na pagkukuwento. Madalas itinatampok ng mga adventure title ang eksplorasyon, survival, o malalaking paglalakbay.
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Tinutuklas ng science fiction ang futuristic na teknolohiya, paglalakbay sa kalawakan, artificial intelligence, alternatibong realidad, at siyentipikong haka-haka.
Ang horror storytelling ay lumilikha ng suspense sa pamamagitan ng psychological tension, supernatural na pangyayari, halimaw, o survival scenarios.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.
Kabilang sa animation ang mga gawa para sa bata, pamilya, at matatanda, mula sa educational content hanggang sa kumplikadong dramatikong pagkukuwento.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.