Vlad Feier
bilang Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ
The krimen film Still Here, starring Johnny Whitworth, Zazie Beetz, Maurice McRae, etc., directed by Vlad Feier, was released on August 27, 2020 in Estados Unidos. It tells the story of A New York journalist who gets assigned the story of a missing African-American young girl, risks his career and takes the matter into his own hands trying to find her. This is a Krimen, Drama, Thriller film with a runtime of 99 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 5.5/10 from 989 viewers.
Vlad Feier
bilang Director
Johnny Whitworth
bilang Christian Baker
Zazie Beetz
bilang Keysha
Maurice McRae
bilang Michael Watson
Larry Pine
bilang Jeffrey Hoffman
Rupert Simonian
bilang Sam Perkin
Leopold Manswell
bilang Reggie Green
Lou Martini Jr.
bilang Stuard
Tibor Feldman
bilang Judge Snow
Afton Williamson
bilang Tiffany Watson
Gia Crovatin
bilang Paige Sullivan
Danny Johnson
bilang Anthony Evans
Steven Hauck
bilang Captain Hardwick
Danielle Dallacco
bilang Kristine
Karen Chilton
bilang Marcy
Jeremy Holm
bilang Greg Spaulding
Justiin Davis
bilang Marcus Mitchell
Lorrie Odom
bilang Counselor
Jared Kemp
bilang Andre Watson
Vlad Feier
bilang Writer
Peter Gutter
bilang Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 panalo at 43 nominasyon sa kabuuan
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source: Still Here
source: Still Here
The 2 main detectives were horrible actors. I couldn't take them and it was hard to overlook. i would rate this an 8 but they brought it down. It was a good movie though, main characters were great, (Father and Reporter) If you can get past the over acting and try hard detectives (especially Johnny Holm) you'll love it.
Having good intentions is not always a guarantee of making a good movie - unless you are good at what you do. 'Still here' looked promising on paper but comes in as a difficult watch on many levels - including, messy editing, direction, photography, and a poorly realised script - featuring very few convincing situations and many unfocused characters. It comes across as another excuse to push the agenda of the unhelpful law and its big bad white guy type policing...offering little more than supposition to back up its accusations. Then, as if attempting to add some form of balance, one of the white detectives is shown in a detailed scene having an unexplained change of heart - but of course, his epiphany results in changing nothing, next we see of him he's right back to his nasty ol self. These types of character inconsistencies tend to continue across the board. Most acting is from the over the top school of expression - while some of this might sometimes work, overall , it's ultimately tiresome. The story is claimed as based on facts but these 'facts' come across as manufactured and mostly unbelievable (especially the resolution). Pity, as it offers the odd good line, and might have been better if given a sure-handed approach. A pile-on of endless foul language adds nothing to the general proceedings.
This is inspired by true events. Monique Watson of Brooklyn goes missing. Only her family seems to care. Christian Baker (Johnny Whitworth ) a reporter doe his own investigation to help locate her. He gets a clue and runs a story claiming the police are not doing their job. It is interesting on how we accuse folks on loose circumstances and coincidences.Well done. I just did feel it. Guide: F-word. No sex or nudity.
This is a hard film to watch. It makes you feel, and makes you think whether everyone is caring for one another enough.
This movie is filled with raw emotion and symbolism that will have your eyes watering throughout. The family relationship is very well tight all around. We need more stories around resilience and family like this one. I enjoyed the story and the beautiful acting. A timely film
Superb acting from a largely unknown (by me, anyway) cast. Engaging and involving story. I have to say I'm always more compelled to watch movies based on true events. This one held me throughout. As a side note fans of Zazie Beetz (the one face I DID recognise) should be aware her role is of a 'Cameo' nature and lasts only a couple of minutes. Great film.
Based on a true story - except it's not. What story ? It's made up nonsense. It's a hodge-podge of a white deranged liberals view of society. Such a shame as a real case could have been good. Police are ignoring a missing kid - (because the family is Black!). We get a statistic totally out of context on the screen that states about half a million kids are missing in the US. (But neglects to tell that 99.9% are back within a few hours). Anyway, It starts with the missing girl's father pathetically trying to put 3 flyers up and then attending a pointless 'group talk' meet, (which crops up again and again throughout the film) - rather than doing something about publicising his daughters plight. When the white liberal hero journalist tries to interview the father, at his project high rise apartment he irrationally gets angry about it and kicks him out wanting no publicity (Because he's Black and thats just part of the Black experiance no doubt??). But the Journalist manages to 'jive talk' with a agressive black gang outside to get a lead on a suspect which he writes about. Now in the heat of publicity, the corrupt police are forced to act. However, the suspect is Black and therefore doesn't survive Police Custody. The corrupt Police then try and arrest the Black Brother of the missing girl. And it goes on and on - the Black father is a cardboard character who gets sidelined to blabbing impotently at group meetings and other useless impotent behavour, while the focus is on the hero White liberal Journalist who does the job, gets beaten up etc... and pounds the pavement to dive deep to find out what happened to the girl. You simply can't get over how conceited and biased the film is when watching it.
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Isang mahabang review na sumasaklaw kung bakit natatangi ang Project Hail Mary sa 2026: kalidad ng adaptation, siyentipikong pagkukuwento, lalim ng damdamin, at mga reaksyon ng manonood.
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