Arnold Grossman
bilang Director
English,Filipino,Français,Indonesian,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ
The drama film The Boat Builder, starring Christopher Lloyd, Tekola Cornetet, Jane Kaczmarek, etc., directed by Arnold Grossman, was released on November 6, 2017 in Estados Unidos. It tells the story of An embittered old mariner and an unwanted young orphan form an unlikely bond building a boat. This is a Drama, Pamilya film with a runtime of 88 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 5.8/10 from 401 viewers.
Arnold Grossman
bilang Director
Christopher Lloyd
bilang Abner
Tekola Cornetet
bilang Rick
Jane Kaczmarek
bilang Katherine
David Lascher
bilang Charles
Joseph John Schirle
bilang Duffy
Ethan Bartley
bilang Ripper
Matthew Ronder-Seid
bilang Jonas
Alejandro Lopez
bilang Pug
Rachel Resheff
bilang Ruth
Adrian Roberts
bilang Inspector Thomas
Heather Mathieson
bilang Jean
Lucas Meyers
bilang Donnie
Derek Stefan
bilang Officer Grigsby
Martin Ganapoler
bilang Roger
Jeanette Pavini
bilang Helen Grant
Aaron Wilton
bilang Phil
Gwen Loeb
bilang Flo
Jennifer Stuckert
bilang Laura
Arnold Grossman
bilang Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 panalo at 43 nominasyon sa kabuuan
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source: The Boat Builder
source: The Boat Builder
Ok - I'm a person of faith and I tend to like movies with a good moral storyline, BUT I like them to be well written and even plausible. This movie is not - either plausible or well written. In my opinion it's worth 3 stars - and even that is a stretch.
Ignore the poor reviews. Apparently, they have to have everything laid out for them. No imagination. This is movie is worth watching from start to finish. I especially loved the way it ended. Definitely closure. Even a surprise or two! All the characters are well defined. The lead characters, the old man and the orphan were believable and natural. The daughter's appearances were brief but effective to the storyline. The story ended on a positive note. It wasn't necessary to show all the details for a satisfactory ending. The message was clear and appropriate to the storyline! I guess those poor reviewers need everything spelled out for them or they were anticipating a totally different ending.
The acting is appalling except for Lloyd who is excellent, and Rachel Resheff who is also good as the cousin. And the script could have been much better, but it's sweet story and enjoyable to watch. If you don't go in expecting Spielberg, you will find it's not a bad movie.
I have been a Christopher Lloyd for many years, of course as Doc Brown but even before that as Reverend Jim in the old Taxi TV series. He is the old boat builder Abner in this title and truthfully in this small movie without him it probably would not be worth a watch. The script is often very clumsy and many actors just aren't very good at all, but Abner is always authentic. Filmed mostly in the Pacifica, California area, on the coast just south of San Francisco, Abner is a retired sea-going captain and is building this 20-odd foot sailboat on his property. But zoning prohibits that and when neighbors complain he has two weeks to get the boat out of there. An orphan boy living temporarily with his relatives comes to Abner's aid, what starts out as an adversarial one turns into a friendly relationship. As I said, a good smaller move for Lloyd, interesting and entertaining. My wife and I watched it on Amazon streaming movies.
Christopher Lloyd is a delight. The story is predictable but the life of the old man, his work, and his dream resonates.
I decided to watch this movie because it started to great actors: Christopher Lloyd and Jane Kaczmerak. They are the only good thing about this movie. All other actor's performances are forced, unnatural and simply BAD! No wonder I have never seen any of these actors, as I am certain I could do a better job. The script does not flow and the end is just dumb. What a waste of time!
I began watching this movie with the assumption it was going to be a simplistic feel-good movie. Though my expectations were low I was up for something that offered hope and happiness. Little did I know it would be a trial. The only reason I continued to view this movie is because of my admiration for Christopher Lloyd's willingness to provide such a quality performance despite the painfully poor acting around him and weak script. The story is oft told of the grumpy codger whose rough edge is chiseled away by a child who has social issues of his/her own. So this story is not unique. The script is not only unoriginal, it is forced, awkward, and immature as if it was written by one of my middle school students. The acting (Lloyd being the exception) is unnatural, robotic, and lacks any convincing emotion.
Was this an improv? The only guidance for every character in the story seems to be, "do whatever you want - there are no consequences for any action you take."
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Isang mahabang review na sumasaklaw kung bakit natatangi ang Project Hail Mary sa 2026: kalidad ng adaptation, siyentipikong pagkukuwento, lalim ng damdamin, at mga reaksyon ng manonood.
Ang mga kwentong komedya ay ginawa para magbigay-aliw sa pamamagitan ng katatawanan. Kabilang sa mga popular na format ang situational comedy, sketch-style humor, workplace comedy, at romantic comedy.
Binibigyang-diin ng mga action title ang excitement, pisikal na labanan, mga bayaning karakter, at mabilis na pagkukuwento. Madalas itinatampok ng mga adventure title ang eksplorasyon, survival, o malalaking paglalakbay.
Sinusundan ng mga crime drama ang mga imbestigador, detective, abogado, o mamamahayag habang nilulutas nila ang mga kasong kriminal. Hinihikayat ng mga mystery story ang mga manonood na tumuklas ng mga clue kasama ang mga karakter.
Tinutuklas ng science fiction ang futuristic na teknolohiya, paglalakbay sa kalawakan, artificial intelligence, alternatibong realidad, at siyentipikong haka-haka.
Ang horror storytelling ay lumilikha ng suspense sa pamamagitan ng psychological tension, supernatural na pangyayari, halimaw, o survival scenarios.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.
Kabilang sa animation ang mga gawa para sa bata, pamilya, at matatanda, mula sa educational content hanggang sa kumplikadong dramatikong pagkukuwento.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.