John Madden
bilang Director
English,Filipino,Français,Indonesian,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ
The drama film The Debt, starring Helen Mirren, Sam Worthington, Tom Wilkinson, etc., directed by John Madden, was released on August 31, 2011 in the United Kingdom. It tells the story of In 1965, three Mossad Agents cross into East Berlin to apprehend a notorious Nazi war criminal. Thirty years later, the secrets the Agents share come back to haunt them. This is a Drama, Thriller film with a runtime of 113 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 6.8/10 from 73,672 viewers.
John Madden
bilang Director
Helen Mirren
bilang Rachel Singer
Sam Worthington
bilang Young David
Tom Wilkinson
bilang Stephan Gold
Jessica Chastain
bilang Young Rachel
Ciarán Hinds
bilang David Peretz
Romi Aboulafia
bilang Sarah Gold
Tomer Ben David
bilang Sarah's Husband
Ohev Ben David
bilang Sarah's Son
Jonathan Uziel
bilang Mossad Agent
Elana Kivity Davenport
bilang Publisher
Eli Zohar
bilang Stephan's Driver
Irén Bordán
bilang Seminar Moderator (Tel Aviv 1997)
Marton Csokas
bilang Young Stephan
Jesper Christensen
bilang Doktor Bernhardt
Jesper Christensen
bilang Dieter Vogel
Brigitte Kren
bilang Frau Bernhardt
Brigitte Kren
bilang Nurse
Bálint Merán
bilang Man on Tram
Christian Strasser
bilang Station Guard
Alexander E. Fennon
bilang Postal Worker
Matthew Vaughn
bilang Writer
Jane Goldman
bilang Writer
Peter Straughan
bilang Writer
Assaf Bernstein
bilang Writer
Ido Rosenblum
bilang Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 panalo at 43 nominasyon sa kabuuan
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Magandang pelikula!
Magandang pelikula!
Magandang pelikula!
source: The Debt
A very slow, ponderous and frustrating movie. 3 amateurs trying to perform a very complex mission. No surprise they fail. The script tries to create drama and pathos but it largely just annoys. It took soooo long to get to the plot twist. OMG.... Every scene could be edited by at least 25%. That said, ok performances but not sure you need to watch the whole thing.
It definitely took a while to get going but when it did it was very enjoyable. It's definitely not good enough to be pushing the 8s and 9s but I enjoyed too much for it to be a 6 so a 7 it is. The fight at the ending proper annoyed me. She milked that stab with the scissors too much. She could've easily picked up the scissors before him and shanked his ass. The dude was like 1000 years old, the fight was literally in slow motion. Other then that very enjoyable film.
Not much I can say about this movie except that it drags on a bit and is disguised as a spy thriller but is really just a disturbing drama. The acting is great all around, and there's a little twist that totally took me by surprise. Not something I'd watch again, but it definitely deserves above a 6.
I was fortunate enough to see this at a film fest and have to say it was definitely the best movie I saw! The storyline keeps you on the edge of your seat, and at the end I just kept thinking "Please don't be over, please don't be over". . . I felt so connected to the story I didn't want it to end. Jessica Chastain may not currently be a recognizable name, but my assessment is that she will be soon. Her performance was captivating. Her scenes in the Doctor's office chilled me to the bone! Adding the indisputable talent of her counterpart Helen Mirren into the mix is the perfect cocktail. Definitely a girls kick a** experience! The Debt weaves together many layers, (as any movie worth watching should do!). Action, suspense, romance, beauty and conflict - a movie I'll be dragging all my girlfriends to.
As always, Helen Mirren shines as an Israeli agent forced to come to grips with a lie that she and others perpetrated some 30 years before. As the younger Mirren, Jessica Chastain, certainly an upcoming actress shows her mettle. These agents were sent in by Israel to apprehend a notice Nazi concentration camp doctor who experimented on the victims. No, we're not talking about Dr. Mengele. Their plan goes terribly awry and the doctor escapes. The three concoct a story that he is dead. Of course, after 30 years, the three find out that the evil doctor is alive in Asia. The effort falls on Mirren to get him. This is a story of trust and ultimate reality with having to tell the truth. There are tragic consequences.
The biggest mistake in this movie was the casting for the part of the Stephen Gold character! Was nobody over at Acme Central Casting that day? Was no one clever enough to see that Ciarán Hinds and Marton Csokas look alike and both should have been the older-younger versions of Stephen Gold, instead of Tom Wilkinson and Sam Worthington!? Someone sure was out to lunch that day, wow. Oh well.
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Isang mahabang review na sumasaklaw kung bakit natatangi ang Project Hail Mary sa 2026: kalidad ng adaptation, siyentipikong pagkukuwento, lalim ng damdamin, at mga reaksyon ng manonood.
Ang mga kwentong komedya ay ginawa para magbigay-aliw sa pamamagitan ng katatawanan. Kabilang sa mga popular na format ang situational comedy, sketch-style humor, workplace comedy, at romantic comedy.
Binibigyang-diin ng mga action title ang excitement, pisikal na labanan, mga bayaning karakter, at mabilis na pagkukuwento. Madalas itinatampok ng mga adventure title ang eksplorasyon, survival, o malalaking paglalakbay.
Sinusundan ng mga crime drama ang mga imbestigador, detective, abogado, o mamamahayag habang nilulutas nila ang mga kasong kriminal. Hinihikayat ng mga mystery story ang mga manonood na tumuklas ng mga clue kasama ang mga karakter.
Tinutuklas ng science fiction ang futuristic na teknolohiya, paglalakbay sa kalawakan, artificial intelligence, alternatibong realidad, at siyentipikong haka-haka.
Ang horror storytelling ay lumilikha ng suspense sa pamamagitan ng psychological tension, supernatural na pangyayari, halimaw, o survival scenarios.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.
Kabilang sa animation ang mga gawa para sa bata, pamilya, at matatanda, mula sa educational content hanggang sa kumplikadong dramatikong pagkukuwento.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.