Paloma Baeza
bilang Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ,中文
The animation film The House, starring Mia Goth, Matthew Goode, Claudie Blakley, etc., directed by Paloma Baeza, was released on January 14, 2022 in the United Kingdom. It tells the story of Across different eras, a poor family, an anxious developer and a fed-up landlady become tied to the same mysterious house in this animated dark comedy. This is an Animation, Komedya, Drama film with a runtime of 97 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 6.8/10 from 25,426 viewers.
Paloma Baeza
bilang Director
Emma De Swaef
bilang Director
Niki Lindroth von Bahr
bilang Director
Marc James Roels
bilang Director
Mia Goth
bilang Mabel
Matthew Goode
bilang Raymond
Claudie Blakley
bilang Penelope
Eleanor De Swaef-Roels
bilang Isobel
Mark Heap
bilang Mr. Thomas
Joshua McGuire
bilang Georgie
Stephanie Cole
bilang Great Aunt Eleanor
Miranda Richardson
bilang Aunt Clarice
David Peacock
bilang Uncle Lucien
David Peacock
bilang Flemish Workers
Barnaby Pilling
bilang Van Schoonbeek
Jarvis Cocker
bilang Developer
Sven Wollter
bilang Odd Man
Yvonne Lombard
bilang Odd Woman
Tommy Hibbitts
bilang Police Officer #1
Ayesha Antoine
bilang Police Officer #2
Ayesha Antoine
bilang Visitors & Relatives
Jason Barnett
bilang Visitors & Relatives
Wayne Forester
bilang Visitors & Relatives
Poppy Gathard
bilang Visitors & Relatives
Enda Walsh
bilang Writer
Emma De Swaef
bilang Writer
Marc James Roels
bilang Writer
Niki Lindroth von Bahr
bilang Writer
Johannes Nyholm
bilang Writer
Paloma Baeza
bilang Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 panalo at 43 nominasyon sa kabuuan
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what a garbage movie and waste of Data.... it's a double psychologically demonic movie meant for depressed people... two unrelated poor puppet animation combined... don't even waste your time
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seriously!!! this is actually waste of Data.. three stories that has no relationship, it's annoying, irritating etc.... don't watch this shît if you are a nightmare person
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source: The House
I dispute the classification of this film by IMDB as a "dark comedy". That appellation would lead me to expect something lighter in tone - maybe akin to "South Park", which CAN be both funny and dark. What I got was more like an animated horror story - SAW done with puppets. Woe betide the parent who decides that a stop-motion animation film might be suitable for their children to watch. That may be true in general, but "The House" sure isn't a candidate!
This is a film with three unique stories that have one thing in common; the house. The first story was strange yet very engaging and I loved the style of the puppet people. Story #2 with the mice was awful and story #3 with the cats was not any better. If the script was better this would have been outstanding. Or just lengthen the first story as the entire film. Hard to describe the hyper vague plots of these but the stop motion animation was a great charge from the usual. The first story presented the most meat to chew on, while the others appeared to be were really disconnected within themselves, between their own scenes, from making any sense. Who knows, this may click better for you.
While it may seem that the three stories are disconnected, they all allude to the human condition. The first story is about the pursuit of material wealth which humans associate with happiness. However, the obsession with material wealth consumes them and paradoxically drives them further away from the contentment that they desire. If one is constantly looking for more, nothing is ever enough. The second story is a metaphor for the plague that humankind is on the planet. The house is planet Earth, the only home we have; the bugs are what we humans deem as pests, which have every claim to this planet as we do; and the rats are us. The bank is climate change and the call to action to correct our parasitic behaviour before we burn our house down. The final story is an indictment of the property market which goes against the basic human right to a home by discriminating against those who fail to play by society's arbitrary rules. The House holds a mirror up to us and beckons us to take a good hard look. Those in denial will reject these messages, so it is "preaching to the converted". Watching this is still one hell of a ride and the stop motion animation is a joy to behold.
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Alamin ang tamang paraan para i-install ang Movie Box APK: mga pangunahing kaalaman sa bersyon muna, pagkatapos ay malinis na mga hakbang sa pag-install, at sa huli kung paano pumili sa TV, iOS, Web, at app usage paths.
Isang mahabang review na sumasaklaw kung bakit natatangi ang Project Hail Mary sa 2026: kalidad ng adaptation, siyentipikong pagkukuwento, lalim ng damdamin, at mga reaksyon ng manonood.
Ang mga kwentong komedya ay ginawa para magbigay-aliw sa pamamagitan ng katatawanan. Kabilang sa mga popular na format ang situational comedy, sketch-style humor, workplace comedy, at romantic comedy.
Binibigyang-diin ng mga action title ang excitement, pisikal na labanan, mga bayaning karakter, at mabilis na pagkukuwento. Madalas itinatampok ng mga adventure title ang eksplorasyon, survival, o malalaking paglalakbay.
Sinusundan ng mga crime drama ang mga imbestigador, detective, abogado, o mamamahayag habang nilulutas nila ang mga kasong kriminal. Hinihikayat ng mga mystery story ang mga manonood na tumuklas ng mga clue kasama ang mga karakter.
Tinutuklas ng science fiction ang futuristic na teknolohiya, paglalakbay sa kalawakan, artificial intelligence, alternatibong realidad, at siyentipikong haka-haka.
Ang horror storytelling ay lumilikha ng suspense sa pamamagitan ng psychological tension, supernatural na pangyayari, halimaw, o survival scenarios.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.
Kabilang sa animation ang mga gawa para sa bata, pamilya, at matatanda, mula sa educational content hanggang sa kumplikadong dramatikong pagkukuwento.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.