Yorgos Lanthimos
bilang Director
English,Filipino,Français,Indonesian,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ,中文
The drama film The Lobster, starring Colin Farrell, Rachel Weisz, Jessica Barden, etc., directed by Yorgos Lanthimos, was released on October 16, 2015 in Ireland. It tells the story of Sa isang dystopian malapit na hinaharap, ayon sa mga batas ng The City, ang mga single na tao ay dadalhin sa The Hotel, kung saan obligado silang humanap ng romantikong kapareha sa loob ng 45 araw o sila ay mag-transform bilang mga hayop at ipadala sa The Woods. This is a Drama, Romansa, Sci-Fi film with a runtime of 119 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 7.1/10 from 329,760 viewers.
Yorgos Lanthimos
bilang Director
Colin Farrell
bilang David
Rachel Weisz
bilang Short Sighted Woman
Jessica Barden
bilang Nosebleed Woman
Jacqueline Abrahams
bilang Donkey Shooter
Roger Ashton-Griffiths
bilang Doctor
Olivia Colman
bilang Hotel Manager
Anthony Dougall
bilang 70 Year Old Waiter
Sean Duggan
bilang Guard Waiter
Roland Ferrandi
bilang Loner Leader's Father
James Finnegan
bilang Bald Man
Robert Heaney
bilang Restaurant Waiter
Rosanna Hoult
bilang David's Wife
Jaro
bilang Bob the Dog
Ryac
bilang Bob the Dog
Ashley Jensen
bilang Biscuit Woman
Kathy Kelly
bilang Police Officer 1
Ariane Labed
bilang The Maid
Ewen MacIntosh
bilang Trainer Waiter (Shooting Range)
Yorgos Lanthimos
bilang Writer
Efthimis Filippou
bilang Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 panalo at 43 nominasyon sa kabuuan
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cool
Magandang pelikula!
Magandang pelikula!
Magandang pelikula!
Magandang pelikula!
source: The Lobster
This has got to be hands down the worst piece or rubbish I have ever seen.It was cringe worthy how they tried to make it arty but it turned out to be pretentious tripe. Anyone giving it good reviews are just trying to look intelligent as if to say 'Oh yeah I get it' When there really is nothing to get. It was just awful strung together, boring crud.I don't know how they managed to get such good names to sign up to this movie, really that is all it has going for it. I think without the names this movie would not have been seen by anyone. Do yourself a favour and give this one a big miss. By the way I do like indie movies and i do like art house movies, I am not some philistine who doesn't appreciate good art and fringe cinema, but this was truly bad.
We went into this movie with high hopes for some sort of absurdist black comedy, as it's being billed - and as many reviewers have described it. Instead, we were treated to an overlong, pretentious art project that felt more like an undergraduate student film created by an emotionally stunted sophomore. All the actor's lines are delivered deadpan, with no emotion, regardless of the situation. There is are a few (very minor) chuckles to be sure, but they hardly compensate for the overall deadly serious tone. It's dreary, poorly edited, and contains some revolting scenes involving violent death and extreme animal cruelty. Truly terrible and a waste of a great cast. Spoiler: The ending is.
A kitchen sink of arbitrary ideas. The director is just throwing crap against the wall and seeing what sticks. The story is based on a feeble and unconvincing premise. Anyone who fails to stay in committed relationships is turned into an animal. What?? When did the society care so much for everyone to be with a partner? The motivations of individual characters are just as uncompelling as the obstacles they are "forced" to overcome. Depictions of cruelty come from a desperate desire to move the story that is dead in the water and does not self-propel. I watched quite a bit of self-centered, pseudo-profound European movies in my youth; I never thought something like that would fly here. Miraculously it does. If this is a trend, we are in for some ugly, sad cinematic dystopia.
While the film was creative in it setting and filming, the strange dialogue, which helped set a tone, made the interpersonal relationships seem completely forced even when they should not have seemed that way. The worst part is that I watched it until it stopped. It is as if the film maker didn't have an ending to go to, and just go tired of the movie. Unfortunately, that took a long time. As a short, this film might have been remarkable. As a full length feature, it was just tedious and not entertaining. On the positive side, it had a great cast who probably did as much as they could with the material they were given. Yorgos Lanthimos wrote, directed and produced the movie and I'm unlikely to want to go see another movie by Yorgos. It was billed as a wickedly funny romance, but was none of those. I did laugh once. It was a single "ha", not a "ha, ha, ha!" Ultimately a waste of time.
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Isang mahabang review na sumasaklaw kung bakit natatangi ang Project Hail Mary sa 2026: kalidad ng adaptation, siyentipikong pagkukuwento, lalim ng damdamin, at mga reaksyon ng manonood.
Ang mga kwentong komedya ay ginawa para magbigay-aliw sa pamamagitan ng katatawanan. Kabilang sa mga popular na format ang situational comedy, sketch-style humor, workplace comedy, at romantic comedy.
Binibigyang-diin ng mga action title ang excitement, pisikal na labanan, mga bayaning karakter, at mabilis na pagkukuwento. Madalas itinatampok ng mga adventure title ang eksplorasyon, survival, o malalaking paglalakbay.
Sinusundan ng mga crime drama ang mga imbestigador, detective, abogado, o mamamahayag habang nilulutas nila ang mga kasong kriminal. Hinihikayat ng mga mystery story ang mga manonood na tumuklas ng mga clue kasama ang mga karakter.
Tinutuklas ng science fiction ang futuristic na teknolohiya, paglalakbay sa kalawakan, artificial intelligence, alternatibong realidad, at siyentipikong haka-haka.
Ang horror storytelling ay lumilikha ng suspense sa pamamagitan ng psychological tension, supernatural na pangyayari, halimaw, o survival scenarios.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.
Kabilang sa animation ang mga gawa para sa bata, pamilya, at matatanda, mula sa educational content hanggang sa kumplikadong dramatikong pagkukuwento.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.