Antti J. Jokinen
bilang Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ,中文
The drama film The Midwife, starring Krista Kosonen, Lauri Tilkanen, Pirkka-Pekka Petelius, etc., directed by Antti J. Jokinen, was released on September 4, 2015 in Finland. It tells the story of A Finnish midwife falls in love with a German-Finnish SS-officer during the Lapland War, in the middle of WWII. This is a Drama, Kasaysayan, Romansa film with a runtime of 119 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 6.0/10 from 1,650 viewers.
Antti J. Jokinen
bilang Director
Krista Kosonen
bilang Helena Alatalo
Lauri Tilkanen
bilang Johannes Angelhurst
Pirkka-Pekka Petelius
bilang Jouni
Tommi Korpela
bilang Gödel
Leea Klemola
bilang Aune
Seppo Pääkkönen
bilang Björne
Johannes Brotherus
bilang Aleksei
Elina Knihtilä
bilang Heta
Tiina Weckström
bilang Haataja
Jade Viljamaa
bilang Lispet
Ylermi Rajamaa
bilang Jaakkima
Armi Toivanen
bilang Kristiina Alatalo
Kaarina Hazard
bilang Keskimölsän akka
Anneli Karppinen
bilang Pöykön emäntä
Kati Rausch
bilang Concentration Camp Guard
Arturas Aleksejevas
bilang Prisoner
Kristijonas Bronusas
bilang Anatoly
Antti J. Jokinen
bilang Writer
Katja Kettu
bilang Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 panalo at 43 nominasyon sa kabuuan
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Magandang pelikula!
Unfortunately this has to be the worst Finnish film I have ever seen. It has no redeeming qualities other than the occasional glimpse of the beautiful Lapland landscape and you would have had to have hiked there to feel even the slightest pang. The Finns can make some good, if slightly insular, war films bringing to life a little known part of the Second World War but I fail to see what the point of this was. Maybe it suffered from poor subtitling but I found myself wishing this was over after about half an hour. The characters were flat and unbelievable and the film lacked any pace of any sort.....it just trudged along. I wish I could be more positive but, no.....give this one a miss.
About death camps rather than war and takes a horribly bleak outlook. Not what that part of the war was mostly about. I found it gratuitously nasty, because it intentionally picks on the worst aspects. Something that is anyway perfectly well known.
a war film. not different by many others. same story of love in war time, same soft illustration of Nazi crimes, same moral lesson in nice package. the photography is remarkable, the acting is an interesting exercise to use minimalism for save the character, the music in beautiful but, after few strange errors , it is obvious its great sin - it not gives something new. despite the story, the film seems be only a large picture, cold , gray, and the emotion seems be the duty of viewer to imagine it. a film who remains beautiful. like a lot of films about same theme. but the courage to exploring key-details , the craziness of war as stage for a touching love story is missing.
This is just another finnish war drama which are made every year with the same clichès and spices. The package is just a bit different every time. I wonder when they'd stop supporting patriotic films and put the focus on different kind of films that are completely absent in Finnish cinema. There's so much talent that gets wasted if they make the same stuff over and over again. Knowing the director's background in music videos, it doesn't really surprise that the film seems like a two hour long commercial music video rather than a film about love and war. The problem is that it doesn't touch at all when it should. Character development is non-existent and characters are left vague. All the atrocities are bypassed quite swiftly just as if nothing bad had ever happened. The main character is pregnant but the development of pregnancy is not shown at all. As a viewer i was left with a role of an observer. I was supposed to just admire the scenery. The film is technically perfect but that's all there is to it. The sex scenes are actually so amusing and lack a good taste so much so that i think it will never get an international release. To sum it up it's an average finnish war drama from a capable director who gave us Puhdistus some years earlier. It remains as his best film in my opinion. Finnish audiences who've seen war films over and over again might find this film quite tiring. I find Puhdistus more awarding to watch than this.
This film was touted to me as the first one set in Lapland during the often forgotten Lapland War between Finland and Nazi-Germany (1944-1945). This was false marketing for the story is mostly set in Russia and the Lapland War does not start until two-thirds into the film. The plot aims to be a love story between lovers from opposite sides in the conflict, against all odds, but that angle is obfuscated by side plots and the paper thin story, in which everything is treated with the same greyish brush. Furthermore, the special effects in the action scenes are mostly not believable. Bombs repeatedly explode literally two meters away from the protagonists who are standing up yet miraculously remain unharmed, while German soldiers, instead of seeking cover, fire at attack planes with pistol calibre small arms. I assume the film makers wanted to create an artsy, dark film to gloss over the fact that they lacked the budget to depict realistic action and atrocity scenes and they failed in that attempt. There are some good scenes, but on the whole the story feels disjointed, the characters have little chemistry and their actions appear poorly motivated. It is too bad that a story with potential did not meet with a better execution. For a better film set in the same area and during the same time period, watch Kukushka (2002).
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Isang mahabang review na sumasaklaw kung bakit natatangi ang Project Hail Mary sa 2026: kalidad ng adaptation, siyentipikong pagkukuwento, lalim ng damdamin, at mga reaksyon ng manonood.
Ang mga kwentong komedya ay ginawa para magbigay-aliw sa pamamagitan ng katatawanan. Kabilang sa mga popular na format ang situational comedy, sketch-style humor, workplace comedy, at romantic comedy.
Binibigyang-diin ng mga action title ang excitement, pisikal na labanan, mga bayaning karakter, at mabilis na pagkukuwento. Madalas itinatampok ng mga adventure title ang eksplorasyon, survival, o malalaking paglalakbay.
Sinusundan ng mga crime drama ang mga imbestigador, detective, abogado, o mamamahayag habang nilulutas nila ang mga kasong kriminal. Hinihikayat ng mga mystery story ang mga manonood na tumuklas ng mga clue kasama ang mga karakter.
Tinutuklas ng science fiction ang futuristic na teknolohiya, paglalakbay sa kalawakan, artificial intelligence, alternatibong realidad, at siyentipikong haka-haka.
Ang horror storytelling ay lumilikha ng suspense sa pamamagitan ng psychological tension, supernatural na pangyayari, halimaw, o survival scenarios.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.
Kabilang sa animation ang mga gawa para sa bata, pamilya, at matatanda, mula sa educational content hanggang sa kumplikadong dramatikong pagkukuwento.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.