Jennifer Kent
bilang Director
English,Filipino,Français,Indonesian,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ,中文
The pakikipagsapalaran film The Nightingale, starring Aisling Franciosi, Maya Christie, Baykali Ganambarr, etc., directed by Jennifer Kent, was released on August 29, 2019 in Australia. It tells the story of Set in 1825, Clare, a young Irish convict woman, chases a British officer through the rugged Tasmanian wilderness, bent on revenge for a terrible act of violence he committed against her family. On the way she enlists the services of an Aboriginal tracker named Billy, who is also marked by trauma from his own violence-filled past. This is a Pakikipagsapalaran, Drama, Thriller film with a runtime of 136 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 7.3/10 from 40,380 viewers.
Jennifer Kent
bilang Director
Aisling Franciosi
bilang Clare
Maya Christie
bilang Baby Brigid
Baykali Ganambarr
bilang Billy
Addison Christie
bilang Baby Brigid
Damon Herriman
bilang Ruse
Harry Greenwood
bilang Jago
Claire Jones
bilang Harriet
Ewen Leslie
bilang Goodwin
Sam Claflin
bilang Hawkins
Charlie Shotwell
bilang Eddie
Michael Sheasby
bilang Aidan
Charlie Jampijinpa Brown
bilang Uncle Charlie
Eloise Winestock
bilang Luddy
Magnolia Maymuru
bilang Lowanna
Matty Barker
bilang Goodwin's Ensign
Charles McCarthy
bilang Convict Violinist
Ben Morton
bilang Wallace
Matt Burton
bilang Outpost Soldier
Jennifer Kent
bilang Writer
Maaaring mag-iba ang availability ayon sa bansa, wika, at release window. Ilang pamagat ay kasama sa subscription ng platform, habang ang iba ay maaaring mangailangan ng rental, pagbili, o access sa pamamagitan ng app. Regular na ina-update ang mga streaming catalog at licensing agreement, kaya maaaring magbago ang mga opsyon sa pag-play. Para sa pinakatumpak na karanasan sa panonood, tingnan ang pinakabagong listing sa iyong napiling serbisyo at kumpirmahin ang regional support, subtitle options, at device compatibility bago magsimula.
127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 panalo at 43 nominasyon sa kabuuan
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Jennifer Kent's sophomore effort, The Nightingale, is beset with some interesting but ultimately flawed creative choices. The 1.37:1 ratio aspect choice is puzzling and defeats any effort to capture the truely spectacular wilderness in any cinematic sense. An opportunity lost to really describe what should've been another essential character in the movie. Instead there is very little in the way of establishing any sense of geography or location. The closed off framing creates a claustrophobic vibe that even applies to the exteriors. The villains are drawn so broadly as to almost descend into caricature with repeated maniacal giggling and shouting that dilutes any real menace. In fact our heroine seems to have no overt concerns as to any potential danger from said villains eg previous rape/assault attempts or threats to revoke her free woman status. So when the attack comes it feels contrived with no foreboding or dread preceding it. In fact the emphasis on showing the multiple rape scenes just dulls any significant impact the act should rightly impart on the audience. If anything this feels like an ambitious debut from a talented independent artist with a limited budget and even more limited creative toolbox. The 136 minute running time isn't justified, in fact what The Nightingale needs most is to be reduced by 30 minutes. It's languid and suffers for it. Conversely The Babadook still impresses with its tension, taught story-telling, beautifully realised characters and excellent film craft. Sadly The Nightingale could learn a few lessons from it.
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This one's for the feminist crowd. Plenty of poorly behaved soldiers raping women with screaming babies in the background. The dialogue is forced. The fight scenes poorly choreographed. I wish I could share the complete film but I turned it off at 30 minutes.
A very good movie of Australia's past history how the settlers treated the aboriginals and the convicts deported from England. Not too much is known of these happenings, but this film shows the stark realities of those days, almost two hundred years ago. The story is fictional but fits perfectly in this era and could have been true. Beautifully told and acted by the main characters giving one food for thought to ponder over. A top class dramatic movie worth seeing.
Take "True Grit," add long pointless prologue, add lot more gratuitous violence, film in 4:3 four no reason, and make several core elements utterly improbable -- and finally force in the anachronism of ham-handed current culture of outrage and being perpetually offended, and you have "the Nightingale." Or you can skip this mess and watch the much better scripted, paced, acted, filmed directed "True Grit."
Why?? Why??? Why???? This is what I was asking myself at the end of the movie. You were raped in front of your husband, your baby murdered in front of you, you are left for dead. You go on a long treacherous quest to find these men who did this and when you finally catch up to him you wimp out??!! Ok, I get it, this man put fear in you, controlled you, took everything away from you, so fear can consume you. But when you meet him again all you can do is muster up the rage and courage to hurt his feelings???!!! The ending ruined this movie that started off with such promise. So of course our heroine, that we have been following this whole time had her revenge but by the hand of her companion. Seriously?!?! This could have been a solid 10 but let's make the heroine weak and frail at the end and have the man take the spot light. We should have been following him the whole movie!! Im not anti man, I am a man but I do love a good heroine character. This was not what I was expecting. Very disappointing.
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Isang mahabang review na sumasaklaw kung bakit natatangi ang Project Hail Mary sa 2026: kalidad ng adaptation, siyentipikong pagkukuwento, lalim ng damdamin, at mga reaksyon ng manonood.
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Binibigyang-diin ng mga action title ang excitement, pisikal na labanan, mga bayaning karakter, at mabilis na pagkukuwento. Madalas itinatampok ng mga adventure title ang eksplorasyon, survival, o malalaking paglalakbay.
Sinusundan ng mga crime drama ang mga imbestigador, detective, abogado, o mamamahayag habang nilulutas nila ang mga kasong kriminal. Hinihikayat ng mga mystery story ang mga manonood na tumuklas ng mga clue kasama ang mga karakter.
Tinutuklas ng science fiction ang futuristic na teknolohiya, paglalakbay sa kalawakan, artificial intelligence, alternatibong realidad, at siyentipikong haka-haka.
Ang horror storytelling ay lumilikha ng suspense sa pamamagitan ng psychological tension, supernatural na pangyayari, halimaw, o survival scenarios.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.
Kabilang sa animation ang mga gawa para sa bata, pamilya, at matatanda, mula sa educational content hanggang sa kumplikadong dramatikong pagkukuwento.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.