Kitty Green
bilang Director
English,Filipino,Français,Indonesian,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ
The drama film The Royal Hotel, starring Julia Garner, Jessica Henwick, Herbert Nordrum, etc., directed by Kitty Green, was released on October 6, 2023 in Australia. It tells the story of Backpackers Hanna and Liv take a job in a remote Australian pub for some extra cash and are confronted with a bunch of unruly locals and a situation that rapidly leaps out of their control. This is a Drama film with a runtime of 91 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 5.7/10 from 16,372 viewers.
Kitty Green
bilang Director
Julia Garner
bilang Hanna
Jessica Henwick
bilang Liv
Herbert Nordrum
bilang Torsten
Dylan River
bilang Bartender
Keylan Devine-Ingerson
bilang French Man
Bree Bain
bilang Office Woman
Ursula Yovich
bilang Carol
Alex Malone
bilang Jules
Kate Cheel
bilang Cassie
Hugo Weaving
bilang Billy
James Frecheville
bilang Teeth
Nic Darrigo
bilang Kev
Adam Morgan
bilang Keith
Adam MacNeill
bilang Macca
Ben Eggleton
bilang Spanners
Barbara Lowing
bilang Glenda
Daniel Henshall
bilang Dolly
Bruce R. Carter
bilang Darren
Kitty Green
bilang Writer
Oscar Redding
bilang Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 panalo at 43 nominasyon sa kabuuan
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Felt compelled to leave a review after watching this last night and seeing how many people left poor reviews. All i knew going into it was that it was filmed in Australia and i'm a fan of JG so would watch it regardless of much else. Enjoyed this from start to finish. For some, movies are about what they make you feel and think. If you enjoy character studies about people, place, time or circumstances then this might be up your alley. It's not a happy movie nor a true horror which is probably how many have been left disappointed. Indie drama/thriller would better describe it. It's bleak and scary for the fact that human nature is often something to fear more than anything pretend. I had that sick feeling of unease through throughout (which is something i really appreciate from such movies). I would watch it again however my partner (male) watching with me was waiting for something bigger to happen and felt the end was anti climatic - 2 different views.
I didn't know much about this film, but I really didn't expect this. For the entire hour and 30 minutes, I kept waiting for something significant to happen, but nothing did. Why on earth would two girls go to the middle of the desert to work in a bar were bunch of people get drunk and do stupid things. That's the story in a nutshell, then they get to meet bunch of dudes who want to have a good time with them, but one of them gets violent, so one of the girls tries to stop him. I can't understand why this film was made or what it was trying to say, truly pointless to me and a true waste of time and talent.
Someone said recently that audiences were more appreciative of good movies 50 years ago, and (by implication) that current audiences don't know quality when they see it. Jesus H. Christ, when seeing the user reviews here that is really and starkly borne out! This is a perfectly well-made and often chilling drama about toxic masculinity; a realistic portrayal of how things can veer off-track for anybody; a well-acted and believable depiction of culture shock and the psychological problems of isolation and weltschmerz. Yet most of the reviewers here clearly weren't prepared for this type of movie, and clearly wanted something very different. Well, why did you watch this, you bleedin' nincompoops? Why didn't you turn it off after half an hour? Why did you even bother to write a review? That's on you, peeps. Get better at picking your content.
amazing
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I read the description of this movie expecting either a drama or a crime movie, but I got neither. What I did get to see was a portrait of an Australian pub. Period. Sometimes a bit rowdy as in any pub. And that's it. What the what? The bad: this story is going nowhere. 2 female pub employees serve beer and ocassionally hang out with some of the pub visitors. Wanna watch that for 90 minutes long? I got bored. There is a final to this story that does not make sense at all, making me further question the capabilities of the writer of this script. Kinda tedious. Kinda lame. Nothing much happens except some common pub rowdiness. And that is suppose to be the basis of an entire movie? Not any good then? Jennifer Garner is a great actress. SHE was THE reason I started watching this movie, but her performance cant cover up the simple fact that this story is void of any drama or thrill. What a dud.
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Isang mahabang review na sumasaklaw kung bakit natatangi ang Project Hail Mary sa 2026: kalidad ng adaptation, siyentipikong pagkukuwento, lalim ng damdamin, at mga reaksyon ng manonood.
Ang mga kwentong komedya ay ginawa para magbigay-aliw sa pamamagitan ng katatawanan. Kabilang sa mga popular na format ang situational comedy, sketch-style humor, workplace comedy, at romantic comedy.
Binibigyang-diin ng mga action title ang excitement, pisikal na labanan, mga bayaning karakter, at mabilis na pagkukuwento. Madalas itinatampok ng mga adventure title ang eksplorasyon, survival, o malalaking paglalakbay.
Sinusundan ng mga crime drama ang mga imbestigador, detective, abogado, o mamamahayag habang nilulutas nila ang mga kasong kriminal. Hinihikayat ng mga mystery story ang mga manonood na tumuklas ng mga clue kasama ang mga karakter.
Tinutuklas ng science fiction ang futuristic na teknolohiya, paglalakbay sa kalawakan, artificial intelligence, alternatibong realidad, at siyentipikong haka-haka.
Ang horror storytelling ay lumilikha ng suspense sa pamamagitan ng psychological tension, supernatural na pangyayari, halimaw, o survival scenarios.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.
Kabilang sa animation ang mga gawa para sa bata, pamilya, at matatanda, mula sa educational content hanggang sa kumplikadong dramatikong pagkukuwento.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.