Jill Gevargizian
bilang Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ,中文
The drama film The Stylist, starring Najarra Townsend, Brea Grant, Jennifer Seward, etc., directed by Jill Gevargizian, was released on March 1, 2021 in Estados Unidos. It tells the story of A lonely hair stylist becomes obsessed with the lives of her clients and descends into murderous madness. This is a Drama, Katatakutan film with a runtime of 105 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 5.6/10 from 3,086 viewers.
Jill Gevargizian
bilang Director
Najarra Townsend
bilang Claire
Brea Grant
bilang Olivia
Jennifer Seward
bilang Sarah
Sarah McGuire
bilang Dawn Nelson
Davis DeRock
bilang Charlie
Millie Milan
bilang Monique
Kimberly Igla
bilang Rose
Bety Le
bilang Christie
Pepper
bilang Pepper
Edward Patterson
bilang EZ Eddie
Jimmy Darrah
bilang Hardware Store Attendant
Jill Gevargizian
bilang Jill Sixx
Laura Kirk
bilang Frankie
Vienna Maas
bilang Flower Girl
Lindsay Solomon
bilang Stylist #1
Angela Dupuie
bilang Stylist #3
Ashley Kukay
bilang Stylist #2
Kelsey Nicholes
bilang Elizabeth
Jill Gevargizian
bilang Writer
Eric Havens
bilang Writer
Eric Stolze
bilang Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 panalo at 43 nominasyon sa kabuuan
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Generic lead psycho without rhyme or reason murders pretty much anybody she meets. No motive, no specific reason for selection, just random unexplained psychotic breakdowns. Could've been a winner but the writing is terrible and it's jam packed of long repetitive scenes that do nothing to move the story or reveal anything deeper about the main character. Maniac, Sweeney Todd and even Lucky McKee's May do everything done here way better. Ultimately a unoriginal, paint by numbers story with a excruciatingly long and predictable finish. More like a photo shoot for bloody bride monthly than a worthwhile narrative.
Definitely worth a watch. What did she do with the first body ? Never shows....Claire looks a little like Lady Gaga...
Another case of a decent short film being turned into a feature, when the short film already said everything it had to say. Do yourself a favor and watch the short first then do almost anything else at all after that. instead of watching this film. You will thank me.
Claire (Najarra Townsend) is a sad lonely hair stylist who lives her life imagining being the person in her chair. In her despair she drugs her clients and scalps them, wearing their hair in her pretend room. I actually developed empathy for this female "Leather Face". Olivia (Brea Grant) is getting married and needs an "emergency" hair style. She invites Claire into her life and Claire shows us how she is socially awkward, again making us feel for her. The ending was somewhat expected. I didn't feel the horror. Definitely a film for women. Guide: F-word. No sex or nudity.
Really good film, utterly mad main character. Interesting to see a mad female as the main character, a few films like that appearing these days, a chilling portent of things to come?
Nonsense, don't recommend to watch. Weak plot, bad acting, no idea beside story. I watch it till the end only because I was trying to get what was the point. Totally disappointed.
Definitely a slow burn and builds up till the end. Good nuanced performance by Najarra Townsend. The slasher effects are very realistic. Didn't expect to like it but did...
This film start with a hair stylist "Claire" drinking latte, and she serving her customer scene! As turnout, this film is about Claire obsess to poison her customer, and possess their hair! Entire film full of boring conversation, and annoying overuse scene! Such as, overuse of the walking scene, overuse of the searching scene, overuse of the driving scene, overuse of the drinking scene, overuse of the eating scene, overuse of the calling names scene, overuse of the staring scene, overuse of the sleeping scene, overuse of the hair styling scene, overuse of the texting scene, and overuse of the spying scene! Make the film unwatchable! At the end, Claire possess Olivia's hair at the wedding ceremony, and scare away all the attendant! That's it! Wasting time to watch!
The end really save it from a negative score, but can't be positive either. Interesting concept, a couple of good scenes, but most of the film is really predictable and boring. Some editing, less slow-mos, and there is no reason for this one to be over 80 minutes.
I watched this movie months ago and it's not often that I feel the need to come back and review how slow and boring a movie is, a movie never sends me to sleep, this one did, its basically a rip off from maniac from 2012 and 1980. Watch one of them instead, trust me, you want be disappointed, but you will with this horse s#@t.
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Isang mahabang review na sumasaklaw kung bakit natatangi ang Project Hail Mary sa 2026: kalidad ng adaptation, siyentipikong pagkukuwento, lalim ng damdamin, at mga reaksyon ng manonood.
Ang mga kwentong komedya ay ginawa para magbigay-aliw sa pamamagitan ng katatawanan. Kabilang sa mga popular na format ang situational comedy, sketch-style humor, workplace comedy, at romantic comedy.
Binibigyang-diin ng mga action title ang excitement, pisikal na labanan, mga bayaning karakter, at mabilis na pagkukuwento. Madalas itinatampok ng mga adventure title ang eksplorasyon, survival, o malalaking paglalakbay.
Sinusundan ng mga crime drama ang mga imbestigador, detective, abogado, o mamamahayag habang nilulutas nila ang mga kasong kriminal. Hinihikayat ng mga mystery story ang mga manonood na tumuklas ng mga clue kasama ang mga karakter.
Tinutuklas ng science fiction ang futuristic na teknolohiya, paglalakbay sa kalawakan, artificial intelligence, alternatibong realidad, at siyentipikong haka-haka.
Ang horror storytelling ay lumilikha ng suspense sa pamamagitan ng psychological tension, supernatural na pangyayari, halimaw, o survival scenarios.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.
Kabilang sa animation ang mga gawa para sa bata, pamilya, at matatanda, mula sa educational content hanggang sa kumplikadong dramatikong pagkukuwento.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.