Scott Walker
bilang Director
English,Filipino,Français,Indonesian,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ,中文
The katatakutan film The Tank, starring Luciane Buchanan, Matt Whelan, Zara Nausbaum, etc., directed by Scott Walker, was released on April 25, 2023 in New Zealand. It tells the story of Matapos ang misteryosong pagmamana ng isang inabandunang ari-arian sa baybayin, si Ben at ang kanyang pamilya ay hindi sinasadyang nagpakawala ng isang sinaunang, matagal nang natutulog na nilalang na natakot sa buong rehiyon-kabilang ang kanyang sariling mga ninuno-sa loob ng mga henerasyon. This is a Katatakutan, Misteryo, Thriller film with a runtime of 100 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 4.6/10 from 5,101 viewers.
Scott Walker
bilang Director
Luciane Buchanan
bilang Jules
Matt Whelan
bilang Ben
Zara Nausbaum
bilang Reia
Regina Hegemann
bilang Creature
Jack Barry
bilang Alec
Holly Shervey
bilang Linda
Coco White
bilang Rosie
Mark Mitchinson
bilang Amos Tilbury
Jaya Beach-Robertson
bilang Jodie
Ascia Maybury
bilang Merial
Graham Vincent
bilang Police Officer
Francesca Eglinton
bilang Pet Store Girl
Leonardo Walker
bilang Pet Store Boy
Leonardo Walker
bilang Creature 2
Sebastien Walker
bilang Pet Store Boy
Jatinder Singh
bilang Construction Worker
Minna Walker
bilang Surfer Mom
Juana Luz Stratton
bilang Cat Lady
Ana Sanchez
bilang Cat Lady's Daughter
Scott Walker
bilang Writer
Maaaring mag-iba ang availability ayon sa bansa, wika, at release window. Ilang pamagat ay kasama sa subscription ng platform, habang ang iba ay maaaring mangailangan ng rental, pagbili, o access sa pamamagitan ng app. Regular na ina-update ang mga streaming catalog at licensing agreement, kaya maaaring magbago ang mga opsyon sa pag-play. Para sa pinakatumpak na karanasan sa panonood, tingnan ang pinakabagong listing sa iyong napiling serbisyo at kumpirmahin ang regional support, subtitle options, at device compatibility bago magsimula.
127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 panalo at 43 nominasyon sa kabuuan
I-download ang pinakabagong MovieBox packages para sa mobile, FM builds, at TV-compatible APK versions. Piliin ang package na tugma sa iyong device at region, pagkatapos ay sundin ang opisyal na install guide para sa pinakamahusay na compatibility at seguridad.
hindi plz
dansonjohnso92@gmail.com
yeah
Magandang pelikula!
Magandang pelikula!
Magandang pelikula!
It's not that The Tank is a completely horrible film. The acting is rather decent. The monster is kind of cool (at least it's not horribly rendered with CGI). And it has a dark and foreboding atmosphere. The basic premise here, is that a giant storm, in the distant past, washed a bunch of axolotls (or other such amphibious creatures) from the ocean, into the septic tank of a house in a remote community...causing them to mutate into carnivorous human-eating salamanders (or, possibly, reptiles)...as a result of their exposure to human excrement. At least that is what is implied...I think. However, it's rather hard to get around the ridiculous logic on which the story is based. First and foremost, the way the father finds and enters the tank- which supposedly awakens/releases the beast- is absurd. Literally noone goes to a new place...sees an overgrown grate...and is overcome with the curiosity to lift and enter it. It's just not plausible, or believable. And comes off completely forced. Not to mention, axolotls don't even live in the ocean...and if they did get washed into a septic tank (by some freak course of nature)...that doesn't really meet the criteria of them becoming "land based" creatures. On top of that...not only is the whole first half of the film incredibly basic...it's also rather boring. With the introduction of characters (outside of the family) coming off as equally forced as the father entering the septic tank in the first place. Plus, the way the monster first appears, also doesn't make any sense- as it seems to be some sort of supernatural force, as opposed to an actual flesh and blood creature. I guess, if you can suspend disbelief- and ignore all the logical inconsistencies around which the story is based- you can garner some enjoyment from watching the film...despite it's mediocrity. You just have to accept that it is all some sort of divine cosmic intervention, to bring karmic justice upon a family that dabbles in the trafficking of endangered species (for the purpose of the pet trade). At least they put a little imagination into it...by taking some of the world's cutest creatures...and transforming them into terrifying monstrous beasts, hellbent on the destruction of humanity. So...there's that, at least. But I can't help but think that this was a completely avoidable situation. 3.5 out of 10.
cool
I watched the movie recently and it was the best thing ever. The Tank monster is the best horror movie antagonist of all time. This movie is very good until the very end. The plot is very quality and the acting is perfect. I loved every minute of it. It was great. The tank monster is super duper scary. I had to leave the movie 3 times and come back to it because it was super scary and almost made me poop myself. The main character is very smart he never falls for the traps the Tank Monster sets. He is super brave and is my second favorite of the movie but my favorite character is definitely the Tank Monster.
We have a quick 1946 opening of the film where a guy goes into a water tank and has trouble getting out. Fast forward to 1978 pet store run by Ben (Matt Whelan) and Jules (Luciane Buchanan) Adams in Oakland. Here we get some basic background information on amphibians. The house with the water tank is inherited by Ben who did not know anything about it. The family which includes a daughter (Zara Nausbaum) drives up to Oregon to check out the property which is very remote. A realtor fills in the clever backstory of the land making the case for a creature being on the property. The creature slowly makes its way into the story, always going after visitors first before the family must fight for their lives. The California family drove up to Oregon from California in their car that already had Oregon plates. Did we miss a scene? Special effects not too bad. The story did drag on. Guide: F-word. No sex or nudity.
Isang detalyadong pagtalakay sa mga kamakailang pagbabago sa presyo, kung bakit muling isinasaalang-alang ng mga user ang kanilang setup sa panonood, at kung paano suriin ang alternatibong workflow nang hindi nawawala ang iyong mga gawi sa pagtuklas.
Alamin ang tamang paraan para i-install ang Movie Box APK: mga pangunahing kaalaman sa bersyon muna, pagkatapos ay malinis na mga hakbang sa pag-install, at sa huli kung paano pumili sa TV, iOS, Web, at app usage paths.
Isang mahabang review na sumasaklaw kung bakit natatangi ang Project Hail Mary sa 2026: kalidad ng adaptation, siyentipikong pagkukuwento, lalim ng damdamin, at mga reaksyon ng manonood.
Ang mga kwentong komedya ay ginawa para magbigay-aliw sa pamamagitan ng katatawanan. Kabilang sa mga popular na format ang situational comedy, sketch-style humor, workplace comedy, at romantic comedy.
Binibigyang-diin ng mga action title ang excitement, pisikal na labanan, mga bayaning karakter, at mabilis na pagkukuwento. Madalas itinatampok ng mga adventure title ang eksplorasyon, survival, o malalaking paglalakbay.
Sinusundan ng mga crime drama ang mga imbestigador, detective, abogado, o mamamahayag habang nilulutas nila ang mga kasong kriminal. Hinihikayat ng mga mystery story ang mga manonood na tumuklas ng mga clue kasama ang mga karakter.
Tinutuklas ng science fiction ang futuristic na teknolohiya, paglalakbay sa kalawakan, artificial intelligence, alternatibong realidad, at siyentipikong haka-haka.
Ang horror storytelling ay lumilikha ng suspense sa pamamagitan ng psychological tension, supernatural na pangyayari, halimaw, o survival scenarios.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.
Kabilang sa animation ang mga gawa para sa bata, pamilya, at matatanda, mula sa educational content hanggang sa kumplikadong dramatikong pagkukuwento.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.