William Boyd
bilang Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ
The drama film The Trench, starring Paul Nicholls, Daniel Craig, Julian Rhind-Tutt, etc., directed by William Boyd, was released on January 6, 2020 in France. It tells the story of Isang kuwento tungkol sa isang pangkat ng mga huling araw ng mga sundalo bago ang labanan ng Somme noong 1916. This is a Drama, Kasaysayan, Digmaan film with a runtime of 98 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 5.9/10 from 4,756 viewers.
William Boyd
bilang Director
Paul Nicholls
bilang Pte. Billy Macfarlane
Daniel Craig
bilang Sgt. Telford Winter
Julian Rhind-Tutt
bilang 2nd Lt. Ellis Harte
Danny Dyer
bilang Lance Cpl. Victor Dell
James D'Arcy
bilang Pte. Colin Daventry
Tam Williams
bilang Pte. Eddie Macfarlane
Antony Strachan
bilang Pte. Horace Beckwith
Michael Moreland
bilang Pte. George Hogg
Adrian Lukis
bilang Lt. Col. Villiers
Ciarán McMenamin
bilang Pte. Charlie Ambrose
Cillian Murphy
bilang Rag Rookwood
John Higgins
bilang Pte. Cornwallis
Ben Whishaw
bilang Pte. James Deamis
Tim Murphy
bilang Pte. Bone
Danny Nutt
bilang Pte. Dieter Zimmermann
Charles Cartmell
bilang Harold Faithfull
Tom Mullion
bilang Nelson
Jenny Pickering
bilang Maria Corrigan
William Boyd
bilang Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 panalo at 43 nominasyon sa kabuuan
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99% of the movie they were just in the trench... you only hear sounds of bombs dropping no action at all. if you are looking for a war movie bro this isn't the one at all.
99% of this movie they were just in the trench.. you only hear sounds of bombs dropping... if you want to see a war movie bro this isn't the one at all
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source: The Trench
I watched this film just now, and was very surprised not to hear one single Irish accent. All the accents I heard were English bar one Scot. And yet the Battle is known for the senseless sacrifice of such a great number of Irishmen - from the 36th (Ulster) Division and the 16th (Irish) Division. The Ulster Division, made from the Royal Inniskilling Fusiliers, Royal Ulster Rifles and Royal Irish Fusiliers, as I understand it, "suffered some five and a half thousand casualties - out of a total divisional complement of ten or eleven thousand men. (In writing of "casualties" it is a generally accepted assumption that one out of every three was killed or died of wounds later)." So, although I missed some of the film due to a rush to the hospital before it started, I was very surprised not to have heard any Irish accents from the point I started watching it. As a film it seemed average.
I tend to agree with most comments about this film, which I only caught up with recently. The acting is decent, but the script, the set, the anachronistic swearing and the general lack of any feel for the time makes it difficult to watch without sighing heavily. I mainly decided to comment because I scrolled down to find a comment from someone in New York who says this was 'a conventional continuation of the British obsession with World War I as being the most symbolic war'. I wouldn't disagree with that, but she then mentions three films to back up this view: All Quiet on the Western Front (an American film based on a novel by a German, about the German army), Paths of Glory (a film made by an American about the French army) and Gallipoli (made by an Australian about the Australian experience in the Dardanelles). I do think we see this war as symbolic here in the UK, but I don't think we're the only ones.
This movie is an unusual type of war movie. 99% of the movie is shot inside of this 8 foot wide, 600 mile long trench, filled with British soldiers just only becoming men. It has a sense of claustistiphobia, and itensity among young men that are practically scared to death about the world around them, and every little thing counts. This movie was very intense, and you couldn't take your eyes off it for a moment. 8.8 out of 10.
This was part of Channel 4's Lost Generation First World War season, and it was a huge mistake to show this so soon after their own very good drama-doc about the Somme. It was a mistake to show it at all. Novelist William Boyd is a terrible film director and screenwriter who has no real grip on his subject. Instead of taking a fresh look at the run up to the battle, he uses every old cliché you've seen before in the lips of every old stereotype you've seen before. Most of the cast are so bad I've forgotten their names. Only Daniel Craig and Julian Rhind Tutt come out with any credit. Very badly photographed too, with the trench clearly an interior and far too clean. Just terrible. Channel 4 should have shown something like ALL QUIET ON THE WESTERN FRONT, which hasn't been on telly in years.
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Isang mahabang review na sumasaklaw kung bakit natatangi ang Project Hail Mary sa 2026: kalidad ng adaptation, siyentipikong pagkukuwento, lalim ng damdamin, at mga reaksyon ng manonood.
Ang mga kwentong komedya ay ginawa para magbigay-aliw sa pamamagitan ng katatawanan. Kabilang sa mga popular na format ang situational comedy, sketch-style humor, workplace comedy, at romantic comedy.
Binibigyang-diin ng mga action title ang excitement, pisikal na labanan, mga bayaning karakter, at mabilis na pagkukuwento. Madalas itinatampok ng mga adventure title ang eksplorasyon, survival, o malalaking paglalakbay.
Sinusundan ng mga crime drama ang mga imbestigador, detective, abogado, o mamamahayag habang nilulutas nila ang mga kasong kriminal. Hinihikayat ng mga mystery story ang mga manonood na tumuklas ng mga clue kasama ang mga karakter.
Tinutuklas ng science fiction ang futuristic na teknolohiya, paglalakbay sa kalawakan, artificial intelligence, alternatibong realidad, at siyentipikong haka-haka.
Ang horror storytelling ay lumilikha ng suspense sa pamamagitan ng psychological tension, supernatural na pangyayari, halimaw, o survival scenarios.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.
Kabilang sa animation ang mga gawa para sa bata, pamilya, at matatanda, mula sa educational content hanggang sa kumplikadong dramatikong pagkukuwento.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.