Chris Grismer
bilang Director
The TV series The Unsettling, created by Adam Jay Epstein and produced by an unlisted studio, first premiered on October 17, 2019 in Estados Unidos. The series spans 1 season with 8 episodes, featuring the voices of Holly Taylor, Tequan Richmond, Willow Shields, and An-Li Bogan. It follows the story of Becca, a 16-year-old girl, arrives at her new foster home located in a remote area. Her foster siblings are less than welcoming but none more so than the 11-year-old biological son of their foster parents. Becca tries to keep to herself and adjust to her new home, but strange things start to happen around her, and Becca is uncertain about who or what is responsible. This is a Krimen, Pantasya, Katatakutan series and has received a rating of 5.3/10 from 873 viewers.
Chris Grismer
bilang Director
Holly Taylor
bilang Becca
Tequan Richmond
bilang Connor
Willow Shields
bilang Maya
An-Li Bogan
bilang Nadine
Noah Grismer
bilang Dominic
Marguerite Moreau
bilang Fia Werner
David Clayton Rogers
bilang Jason Werner
Teddy Eggleston
bilang Gran
Joy Goodman
bilang Ghost
Travis Hammer
bilang Elder Isaac
Alex Lange
bilang Silas
Lora Martinez-Cunningham
bilang Lorraine
Jade Kammerman
bilang Becca's Mom
Marie Wagenman
bilang Young Becca
Douglas Bennett
bilang Ash Man
Olivia Taylor
bilang Sarah
Eric Steinig
bilang Firefighter Gutierrez
James LaPrelle
bilang Sheriff
Adam Jay Epstein
bilang Writer
Andrew Jacobson
bilang Writer
Seth M. Sherwood
bilang Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 panalo at 43 nominasyon sa kabuuan
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I am through 6 episodes and really enjoying this series. I don't understand all of the negative reviews. The only complaint is that the episodes are so short. This series would have been better with longer episodes.
I give it a 9 out of a 10. I think it's a good show to keep you interested in what's going on.
I really enjoyed this despite these plot hole issues, it's creepy and engaging and over all it was a fun time! But here's where the problems start. #1 Becca finds Sarah's phone hidden under the moms bed and takes it. Then when the mom finds all the kids scheming to run away she demands all their cell phones for breaking the rules. Each kid gives her their phone, 4 in total. Meaning Becca still has Sarah's phone hidden, but then in the next episode they are all freaking out because they don't have a cell phone to call for help....?? #2 The ghost of Sarah is supposed to be protecting the kids yet she doesn't do anything to hurt the evil adults, only kills Silas who is an innocent kid himself.....it makes ZERO sense!
Thought this would be some tween show, with light scares. However was pleasantly surprised. Acting, budget and story were way better than expected. Some good scares as well.
Really unique. Highly recommend it. Like Goosebumps on steroids.
Not a very good "horror" series by any stretch. Very lazy writing and a ridiculous plot line. How did the back doors of the social workers care remain locked but the front doors could open!? They easily opened when everyone got in! How was she able to put zip ties on all there wrists and not get overpowered by the 4 of them!!?? Lazy writing, that's how. Is "Sarah" was protecting the kids, why did she kill Silas, one if the kids love interest!?? I suppose if your into "teeny bopper" thrillers you might like this, but horror fans I would suggest you find something else.
Where does all this hate come from? This isn't the most epic show I've ever seen but it was darn good. I binged it all in one day. And if you think you know what's coming - I'm pretty sure you don't. Stick it out to the end for a big twist and possible set up for another season.
This show is bad. Really, really bad. I feel like the actors gave it their best shot but the acting is pretty terrible all around. Of course, it might just be the absolutely horrendous writing that's doing them no favors to begin with. Full of cliches and tropes, unrelatable and unbelievable. Honestly I wouldn't even consider this one of those so bad they're good horror shows. The only thing this show is good for is making noise while you do something more interesting.
I watch a ton of scary/horror movies and this one was the first one in a very long time that haff me turn on the lights and had me having to watch something else for awhile before I closed my eyes. Honestly most have me laughing, not this one. Creepy good!!
It's a decent show, but some parts are ridiculous and annoying. Like when they could have escaped by locking out the killer and driving off in the car. Instead, one gets out, questions the killer, and then obeys the killer's command and gets back in the car. Now they're all once again caught.
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Isang mahabang review na sumasaklaw kung bakit natatangi ang Project Hail Mary sa 2026: kalidad ng adaptation, siyentipikong pagkukuwento, lalim ng damdamin, at mga reaksyon ng manonood.
Ang mga kwentong komedya ay ginawa para magbigay-aliw sa pamamagitan ng katatawanan. Kabilang sa mga popular na format ang situational comedy, sketch-style humor, workplace comedy, at romantic comedy.
Binibigyang-diin ng mga action title ang excitement, pisikal na labanan, mga bayaning karakter, at mabilis na pagkukuwento. Madalas itinatampok ng mga adventure title ang eksplorasyon, survival, o malalaking paglalakbay.
Sinusundan ng mga crime drama ang mga imbestigador, detective, abogado, o mamamahayag habang nilulutas nila ang mga kasong kriminal. Hinihikayat ng mga mystery story ang mga manonood na tumuklas ng mga clue kasama ang mga karakter.
Tinutuklas ng science fiction ang futuristic na teknolohiya, paglalakbay sa kalawakan, artificial intelligence, alternatibong realidad, at siyentipikong haka-haka.
Ang horror storytelling ay lumilikha ng suspense sa pamamagitan ng psychological tension, supernatural na pangyayari, halimaw, o survival scenarios.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.
Kabilang sa animation ang mga gawa para sa bata, pamilya, at matatanda, mula sa educational content hanggang sa kumplikadong dramatikong pagkukuwento.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.