Jessica Harmon
bilang Director
English,Filipino,Français,Indonesian,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ,中文
The drama film The Vows We Keep, starring Fiona Gubelmann, Antonio Cayonne, Linda Thorson, etc., directed by Jessica Harmon, was released on October 10, 2021 in Estados Unidos. It tells the story of Follows an event planner who must organize the perfect wedding for her sister in less than a month. This is a Drama, Romansa film with a runtime of 84 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 6.2/10 from 698 viewers.
Jessica Harmon
bilang Director
Fiona Gubelmann
bilang Hazel
Antonio Cayonne
bilang Jared
Linda Thorson
bilang Simone
Zibby Allen
bilang Lindsey
Michele Scarabelli
bilang Faye
David Kaye
bilang Joe
Kurt Long
bilang Raymond
Keith MacKechnie
bilang Don
Kendall Cross
bilang Erin
Joe Costa
bilang Gabriel
Gabrielle Jacinto
bilang Mariah
Guy Christie
bilang George
Desiree Zurowski
bilang Trina
Ted Cole
bilang John
Kerën Burkett
bilang Shop Clerk
Stephen Aberle
bilang Rabbi
Leslie Dos Remedios
bilang Minister
Andrea Gyertson Nasfell
bilang Writer
Nicole Baxter
bilang Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 panalo at 43 nominasyon sa kabuuan
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Magandang pelikula!
Magandang pelikula!
Loved all the characters but the only decent relationship was the sisters. No romance at all. The best story was with the two older sisters. There could have been much more with them. Basically, good acting and bad execution with the story.
The ending of this movie definitely screams sequel in that the exact fate of the lodge is left unrevealed and the couple are only now acknowledging their attraction for each other. The problem is, they weren't the only ones not picking up on chemistry from the other. The two leads were great together but didn't sell the fact that they were falling in love. Friendship yes, they were fun together, but the relationship that barely developed felt more like it was situational/a matter of convenience than actual attraction. There were also a couple of times when the movie set up for the usual tropes but then those story lines fizzled. Which is the best i can saw for this movie: it fizzles. But in a pleasant enough way.
A pleasant movie, with lovely Canadian scenery and talented, eminently watchable actors. The leads, Fiona Gubelmann and Antonio Cayonne, are both charming and attractive. For me, it was a kick to see (and hear) Linda Thorson again. The plot involves some standard tropes of Hallmark movies. Two sisters, estranged for years, have to save a very special business, before it is sold off to strangers. A woman is unappreciated by her clueless male boss. A wedding needs to be organized very quickly; it also needs to be perfect to honor a dead parent. Some other reviews have been pretty low. The biggest problem is one of expectations, I think. This doesn't feel like a typical romance or a usual Hallmark movie. [However, it does remind me a bit of an earlier Hallmark movie, Thicker Than Water, with Lindsay Wagner and Melissa Gilbert; years after watching it, I only remember the relationship between the estranged sisters.] Both of the leads are so restrained, almost introverted, whenever they share scenes. Jared (Antonio C.) might look fondly in the direction of Hazel (Fiona G.), but only from several feet away. Hazel encourages Jared to do what he loves (and vice versa). In short, Hazel and Jared seem like they would be great friends, but nothing more than that. In the real world, that is a lovely way to start a relationship; in a 90-minute movie, though, it doesn't come across as romantic enough. Spoiler: There is some kissing at the end. But only in the last minute or so. Personally, I would have rated this movie a little higher without that last minute or so; it didn't fit. Whether it is a traditional romance or not, at its heart, this is a story about familial love.
source: The Vows We Keep
Linda Thorson and Michele Scarabelli as the heart of this nice film about relation between siblings, place of childhood and youth, reconciliation after long time, a fundamental decision and the happy solution. For .Antonio Cayonne , just applauses for fair manner to explore his role. A nice film for its flavors of nostalgia and delicate sketch of romance.
I really like Fiona Gubelmann and wanted to love this movie. It was nice but not much of a romance. The settings were beautiful but the constant obstacles plot has been used so many times that it ended up kind of boring. The lead actor is a great second lead as a best friend but he doesn't act like a romantic lead. There were no sparks at all between the two leads. They seemed like brother and sister until the very last minute of the movie. And one more thing- worst boutonnière ever on the dad's tuxedo.
I get it- it's a "drama" romance and part of the mystery movie line but do they have to cry for no reason? ALL THE TIME? The sister was constantly pretending to cry, the dad starts crying, the other lady's sister cries too. All of this without any real explanation to explain these sudden unprovoked bursts of tears. The story was simple and I liked that the leads naturally got together. No huge drama, no festival to save, no longgggg glances, no jealous exes, no throwing flour or paint at each other. It was two people supportive of one another and both acted very naturally when around each other. Also the dress she tries on in store that was "perfect" was not worn at the wedding! She wore a different dress which has happened in several hallmark wedding movies now. I was surprised the main lead's dad didn't appear in the movie again, he really just disappeared! I liked the ending and although you could guess it a mile away I like when the lead doesn't just give into the boss' demands and stays at a horrible job.
I agree with the others about the lack of romance. Most of the movie was about a family business. The lead couple's interactions with each other were almost an afterthought, and their relationship felt unearned. If you have 80-90 minutes of screen time, you have to spend more than a couple of minutes on the lead couple if you want the audience to buy into them.
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