John Trengove
bilang Director
English,Español,Filipino,Indonesian,Malay,Português,Русский,中文
The drama film The Wound, starring Nakhane, Bongile Mantsai, Niza Jay, etc., directed by John Trengove, was released on April 19, 2017 in South Africa. It tells the story of Xolani, a lonely factory worker, travels to the rural mountains with the men of his community to initiate a group of teenage boys into manhood. This is a Drama, Romansa film with a runtime of 88 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 6.8/10 from 2,184 viewers.
John Trengove
bilang Director
Nakhane
bilang Xolani
Bongile Mantsai
bilang Vija
Niza Jay
bilang Kwanda
Thobani Mseleni
bilang Babalo
Gabriel Mini
bilang Khwalo
Zwelakhe Mtsaka
bilang Elder 1
Menzeleli Majola
bilang Elder 2
Gamelihle Bovana
bilang Sicelo
Halalisani Bradley Cebekhulu
bilang Lukas
Inga Qwede
bilang Ncedo
Sibabalwe Ngqayana
bilang Zuko
Siphosethu Ngcetane
bilang Nkosi
Luyanda L. Vonqo
bilang Dompas
Thando Mhlontlo
bilang Ninja
Anga Ntsepe
bilang Lesego
Hellman Hlomuka
bilang Vija's Initiate
Loyiso 'Lloyd' Ngqayana
bilang Vija's Initiate
Zimi Banisi
bilang Vija's Initiate
John Trengove
bilang Writer
Thando Mgqolozana
bilang Writer
Malusi Bengu
bilang Writer
Batana Vundla
bilang Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 panalo at 43 nominasyon sa kabuuan
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This is very disrespectful to Our Culture,this is a sacred practice.that should be kept privately and only for man to see
I don't know anything about the Xhosa tradition or this ceremonial period in which boys supposedly become men however it has made an excellent vehicle for this exploration of masculinity, complex gay themes and clash of cultures. This is a very efficient piece of filmmaking. The dialogue is sparse but a great deal is communicated about the complicated dynamic of the relations between the lead characters. The film is also beautifully shot which always helps. I was impressed when I discovered after watching the film that Nakhane Touré, who plays Xolani is a musician of some kind, I thought he played his part really very well, he is totally convincing as Xolani and Xolani is a very complicated character indeed. A lot of the drama is simply a gradual reveal of the emotional makeup of the lead characters that takes place as the film progresses. All the actions by the characters makes sense within the logic of the world as they understand it and this brings some surprising results. The culture clash between the modern world and the ancient Xhosa tradition is the biggest dynamic in the film. As we learn from the film you can not move easily from one to another.
Firstly the film was an education for me as I hadn't appreciated the ritual of male circumcision in African culture. Secondly the film has a good tale with a plausible, if a somewhat uncomfortable ending. The photography is excellent along with the styling. I can't quite believe all the actors and extras were organised considering the script. That's a triumph. The direction and edit to "suggest" in many scenes and not to be photographically explicit is well skilled and opens up the film to a broader audience.
South African drama about a gay young man Kwanda who gets initiated into a mountain camp by his father to toughen him up. He gets assigned to Xilobi another closeted gay man who is having a secret romance with another called Vija. Complications arise between the three. The story is engaging and promising enough until the end when Kwanda stumbles onto the other two having sex. Xilobi leads him to the edge of a cliff and pushes him off. I fail to see what this story is trying to prove or convey. I guess it's down to personal taste as I have a particular loathing of bad endings or stories that end in violent death when the makers could easily have opted for a very different outcome. The DVD (which I am glad to say I rented rather than bought) also includes an interview with director John Trengove who fails to explain why he opted for such a sick and twisted ending. One film I will never be watching again.
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Isang mahabang review na sumasaklaw kung bakit natatangi ang Project Hail Mary sa 2026: kalidad ng adaptation, siyentipikong pagkukuwento, lalim ng damdamin, at mga reaksyon ng manonood.
Ang mga kwentong komedya ay ginawa para magbigay-aliw sa pamamagitan ng katatawanan. Kabilang sa mga popular na format ang situational comedy, sketch-style humor, workplace comedy, at romantic comedy.
Binibigyang-diin ng mga action title ang excitement, pisikal na labanan, mga bayaning karakter, at mabilis na pagkukuwento. Madalas itinatampok ng mga adventure title ang eksplorasyon, survival, o malalaking paglalakbay.
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Tinutuklas ng science fiction ang futuristic na teknolohiya, paglalakbay sa kalawakan, artificial intelligence, alternatibong realidad, at siyentipikong haka-haka.
Ang horror storytelling ay lumilikha ng suspense sa pamamagitan ng psychological tension, supernatural na pangyayari, halimaw, o survival scenarios.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.
Kabilang sa animation ang mga gawa para sa bata, pamilya, at matatanda, mula sa educational content hanggang sa kumplikadong dramatikong pagkukuwento.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.