Garrett Bradley
bilang Director
English,Filipino,Français,Indonesian,Português,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,中文
The dokumentaryo film Time, starring Sibll Fox Richardson, Robert G. Richardson, Mahlik Richardson, etc., directed by Garrett Bradley, was released on October 16, 2020 in Estados Unidos. It tells the story of Fox Rich fights for the release of her husband, Rob, who is serving a 60-year sentence in prison. This is a Dokumentaryo, Talambuhay film with a runtime of 81 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 6.8/10 from 6,535 viewers.
Garrett Bradley
bilang Director
Sibll Fox Richardson
bilang Self
Robert G. Richardson
bilang Self
Mahlik Richardson
bilang Self
Remington B. Richardson
bilang Self
Laurence Mathews Richardson
bilang Self
Freedom Fox Richardson
bilang Self
Justus Fox Richardson
bilang Self
Robert Fox Richardson II
bilang Self
Peggy V. Autrey
bilang Self
Ronald Haley Jr.
bilang Self
Jim Craig
bilang Self
D.L. Johnson
bilang Self
Gerald Davis
bilang Self
Hank Williams
bilang Self
Garrett Bradley
bilang Self
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 panalo at 43 nominasyon sa kabuuan
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I almost lost hope in this documentary, but that hope was rectified with the final 15 beautiful minutes. However even though the documentary finished strong, as a whole it really failed to grip me! The overall backbone of the film, was for me the journey that the family experienced whilst growing up without a father. This journey for me was incomplete. As a viewer I wanted to know how the mother created her own narrative and was reborn from the ashes, completely rising up from the total desperation of before she was incarcerated. How the children were effected by this when they were small children to when they were adults. Not just raw footage of a baby and then current video of a graduation. The director showed us the beginning and the end, unfortunately I found no middle ground.
I actually saw this because of its Oscar nomination for best Documentary Feature but I don't really like it. It's both messy and empty. It feels like it's missing a lot of informations and explanations. And it's chaotic when it comes to character identities. As for the story itself, it seems powerful but if you think well about it, it doesn't fully make sense.
Yes there is injustice. But this movie isnt about it. Maybe its about the love of two former criminals who cant be united for a long time. (Much more even the movie itself doesnt says.) But its definitely not about the big questions like guilt, justice, equal rights ... but okay, maybe the film dont want to discuss this. Of course love is a strong theme, that can be enough if it's not that one-dinensional. I felt a big lack of sympathy for the protagonists of this movie. The whole time I waited for more details to get emotionally involved. Not to mention that pretending to be religious and then saying blasphemic things ... or speaking of injustice but not explaining it exactly or showing any repentance made me angry. So I missed a lot: Content for the lovestory part and especially content for a political part.
This movie is kind of beautiful, and very sad. It tells a story that I am sure many can relate to, and it tells it well.
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Isang mahabang review na sumasaklaw kung bakit natatangi ang Project Hail Mary sa 2026: kalidad ng adaptation, siyentipikong pagkukuwento, lalim ng damdamin, at mga reaksyon ng manonood.
Ang mga kwentong komedya ay ginawa para magbigay-aliw sa pamamagitan ng katatawanan. Kabilang sa mga popular na format ang situational comedy, sketch-style humor, workplace comedy, at romantic comedy.
Binibigyang-diin ng mga action title ang excitement, pisikal na labanan, mga bayaning karakter, at mabilis na pagkukuwento. Madalas itinatampok ng mga adventure title ang eksplorasyon, survival, o malalaking paglalakbay.
Sinusundan ng mga crime drama ang mga imbestigador, detective, abogado, o mamamahayag habang nilulutas nila ang mga kasong kriminal. Hinihikayat ng mga mystery story ang mga manonood na tumuklas ng mga clue kasama ang mga karakter.
Tinutuklas ng science fiction ang futuristic na teknolohiya, paglalakbay sa kalawakan, artificial intelligence, alternatibong realidad, at siyentipikong haka-haka.
Ang horror storytelling ay lumilikha ng suspense sa pamamagitan ng psychological tension, supernatural na pangyayari, halimaw, o survival scenarios.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.
Kabilang sa animation ang mga gawa para sa bata, pamilya, at matatanda, mula sa educational content hanggang sa kumplikadong dramatikong pagkukuwento.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.