Richard Bates Jr.
bilang Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ,中文
The komedya film Tone-Deaf, starring Kim Delaney, Ray Wise, Amanda Crew, etc., directed by Richard Bates Jr., was released on March 10, 2019 in Estados Unidos. It tells the story of A woman goes to the countryside to spend a quiet weekend after losing her job and having her last complicated relationship implode. She rents a country house from an old-fashioned widower, who struggles to hide his psychopathic tendencies. This is a Komedya, Katatakutan, Thriller film with a runtime of 87 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 4.9/10 from 3,342 viewers.
Richard Bates Jr.
bilang Director
Kim Delaney
bilang Crystal
Ray Wise
bilang Michael
Amanda Crew
bilang Olive
Nelson Franklin
bilang York
Ray Santiago
bilang Asher
Pia Shah
bilang Riki
Hayley Marie Norman
bilang Lenore
AnnaLynne McCord
bilang Blaire
Gigi Zumbado
bilang Frankie
Justin Wade
bilang Motivational Speaker
Robert Patrick
bilang Harvey
Christian Calloway
bilang Abraham
Nancy Linehan Charles
bilang Agnes
Johnny Pemberton
bilang Uriah
Heidi Kaufman
bilang Edith
Ronnie Gene Blevins
bilang David
Shane Brady
bilang Ethan
Tate Ellington
bilang James
Richard Bates Jr.
bilang Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 panalo at 43 nominasyon sa kabuuan
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source: Tone-Deaf
The attempts from the director to make Harvey interact with the viewers make this movie long and boring . Characters are not likeable. After 15 minutes you just want to make it stop and take your money and time back.
I liked (a lot) how the creators of Tone-Deaf tried to bend some of the rules of cinema. They break the fourth wall on a few occasions and make some bold narratorial decisions. I also liked the antagonism between Baby Boomers and Millennials and how this encapsualted the impotent rage between the generations. In terms of horror, there we some very creepy moments, some BANGS but it wasn't that scary. All in all, an enjoyable indie-flick, better than US but worse than Get Out.
This film start with a young pianist playing piano, a man helping a woman changing clothes, a grown up pianist "Olive" fire by her boss and she rent a house from a man "Harvey" scene! As turnout, this film is a killing story of a psychopath "Harvey", who also is a millennial hater! Entire film full of mockery scene of Harvey! Super annoying! Harvey keep hallucinate in the film also make audience asleep! Only two killing scene show in detail! First one, Harvey killing an old woman on a bed by stabbing her! Second one, Harvey kill a homeless guy by hitting his head! Barely laughable scene is, at the end, Olive's mother calling 911, and she saying she won't stay on the line, because she will get cancer! At the end, Harvey using an ax to kill a male friend of Olive, her mother arrive and shot Harvey to death! That's it! Completely wasting time to watch!
If you don't like cheese movies If you don't like predictability If you dont like bad comedy attempts dont watch this If you have an open mind If you enjoy B class acting If you have time to kill and want to watch something with no thinking required Watch this 5.6
This...is NOT high art. But it's fun. Robert Patrick really made this movie for me, breaking the 4th wall about Millenials. I'm sure if I really studied this as a metaphor I'd find something to be offended about. Since I see it as great cinema I'm not going to narrow the view on it. Great movie.
I stumbled upon this by accident. Expected some run of the mill modern day horror but was pleasantly surprised. I feel I shouldn't say what I enjoyed and didn't enjoy. I realise this isn't helpful but you should just watch it and decide yourself.
Obviously millennials are not too impressed at the way they are represented in this movie - which is spot on. This is a tongue-in-cheek kind of movie not to be taken too seriously. I found it great to watch - although perhaps I am of a certain age to appreciate the irony. The acting and production - as well as the story - are well done and something different from the usual vacuous horror/comedy designed to appeal to the lowest common denominator.
A girl loses a job, her friend n mom advises her to go outta the city. She rents a country house from a widower who is on the verge of insanity. The widower (Robert Patrick) is suffering from dementia but is able to observe things like a detective n get away clean after committing murders. Our lead girl sleeps with the door open, she gets her toes hit by a tomahawk n she steps on a wooden plank with nails but is healthy chatting n arguing with the attacker even after losing few teeth. The film has some nice dry n bright locations, the acting is good, some violent scenes n a good spider scene. Ther was no need to create suspense when the guy gets out from the car to help fix the tire.
Boring...Boring...Boring except for the parts that Robert Patrick was in...Amanda Crew looked like she never acted in a movie before...And Baby Boomers will not like what she says at the ending...Little bit of gore but not scary at all... It's a big discredit to all of the Millennials that actually think they can act and then find truthful reviews like mine that put them in their place. Robert Patrick is a very good actor and showed that in the Terminator 2 almost stealing the movie from Arnold Schwarzenegger. And Ray Wise a credited actor was very good when his character was shown. But some career advice for Amanda Crew & Hayley Marie Norman..I hear they're hiring at McDonald's. Don't waste your time on this movie..all the good reviews were probably from Amanda's family.
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Ang mga kwentong komedya ay ginawa para magbigay-aliw sa pamamagitan ng katatawanan. Kabilang sa mga popular na format ang situational comedy, sketch-style humor, workplace comedy, at romantic comedy.
Binibigyang-diin ng mga action title ang excitement, pisikal na labanan, mga bayaning karakter, at mabilis na pagkukuwento. Madalas itinatampok ng mga adventure title ang eksplorasyon, survival, o malalaking paglalakbay.
Sinusundan ng mga crime drama ang mga imbestigador, detective, abogado, o mamamahayag habang nilulutas nila ang mga kasong kriminal. Hinihikayat ng mga mystery story ang mga manonood na tumuklas ng mga clue kasama ang mga karakter.
Tinutuklas ng science fiction ang futuristic na teknolohiya, paglalakbay sa kalawakan, artificial intelligence, alternatibong realidad, at siyentipikong haka-haka.
Ang horror storytelling ay lumilikha ng suspense sa pamamagitan ng psychological tension, supernatural na pangyayari, halimaw, o survival scenarios.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.
Kabilang sa animation ang mga gawa para sa bata, pamilya, at matatanda, mula sa educational content hanggang sa kumplikadong dramatikong pagkukuwento.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.