Ruben Östlund
bilang Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ,中文
The komedya film Triangle of Sadness, starring Thobias Thorwid, Harris Dickinson, Charlbi Dean, etc., directed by Ruben Östlund, was released on September 18, 2022 in the United Kingdom. It tells the story of A fashion model celebrity couple join an eventful cruise for the super-rich. This is a Komedya, Drama film with a runtime of 147 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 7.2/10 from 212,378 viewers.
Ruben Östlund
bilang Director
Thobias Thorwid
bilang Lewis
Harris Dickinson
bilang Carl
Charlbi Dean
bilang Yaya
Jiannis Moustos
bilang Driver
Vicki Berlin
bilang Paula
Dolly De Leon
bilang Abigail
Timoleon Gketsos
bilang Handsome Crew Man
Alicia Eriksson
bilang Alicia
Woody Harrelson
bilang The Captain
Zlatko Buric
bilang Dimitry
Sunnyi Melles
bilang Vera
Hanna Oldenburg
bilang Yacht Steward
Carolina Gynning
bilang Ludmilla
Iris Berben
bilang Therese
Amanda Walker
bilang Clementine
Oliver Ford Davies
bilang Winston
Ralph Schicha
bilang Uli
Henrik Dorsin
bilang Jarmo Björkman
Ruben Östlund
bilang Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 panalo at 43 nominasyon sa kabuuan
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Fûqing french! Didn't your government and internet teach you how to speak English?
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Somewhere may be a good movie or story hidden, but I wasn't able to filter it out of all the redundant noise. The humorousness scenes did most of the time not work for me, also there is at least one hour that you could easily cut and it would improve the affair a lot. Till we get on the ship we get bored to death with a lot of mostly useless and unnecessary scenes after scenes. The commentaries on society and capitalism, well, have the depth and subtlety of an election flyer of some left-wing party. And last but not least, some of the scenes and dialogues are really cringe-worthy. Well, if you try to make art, there is always the possibility to fail.
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source: Triangle of Sadness
I dislike this film. It's boring and random and one of the few films where I, personally, thought that the acting was stale. The overall movie is so much about "delivering the message" that plot nosedives and ends up becoming bland. The story is not predictable, in a bad way. Just when you think that something interesting might take place or that an intriguing mystery will get revealed, the plot continues to move straightforward with the most obvious decisions. There's no subtleness nor any metaphors, this movie could've been shown as historical fiction docu-drama and I would've believed it cause the actual script reads like an edgy guy who just saw a couple of videos on different economical theories and decided to become Marxist or Socialist. And the characters are shallow (which I guess was the point) and have almost no character development. Additionally, the actors themselves are just not feeling into it (especially the lead actors that play Carl and Yaya). And the ending wasn't good too. Again, as I stated in the title, too on the nose and too hellbent on pushing the same message down the throat of the audiences, who I'm pretty sure will have gotten it by end of act 2. Overall, don't know how or why this film is generating Oscar buzz, it certainly felt nowhere close to it. It's pretentious to its core and exhibits no sense of either fun or maturity, If you want to see a film that actually delivers this same message tastefully and with more fun, skip this and watch The Menu. 3 stars for a couple of chuckles here and there. Not recommended.
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Isang mahabang review na sumasaklaw kung bakit natatangi ang Project Hail Mary sa 2026: kalidad ng adaptation, siyentipikong pagkukuwento, lalim ng damdamin, at mga reaksyon ng manonood.
Ang mga kwentong komedya ay ginawa para magbigay-aliw sa pamamagitan ng katatawanan. Kabilang sa mga popular na format ang situational comedy, sketch-style humor, workplace comedy, at romantic comedy.
Binibigyang-diin ng mga action title ang excitement, pisikal na labanan, mga bayaning karakter, at mabilis na pagkukuwento. Madalas itinatampok ng mga adventure title ang eksplorasyon, survival, o malalaking paglalakbay.
Sinusundan ng mga crime drama ang mga imbestigador, detective, abogado, o mamamahayag habang nilulutas nila ang mga kasong kriminal. Hinihikayat ng mga mystery story ang mga manonood na tumuklas ng mga clue kasama ang mga karakter.
Tinutuklas ng science fiction ang futuristic na teknolohiya, paglalakbay sa kalawakan, artificial intelligence, alternatibong realidad, at siyentipikong haka-haka.
Ang horror storytelling ay lumilikha ng suspense sa pamamagitan ng psychological tension, supernatural na pangyayari, halimaw, o survival scenarios.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.
Kabilang sa animation ang mga gawa para sa bata, pamilya, at matatanda, mula sa educational content hanggang sa kumplikadong dramatikong pagkukuwento.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.