Taranveer Singh
bilang Director
English,Filipino,Français,Indonesian,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ,中文
The komedya film Tuesdays and Fridays, starring Shivam Bhaargava, Jhataleka, Mukesh Kapani, etc., directed by Taranveer Singh, was released on February 19, 2021 in India. It tells the story of Upang maiwasan ang pasanin ng pangako, ang isang batang abogado at isang manunulat ay sumasang-ayon na maging romantikong kasosyo lamang ng dalawang araw sa isang linggo. Hindi iyon magiging kumplikado - tama ba. This is a Komedya, Musikal, Romansa film with a runtime of 106 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 4.5/10 from 938 viewers.
Taranveer Singh
bilang Director
Shivam Bhaargava
bilang Achal Deoda
Jhataleka
bilang Sia Malhotra
Mukesh Kapani
bilang Old Uncle
Sunita Khushlani
bilang Old Aunty
Esha Ahuja
bilang Girl Staring at Achal
Neha Kakkar
bilang Neha Kakkar
Nayan Shukla
bilang Pats (Payal Tripathi)
Aashim Gulati
bilang Jatin Singh
Megha Tandon
bilang Jatin's Crazy Fan
Neeraj Khetrapal
bilang Sia's Boss
Natasha Goradia
bilang Intern (Sia's Office)
Sasha Sen
bilang Receptionist (Sia's Office)
Vijay Tilani
bilang Rishi Vardan
Anmol Dhillon
bilang Varun Sarin
Divya Jyoti Sharma
bilang Pammi (Panju Aunty 1)
Madhu Sachdeva
bilang Shaloo (Panju Aunty 2)
Niki Walia
bilang Dr. Radhika Malhotra
Parvin Dabas
bilang Nishant Thukral
Taranveer Singh
bilang Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 panalo at 43 nominasyon sa kabuuan
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in English
Magandang pelikula!
Magandang pelikula!
Magandang pelikula!
Magandang pelikula!
source: Tuesdays and Fridays
There are some movies which you regret watching There are some movies which makes you wonder why this was made in first place. There are some movies which makes you simply puke> Guess what, this movie has surely the above three ingredients. What horribly made, forced acting, unsure direction, horrible songs, stupid story line movie this was. Senseless and directionless from the word go, there was no connection of scenes, forced acting, unnecessary kissing, torturing songs, horrific choreography and i hope i am not missing anything. First thing, why would i British born writer would engaged an Indian law firm for his book, which will be issued and published in UK / Europe? If the entire movie was UK based, there was not point of starting it from India. Moving on, actor Anomol Dhillon son of Poonam Dhillon, period. Learn to act and when at least copying some old Indian hit movie or delivering some line, try to watch the original. Jhataleka Malhotra, dance skills, zero, timings zero, looks in the movie zero, overall zero. In short there is no connection of one scene with the other. Some scenes are literally enforced in the movie and all in all a complete waste of time.
I personally liked the movie. Actors were new commers and they deserve appreciation. It's a very pleasant movie and for the hero and heroine of the movie...I have to say that you have done great .
The film suffers from that classic Dharma hangover which has been the undoer for many in this genre, with Kal Ho Na Ho flashes all over, random songs, weddings, incoherence, unnecessary tracks and absolutely zero London feels. To be fair - somewhere in there may have been a fresh idea that got caught in the crosshairs of a lot of mindlessness. As a Hollywood writer once said - in a rom-com focus on the leads as 2 hours is too short a time, here they were focussing on the whole village. The production value is so dismally subpar I can't believe this is a Bhansali Productions product. The leads deserved a better written and executed film and well-etched characters. Having said that - it is much better than a lot of trite stuff dished out by Netflix India. And it has no unnecessary cuss words or explicit scenes. That was refreshing.
The movie is shot beautifully, costumes are great so is the set. What lacks is the story it's truly senseless. Too much unrealistic incidences, like for instance one moment its Mumbai and other is London. Too much bushtit portrayal of the beauty of open relationships. The girl tries to win the guy over and fails but the hero falls in love and come to india to propose. Wage.
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Isang mahabang review na sumasaklaw kung bakit natatangi ang Project Hail Mary sa 2026: kalidad ng adaptation, siyentipikong pagkukuwento, lalim ng damdamin, at mga reaksyon ng manonood.
Ang mga kwentong komedya ay ginawa para magbigay-aliw sa pamamagitan ng katatawanan. Kabilang sa mga popular na format ang situational comedy, sketch-style humor, workplace comedy, at romantic comedy.
Binibigyang-diin ng mga action title ang excitement, pisikal na labanan, mga bayaning karakter, at mabilis na pagkukuwento. Madalas itinatampok ng mga adventure title ang eksplorasyon, survival, o malalaking paglalakbay.
Sinusundan ng mga crime drama ang mga imbestigador, detective, abogado, o mamamahayag habang nilulutas nila ang mga kasong kriminal. Hinihikayat ng mga mystery story ang mga manonood na tumuklas ng mga clue kasama ang mga karakter.
Tinutuklas ng science fiction ang futuristic na teknolohiya, paglalakbay sa kalawakan, artificial intelligence, alternatibong realidad, at siyentipikong haka-haka.
Ang horror storytelling ay lumilikha ng suspense sa pamamagitan ng psychological tension, supernatural na pangyayari, halimaw, o survival scenarios.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.
Kabilang sa animation ang mga gawa para sa bata, pamilya, at matatanda, mula sa educational content hanggang sa kumplikadong dramatikong pagkukuwento.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.