Nam Gi-hoon
bilang Director
English,Filipino,Français,Indonesian,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ,中文
The TV series Tunnel, created by Lee Eun-Mi and produced by an unlisted studio, first premiered on March 25, 2017 in Korea. The series spans 1 season with 16 episodes, featuring the voices of Choi Jin-Hyuk, Kang Suk-won, Han Yeo-wool, and Hyun-min Yoon. It follows the story of Sinusundan ng isang detective ang trail ng isang serial killer 30 taon sa hinaharap at nakipagtulungan sa mga detective sa panahong iyon upang mahanap ang salarin. This is a Krimen, Drama, Pantasya series and has received a rating of 8.2/10 from 4,179 viewers.
Nam Gi-hoon
bilang Director
Yong Hwi Shin
bilang Director
Choi Jin-Hyuk
bilang Park Kwang-ho
Kang Suk-won
bilang Hwayang Police Station Detective (1986)
Han Yeo-wool
bilang Hwang Choon-hee
Hyun-min Yoon
bilang Kim Seon-jae
Hie-bong Jo
bilang Jeon Seong-sik
Min-Sang Kim
bilang Mok Jin-woo
Kang Ki-young
bilang Song Min-ha
Yoo-Young Lee
bilang Shin Jae-yi
Lee Shi-Ah
bilang Shin Yeon-sook
Suk Mun
bilang Hong Hye-won
Suk Mun
bilang Hong Hye Won
Hak-Yeon Cha
bilang Park Kwang-ho
Hak-Yeon Cha
bilang Park Gwang-ho
Se-hee Kim
bilang Park Yeon-ho
Tae-Yeop No
bilang Mok Jin-woo (young)
Heo Sung-tae
bilang Jung Ho-young
Yong-nyeo Lee
bilang Yoo Ok-hee
Jo Seung-yeon
bilang Jang Hyun-kyu
Yeong-Soon Son
bilang Mok Jin-woo's childhood neighbour
Kim Byeong-cheol
bilang Kwak Tae-hee
Lee Eun-Mi
bilang Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 panalo at 43 nominasyon sa kabuuan
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version française s'il vous plaît
Hindi dubbed is available??
hindi dubbed please
well-driven, Im just emotional for the kiddo Park Kwang Ho, his death was not tackled enough.
💙
Tagalog dubbed please
Hindi dubbed kordo please
why am I not seeing any comments here 🙄
This series has an unusually smart plot. The main character travels through time unintentionally, as it eventually turns out, to solve crimes that have been committed by a serial killer. What makes the story unusual (even original) is that unlike in most time-travel plots he travels to the future, not to the past. Surprisingly this works out pretty well. What is also unusual for a thriller is that the suffering of the families of the victims is much more central to the story than usual. This is in line with the main idea of the show, according to which police detectives are not simply supposed to catch criminals but rather to make sure that they cannot perpetrate further crimes. While I think that this aspect was exaggerated in Tunnel for the emotional effect, I think the concept as such is certainly commendable and still worked reasonably well in the plot. The writers handled the obligatory plot twists very well. The viewer is led down several garden paths (most importantly concerning the identity of the main character's child and the identity of the serial killer in the future) and starts wondering about apparent consistency mistakes that the writers of the story made, but then everything falls nicely into place. There were some things I didn't like. For one, it was too long and sometimes became slightly boring and slow, especially toward the end. The same story could have been told in about half as many episodes without omitting anything important and would have been more effective that way. Many unreasonable setbacks in the investigation could have been avoided if the main characters had communicated with each other, especially if they had told each other about their hunches and what they are planning to do next. This was at times very annoying. Another annoying thing was that the main character was constantly and needlessly saying and doing things that were giving away that he came from the past. While I suspect that this was supposed to function as comic relief, I didn't think it was funny but simply unrealistic. While there were similar annoyances, I think this was a particularly good and intelligent thriller series. The plot twists were unexpected but believable, the story was unpredictable but not overly complicated. The acting was rather good not only by the main but also by the side characters. Finally, what I liked best was that the teenagers from the past who grew up to be the bad guys in the future were cast so that they resemble their grown-up self remarkably. This was done almost as well as in Looper and shows the effort that went into making this series.
cool
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Isang mahabang review na sumasaklaw kung bakit natatangi ang Project Hail Mary sa 2026: kalidad ng adaptation, siyentipikong pagkukuwento, lalim ng damdamin, at mga reaksyon ng manonood.
Ang mga kwentong komedya ay ginawa para magbigay-aliw sa pamamagitan ng katatawanan. Kabilang sa mga popular na format ang situational comedy, sketch-style humor, workplace comedy, at romantic comedy.
Binibigyang-diin ng mga action title ang excitement, pisikal na labanan, mga bayaning karakter, at mabilis na pagkukuwento. Madalas itinatampok ng mga adventure title ang eksplorasyon, survival, o malalaking paglalakbay.
Sinusundan ng mga crime drama ang mga imbestigador, detective, abogado, o mamamahayag habang nilulutas nila ang mga kasong kriminal. Hinihikayat ng mga mystery story ang mga manonood na tumuklas ng mga clue kasama ang mga karakter.
Tinutuklas ng science fiction ang futuristic na teknolohiya, paglalakbay sa kalawakan, artificial intelligence, alternatibong realidad, at siyentipikong haka-haka.
Ang horror storytelling ay lumilikha ng suspense sa pamamagitan ng psychological tension, supernatural na pangyayari, halimaw, o survival scenarios.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.
Kabilang sa animation ang mga gawa para sa bata, pamilya, at matatanda, mula sa educational content hanggang sa kumplikadong dramatikong pagkukuwento.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.