Miwa Nishikawa
bilang Director
English,Filipino,Français,Indonesian,Português,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,中文
The krimen film Under the Open Sky, starring Kôji Yakusho, Seiji Rokkaku, Yukiya Kitamura, etc., directed by Miwa Nishikawa, was released on February 11, 2021 in Hapon. It tells the story of A lifelong Yakuza, released from prison after 13 years, journeys to find the mother who abandoned him as a child. He is hindered by his gangster past and struggles to adapt to his new life outside of prison. This is a Krimen, Drama film with a runtime of 126 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 7.2/10 from 2,382 viewers.
Miwa Nishikawa
bilang Director
Kôji Yakusho
bilang Masao Mikami
Seiji Rokkaku
bilang Ryosuke Matsumoto
Yukiya Kitamura
bilang Hisatoshi Iguchi
Hakuryû
bilang Akimasa Shimoinaba
Midoriko Kimura
bilang Masuko Shimoinaba
Narumi Yasuda
bilang Kumiko Nishio
Meiko Kaji
bilang Atsuko Shoji
Isao Hashizume
bilang Tsutomu Shoji
Masami Nagasawa
bilang Yoshizawa
Taiga Nakano
bilang Tsunoda
Rina Sakuragi
bilang Lily
Miwa Nishikawa
bilang Writer
Ryûzô Saki
bilang Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 panalo at 43 nominasyon sa kabuuan
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Sauce
Despite moments of unnecessary melodrama, director Miwa Nishikawa has made a fine movie about an aged, ex-Yakuza trying to find his way "under the open sky". The plot of ex-prisoners attempting to reintegrate into our society (which doesn't care for them) has been repeatedly rehashed. Nevertheless, the main character, well performed by Yakusho Koji, kept me absorbed and ensured that I followed this movie with two more Nishikawa movies, 'Sway' and 'The Long Excuses'. I recommend you spent your next free (and rainy day) with that triple viewing. In context, the theme is redemption.
I would rate it 3.5 and I rounded down. The main actor is great in his role, but the story is not only basic, nearly every scene is less a flowing part of the story, and more a blunt storytelling block. This in part is the reason why the forced melodrama doesn't work, and you don't feel any emotions in the dramatic scenes, because it's so blandly and sparsely built up. It's unfortunate that the scenes end up as building blocks to the ridiculously overdone finale. If they remade it with a competent writer/director, this would be a great film, because the cast/scenery/cinematography/music is fine, it's that the story is both not good, and to compound it, the way that is told is also not good.
TIFF 2020 08 Under the Open Sky This film is a story about an ex-con Yakuza member from Japan who after getting out of prison for about 13 years, tries and really struggles to find his place in the normal society. fir me personally, everything in this film worked perfectly until the last 10 minutes or so which was completely unnecessary in my opinion and left a sour taste in my mouth. the film is very handsome, it has some beautiful takes and a textured story. The lead actor Koji Yakusho gives a convincing and powerful performance. I think this can be a much better film with some tweaks and some changes in the editing department.
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Isang mahabang review na sumasaklaw kung bakit natatangi ang Project Hail Mary sa 2026: kalidad ng adaptation, siyentipikong pagkukuwento, lalim ng damdamin, at mga reaksyon ng manonood.
Ang mga kwentong komedya ay ginawa para magbigay-aliw sa pamamagitan ng katatawanan. Kabilang sa mga popular na format ang situational comedy, sketch-style humor, workplace comedy, at romantic comedy.
Binibigyang-diin ng mga action title ang excitement, pisikal na labanan, mga bayaning karakter, at mabilis na pagkukuwento. Madalas itinatampok ng mga adventure title ang eksplorasyon, survival, o malalaking paglalakbay.
Sinusundan ng mga crime drama ang mga imbestigador, detective, abogado, o mamamahayag habang nilulutas nila ang mga kasong kriminal. Hinihikayat ng mga mystery story ang mga manonood na tumuklas ng mga clue kasama ang mga karakter.
Tinutuklas ng science fiction ang futuristic na teknolohiya, paglalakbay sa kalawakan, artificial intelligence, alternatibong realidad, at siyentipikong haka-haka.
Ang horror storytelling ay lumilikha ng suspense sa pamamagitan ng psychological tension, supernatural na pangyayari, halimaw, o survival scenarios.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.
Kabilang sa animation ang mga gawa para sa bata, pamilya, at matatanda, mula sa educational content hanggang sa kumplikadong dramatikong pagkukuwento.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.