Matěj Chlupáček
bilang Director
English,Filipino,Français,Indonesian,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ
The drama film We Have Never Been Modern, starring Eliska Krenková, Miloslav König, Milan Ondrík, etc., directed by Matěj Chlupáček, was released on January 31, 2025 in Czech Rep.. It tells the story of Helena is about to give birth and face a rosy future in a modern city as the wife of a successful young factory manager. This is a Drama, Misteryo film with a runtime of 117 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 7.0/10 from 710 viewers.
Matěj Chlupáček
bilang Director
Eliska Krenková
bilang Helena Hauptová
Miloslav König
bilang Alois Haupt
Milan Ondrík
bilang Róbert
Lubos Veselý
bilang doktor Kubák
Richard Langdon
bilang Sasa
Marian Mitas
bilang Major
Anton Sulík
bilang advokát Schulz
Ladislav Hampl
bilang Továrník
Martin Salacha
bilang vedoucí Grena
Viktor Zavadil
bilang Bázik
Martin Sinicák
bilang Vanek
Iveta Dusková
bilang Advokátová
Martha Issová
bilang Stavbyvedoucího
Andrea Bucko
bilang Exportérová
Zuzana Konecná
bilang Vychovatelka
Zuzana Kubícková
bilang Technologová
Viktoria Petrasova
bilang Inzenýrová
David Hartl
bilang Inzenýr
Miro Sifra
bilang Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 panalo at 43 nominasyon sa kabuuan
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It's a shame this wasn't the Czech Republic's official Oscar submission. I found it an intriguing film and couldn't get enough of it. Part medical mystery, part political thriller, this film features a very strong female lead, and is much better and more involved than the storyline suggests. The pregnant wife of a rising factory director enjoys her status in a small rural town ripe for modernization. However, the discovery of a dead intersex newborn amongst the factory's expansion puts things on hold days before the factory owner's celebrated arrival. State Army police is called in to investigate, but they have their own agenda. With her medical background, the wife begins her own investigation, with unforeseen consequences. All the while, the threat of the Third Reich is in the air. Talking with the director in the lobby after the film, I found out it didn't have US distribution yet. I loved it so much, I wished I had the money to distribute it myself. Here's hoping it lands somewhere I can see (or buy) it again and share it.
I watched this due to the high ratings it has been given on imdb and it was well worth it. The beginning managed to kept me glued to the screen right until the end expecting that this movie would be full of gunshots and explosions. Yet, it gave me the truest drama through a well written dialog that reminds me of that Asghar Farhadi and Hirokazu Kore-eda like tension. There's no shouting between characters, yet I could feel the tension building up till the final moment where everything starts again. Shout out to the lead actress for conveying her emotions perfectly even without any words spoken. I really hope I could see her in many more movies to come. A well written masterpiece indeed.
When I watched this film it has no reviews on IMDB so it was a bit of a journey into the unknown. The first hour is full of story (much more than the published storyline tells us) although I still didn't feel fully engaged. I guess because my knowledge of Czechoslovakia in 1937 is an empty space. The second hour is quite excellent. When it ended I went straight back and watched the start again, because it ends where it starts, and you'll know so much more about that opening scene when you've seen the whole film. Absolutely recommended. I would also like to comend the makers for not coming here and spamming the reviews with ten stars, like so many independants do.
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Isang mahabang review na sumasaklaw kung bakit natatangi ang Project Hail Mary sa 2026: kalidad ng adaptation, siyentipikong pagkukuwento, lalim ng damdamin, at mga reaksyon ng manonood.
Ang mga kwentong komedya ay ginawa para magbigay-aliw sa pamamagitan ng katatawanan. Kabilang sa mga popular na format ang situational comedy, sketch-style humor, workplace comedy, at romantic comedy.
Binibigyang-diin ng mga action title ang excitement, pisikal na labanan, mga bayaning karakter, at mabilis na pagkukuwento. Madalas itinatampok ng mga adventure title ang eksplorasyon, survival, o malalaking paglalakbay.
Sinusundan ng mga crime drama ang mga imbestigador, detective, abogado, o mamamahayag habang nilulutas nila ang mga kasong kriminal. Hinihikayat ng mga mystery story ang mga manonood na tumuklas ng mga clue kasama ang mga karakter.
Tinutuklas ng science fiction ang futuristic na teknolohiya, paglalakbay sa kalawakan, artificial intelligence, alternatibong realidad, at siyentipikong haka-haka.
Ang horror storytelling ay lumilikha ng suspense sa pamamagitan ng psychological tension, supernatural na pangyayari, halimaw, o survival scenarios.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.
Kabilang sa animation ang mga gawa para sa bata, pamilya, at matatanda, mula sa educational content hanggang sa kumplikadong dramatikong pagkukuwento.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.