Louise E. Lathey
bilang Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ,中文
The drama film Who Am I Now?, starring Barbara Beall, Raphaël Lecat, Joanna Gaskell, etc., directed by Louise E. Lathey, was released on July 20, 2021 in Canada. It tells the story of New friends Erin and Alex discover a mutual attraction that neither of them have ever felt before. While Alex tries to navigate her feelings, Erin refuses to acknowledge that she might be gay and heads down a path of self-destruction. Faced with Erin's denial, Alex must decide whether to follow her own path, or fight for the first person she's ever loved. This is a Drama, Romansa film with a runtime of 92 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 4.1/10 from 257 viewers.
Louise E. Lathey
bilang Director
Barbara Beall
bilang Billie
Raphaël Lecat
bilang Tom 'Drunk Guy'
Joanna Gaskell
bilang Alex
Alethea Sholomenko
bilang Julia
Cameron Paisley
bilang Zack
Alicia c. Snee
bilang Erin
Elizabeth Young
bilang Dani
Louise E. Lathey
bilang Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 panalo at 43 nominasyon sa kabuuan
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source: Who Am I Now?
There are several caveats that need to be put into place for this film. Firstly, It is so micro-budget it may as well have been shot on a camcorder. The cinematography and the sound mixing are very sub-par. Secondly, The acting isn't great, and it certainly doesn't help that everyone is supposed to be in college but seems at least a decade too old. Thirdly, This type of narrative with characters so scared of their sexual identity seems archaic. The attitudes are only slightly advanced from 'Desert Hearts' which was made in the 80s and set in the 50s. The 'Coming Out' story, or more specifically its sub-genre the 'Coming Out To Yourself' story has been done to death in the English Speaking world and we don't necessarily need another one. Having said that, the by-the-numbers approach that this film has is adequate enough.
It's a great story that's very relevant to our current times. It's makes you want to continue the follow the story after the movie ends. Only drawback is actors aren't convincing as 20 something year olds. Once you get past that it's enjoyable. I would to see how the story continues to unfold.
I liked this movie a lot, but I think some think its a love story when that is far from the truth. The story dealt with some hard facts when dealing with our own sexuality, and it did so with a real world vision instead of movie magic romance. It left me thinking, yet hopeful.
As the writer and director are the same person we are definitely seeing the the artist's. Vision. It is a coming out story for two women that have been denying their own, respective sexualities. A one night stand between them throws not only their worlds into chaos but, their friends lives as well. It doesn't have a story-book ending but, there is truth in that. THE NEGATIVES: Bad casting choices. 30 to 40 something actors as college students just starting to experience life. Mixing 20, 30 and 40 somethings as a tight knit group of friends-in college. A laser focused / tunnel vision aspect to the scenes in public places. By that I mean the background actors could have been replaced with cardboard cut-outs. Things that just didn't work: A business major that doesn't understand statistics. A college, never pictured, devoid of other people. The drinking at work scenes for both leads. The two businesses are lacking customers and allow on the job drinking. The dialog for the first half of the movie is as subtle as a chainsaw. To the author: You told a realistic story and did it well. The emotional subtext comes through in your your work. Comparable to Robert Heinlein's passage on 1 and 1 and 1 don't always equal 3. Please polish your craft, I look forward to you future works.
The film has an indie quality that really takes you into the character's lives and friendships. A tasteful discovery of identity film that leaves you excited for what's next.
I think films should be judged in the context of their budget - and for a low budget drama, this delivers. It's a story about women struggling with their sexuality. The film would have felt a little more timely in the 1970s, 80s, 90s, maybe 2000s, but by 2021 it's not as groundbreaking. But not every film needs to break new ground. There is one hot love scene. Worth a look.
Quite simple story and characters and premise. The songs are just out of the world but quite same sounding. Are you thinking of watching this? If yes then sure go for it it's not disappointing at all it's quite great.
I'd say it's a piece of a life kind of story and shows the moments in that specific timeline. The movie has a very intimate setting of few characters and the chemistry between them is present. The friendship and beautiful moments are there and also the romantic parts are also presented beautifully. A little unnecessary explicit scenes for me but they have to sell it to men viewers cuz they love girl stuff. But definitely worth the watch.
This movie was so bad it was laughable. The plot makes no sense one moment theyre making out and the literal next they yelling at each other at one point one of them was crying in the shower because of a fight they had and out of nowhere the other one appears and starts to make out with her.
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Isang mahabang review na sumasaklaw kung bakit natatangi ang Project Hail Mary sa 2026: kalidad ng adaptation, siyentipikong pagkukuwento, lalim ng damdamin, at mga reaksyon ng manonood.
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Binibigyang-diin ng mga action title ang excitement, pisikal na labanan, mga bayaning karakter, at mabilis na pagkukuwento. Madalas itinatampok ng mga adventure title ang eksplorasyon, survival, o malalaking paglalakbay.
Sinusundan ng mga crime drama ang mga imbestigador, detective, abogado, o mamamahayag habang nilulutas nila ang mga kasong kriminal. Hinihikayat ng mga mystery story ang mga manonood na tumuklas ng mga clue kasama ang mga karakter.
Tinutuklas ng science fiction ang futuristic na teknolohiya, paglalakbay sa kalawakan, artificial intelligence, alternatibong realidad, at siyentipikong haka-haka.
Ang horror storytelling ay lumilikha ng suspense sa pamamagitan ng psychological tension, supernatural na pangyayari, halimaw, o survival scenarios.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.
Kabilang sa animation ang mga gawa para sa bata, pamilya, at matatanda, mula sa educational content hanggang sa kumplikadong dramatikong pagkukuwento.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.