Craig Johnson
bilang Director
English,Filipino,Français,Indonesian,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ
The komedya film Wilson, starring Woody Harrelson, Sandra Lee-Oian Thomas, Shaun J. Brown, etc., directed by Craig Johnson, was released on March 24, 2017 in Estados Unidos. It tells the story of A lonely, neurotic, and hilariously honest middle-aged man reunites with his estranged wife, and meets his teenage daughter for the first time. This is a Komedya, Drama film with a runtime of 94 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 5.9/10 from 11,274 viewers.
Craig Johnson
bilang Director
Woody Harrelson
bilang Wilson
Sandra Lee-Oian Thomas
bilang Dog Lover
Shaun J. Brown
bilang Laptop Man
James Robert Miller
bilang Bearded Man
Brett Gelman
bilang Robert
Mary Lynn Rajskub
bilang Jodie
Judy Greer
bilang Shelly
Toussaint Morrison
bilang Diego
Andrew Hawtrey
bilang Commuter
Richard Ooms
bilang Edwin
Shawn J. Hamilton
bilang Attendant
Tonita Castro
bilang Nanny
David Warshofsky
bilang Olsen
Lauren Weedman
bilang Cat Lady
Kimora Collins
bilang Granddaughter
Margo Martindale
bilang Alta
Joe Minjares
bilang Taxi Driver
Roxy Wood
bilang Sinammon
Daniel Clowes
bilang Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 panalo at 43 nominasyon sa kabuuan
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source: Wilson
A slice of life is how I describe these movies, where one sees the common and mundane in a certain context. Wilson is the story of an average misunderstood man from another time who is shown as hurting and caring but perseveres to try and find meaning in his otherwise drab existence. An average man who, by today's standards, is the bogeyman but as this poster can attest, speaks of an era where people were unique and opinionated instead of self-absorbed and indifferent. I am looking forward to a second viewing to further see the depth of Harrelson's Wilson. And if there are other Clowes/Eightball fans out there who haven't seen Wilson yet, I recommend it. I also hope The Death-Ray and Ice Haven are made into movies.
This movie had me laughing so much I'm gonna have to watch it again because I missed some of the dialog due to not being able to stop laughing. There is a lot of foul language because Woody's character has no filter, and that's part of the humor. Unlike most movies made these days, there's a purpose and method to the language. It's not just foul language for the sake of foul language. Having said that, it's probably best to watch alone, or with someone you know is not sensitive to foul language. Woody does an excellent job with his character, although I get the feeling it wasn't much of a stretch for him. This may be the best I've seen from Woody. Excellent movie!
The definition of a comedy is: a (type of) film, play, or book that is intentionally funny either in its characters or its action. So that be said, I would think Wilson has to make me laugh at least once, or if not a true laugh at least a smile. Well guess what, none of the above occurred. And that's not because I have no sense of humor, not at all, I can pretend I have a pretty good sense of humor. But Wilson is just not funny, not even slightly. If I had to live with somebody like Wilson I would probably beat him up and end in prison. That's how annoying that character is. Extremely annoying but absolutely not funny. The acting is okay though. If they asked Woody Harrelson to play an extremely annoying person then he managed it very well. The story is long and boring, you just wait for the movie to finish, as quick as possible. Will I ever watch this movie again? If I have problems falling asleep maybe.
This is a story about how Woody Harrelson is a jerk, but everyone else is too, and they punch him. This is supposed to elicit sympathy from the audience. When his father dies, he reaches out to ex-wife Laura Dern, because hey, you know, sympathy sex. He discovers that when she had left him, had an abortion and gone into a drug-fueled spiral, she hadn't had an abortion, but had given out the kid for adoption. They track her down, stalk her a bit in a non-threatening manner, and deal with people being jerks and punching Woody Harrelson. Eventually, Dern moves to Australia, Harrelson shacks up with a young, beautiful woman and things turn out well for him, despite the fact that he is still a jerk -- he just doesn't punch anyone. By the standards of this particular Cinematic Universe, this makes him a Good Person Who Deserves All Good Things & Gets Them. In short, this is a bad movie with good performances. There are quirky individuals and snide commentary about how people are jerks, but nothing changes, and you are left with numerous questions about what is going on. How does Wilson live? Why can he take off to go stalk various relatives without worrying about money? Aren't there any adults anywhere? If it weren't for Harrelson's straightforward, oblivious idiocy, this would be unwatchable.
This movie isn't funny. It's uninspiring. It's even depressing. You start this film knowing that the protagonist is going to be full of quirks and an eccentric, socially un-adapted. But in the end he's just sad. There's nothing worth watching in this film. Although Woody is a great actor, as always. It's just not an interesting story.
Wilson (2017) *** Woody Harrelson, Laura Dern, Isabella Amara, Cheryl Hines, Judy Greer, Mary Lynn Rajskub, Margo Martindale. Harrelson has a field day as a well-intentioned misanthropic man who attempts to rekindle a romance with his ex (Dern) and learning that they have a daughter who he wants very much to be reunited with in spite of his non-filter spillage of whatever's on his mind much to his detriment. Based on Daniel Clowe's graphic novel the film attempts to make such an unpleasant sort, sort of pleasant thanks largely to the wait-and-see-how-this-goes direction by Craig Johnson in allowing the characters to show themselves for who they are, warts and all. Frequently funny and surprisingly tender at times the well-meaning protagonist scores albeit with a prickly defense mechanism that indeed can be grating.
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Isang mahabang review na sumasaklaw kung bakit natatangi ang Project Hail Mary sa 2026: kalidad ng adaptation, siyentipikong pagkukuwento, lalim ng damdamin, at mga reaksyon ng manonood.
Ang mga kwentong komedya ay ginawa para magbigay-aliw sa pamamagitan ng katatawanan. Kabilang sa mga popular na format ang situational comedy, sketch-style humor, workplace comedy, at romantic comedy.
Binibigyang-diin ng mga action title ang excitement, pisikal na labanan, mga bayaning karakter, at mabilis na pagkukuwento. Madalas itinatampok ng mga adventure title ang eksplorasyon, survival, o malalaking paglalakbay.
Sinusundan ng mga crime drama ang mga imbestigador, detective, abogado, o mamamahayag habang nilulutas nila ang mga kasong kriminal. Hinihikayat ng mga mystery story ang mga manonood na tumuklas ng mga clue kasama ang mga karakter.
Tinutuklas ng science fiction ang futuristic na teknolohiya, paglalakbay sa kalawakan, artificial intelligence, alternatibong realidad, at siyentipikong haka-haka.
Ang horror storytelling ay lumilikha ng suspense sa pamamagitan ng psychological tension, supernatural na pangyayari, halimaw, o survival scenarios.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.
Kabilang sa animation ang mga gawa para sa bata, pamilya, at matatanda, mula sa educational content hanggang sa kumplikadong dramatikong pagkukuwento.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.