John Lyde
dans le rôle de Director
The TV series Scarlett, created by Brittany Wiscombe and produced by an unlisted studio, first premiered on December 1, 2020 in Chine. The series spans 1 season with 87 episodes, featuring the voices of an unlisted voice cast. It follows the story of A college student must draw upon all the skills her spy-father taught her to protect herself and save her father from weapons dealers. This is a Moderne Drame series and has received a rating of 8.7/10 from 619 viewers.
John Lyde
dans le rôle de Director
Brittany Wiscombe
dans le rôle de Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
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Bon film !
Pathetic. The story and acting scene set up are not good at all.
Movie could have been better if good cast was used, story line is not, picture is good. Lady is too old for college gal.
This plot has so many holes and factual issues that the writers clearly had no clue what they were doing. For example, the main character shoots a propane tank and blows it up, killing two men. The tank is next to a house. Later in the film, she returns to an undamaged house. The dialog is workable but the illogic of the plot makes this unwatchable.
It's too damn long for no reason and a little cheesy, but damn it, it's not a bad movie, I've seen much worse and plus it has no cringey woke crap.. I'd rather watch this than any of the new Star wars trilogy.
Start look promising. You can predict the flow and that not the bad part. Decision making in this movie is too much. Really not normal i was difficult to watch later. Put this last to watch.
The cheapest boxed wine will pair well with this cheesy excuse for an action film, that has more plot holes than Swiss cheese. It started off promising, then quickly became a grueling 103 minutes of nonsense, repetitive ridiculous and irrational action scenes, and a story that couldn't be any more predictable. This film could've easily had 1 hour of film landing on the cutting room floor, and you'd have the exact same story, only told shorter and more enjoyable. The score was annoying and overbearing and the cast performances were unbelievable. This had amateur C-grade film written all over it, and felt like a failed high school drama class project. I'm shocked this was even green-lit to market.
A little predictable. Lags a little with all the reminiscing. Disappointed with the casting of Scarlett. This actress is too old to be a college student.
The premise was similar to "Hanna," "Nikita" and the like. It started well, but the ending got dumbed down. The heroine had multiple opportunities to "take the shot," but clearly should never have been trained to use a gun as, in her hands, it was no better than a club. Even her assassin/spy father failed to put down the two hench-people when given the chance, even after killing everyone in sight on his previous missions. I kept "shouting "Shoot somebody, damn it!" several plot points were telegraphed early, so there were no surprises or plot twists. Overall, rather predictable.
Horrible movie. And I am not even talking of storyline and plot holes. The idea that women and children cannot kill is being too far stretched. Let the world burn but a woman will not kill. Let bad guys kill 100 people but a woman will not shoot a bad guy to save them. What are these moviemakers thinking? Morals go both ways. And her father can kill everyone. That is ok because he is a man? Nowadays there is too much snowflaking in movies. This is a prime example of it.
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Les comédies sont conçues pour divertir par l'humour. Les formats populaires incluent la comédie de situation, l'humour à sketches, la comédie au travail et la comédie romantique.
Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.