Lieu de tournage
127A Smithfield Road, Frederiksted, Virgin Islands
English,Filipino,Français,Indonesian,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ,中文
The biographie film House of Gucci, starring an unlisted cast, directed by an unlisted director, was released on November 24, 2021 in États-Unis. It tells the story of when Patrizia Reggiani, an outsider from humble beginnings, marries into the Gucci family, her unbridled ambition begins to unravel their legacy and triggers a reckless spiral of betrayal, decadence, revenge, and ultimately...murder. This is a Biographie, Crime, Drame film with a runtime of 158 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 6.8/10 from 133,681 viewers.
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
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Bon film !
Bon film !
Bon film !
This movie looks like a dressup game for adults. You know when adults start dressing up for a party and start acting silly. That's what this movie is about. Not any good? NO. We have great actors looking SILLY. I must applaud the makeup department though. They really did a good job. BUT....the actors still constantly look they are taking part in a dress up game. The actors failed in delivering a gripping drama. It wasnt terribly bad, it simply was below average, kinda mediocre and I hate it when a (supposedly) drama is only mediocre. This movie might still please the childish Lady Gaga fan crowd, who are brainless, so enjoy the (tedious) show...
source: House of Gucci
Based on true events usually means that the true events are fictionalized and made more spectacular. Since I am Italian, I already knew what happened between Patrizia Reggiani and Maurizio Gucci, because at the time their lurid story occupied headlines in national newspapers. The real story seemed to have gone more or less as described, with Patrizia being a vulgar gold digger, who used to consult fortune tellers and ended up hiring her killer via her "clairvoyant" BFF, once Maurizio dumped her. Lady Gaga nails the part, probably thanks to her natural arrogance, and she looks a lot like a prettier version of the real Patrizia; Driver is bland as usual, although his part probably called for a weak character; Pacino is a tad more subdued than usual, which is much appreciated but Jared Leto as Paolo Gucci is unbearable, more than an eccentric Italian he does a version of what an American considers typical Italian, missing completely the mark and spoiling it further with a dreadful accent. Even if costumes and locations are generally OK, the soundtrack is extremely sloppy, as if nobody could be bothered to do some research and produce a soundtrack suitable to the time and place. Instead, they took the shortcut of going for Italian opera, the trite soundtrack of choice for movies with Italian characters, even if by now is super outdated; a couple of Italian songs from the Sixties sounded totally wrong because the film takes places in the Eighties and a few disco hits blasted on incongruously at the wrong time... totally not an Italian atmosphere, unless you think in Italy time stopped with La Dolce Vita, or even earlier with Verdi. Apart from the dreadful soundtrack, some parts (mainly all those with Leto) dragged on too long and dragged the movie down. PS in the first third of the film Maurizio Gucci is jumping wildly inside one of the shops and stopping in a freeze-frame that we discover right at the end, belongs to a photo shooting with Avedon. What was that? Did nobody check the editing?
Lady Gaga overacted the entire time and there were a countless number of dialogue scenes that didn't go anywhere/didn't progress the story. It was genuinely one of the most dragged out movies I've ever seen.
A film so out of its mind that it is operating entirely on impulses, House of Gucci makes for a wild, inconsistent & unabashedly over-the-top biographical crime drama that chronicles the downfall of the Gucci family dynasty without any intent or interest and is surprisingly fuelled by absolutely unhinged performances, each functioning on a separate wavelength and pointed in a different direction. Directed by Ridley Scott, this tonal nightmare plays out like an (un)intentional parody of the Oscar-bait biopics and is far from the quality of work we expect from the filmmaker at helm. All its elements are at odds with each other, thus resulting in a film so bonkers & unpredictable in its approach & execution that it actually piques the curiosity in a way that's not just unusual or unexpected but also nonsensical. However, a story treatment this uneven & erratic can only carry on for a while before the appeal goes away and this one goes on for 157 long minutes, all of which is tediously paced. The characters themselves are mere caricatures and the ensemble cast is given the license to render them as such. But none of the actors are ever on the same level or looking for any kind of harmony even when sharing screen together. Overall, House of Gucci is inarguably the "so bad it's good" film of the year. Laced with irony, drowning in decadence and incongruous in each n every aspect, this overlong & overbearing train-wreck suffers from issues of its own makings and despite boasting an A-list ensemble, it doesn't utilise a shred of their talents. Inadvertently hilarious & downright mediocre, Ridley Scott's latest is what happens when the entire cast n crew is left unsupervised & goes amok.
"House of Gucci" is a beautifully shot picture with great people involved. It is somewhat underwhelming and a tad too long, but there are great moments sprinkled throughout the movie. The film is based on the real murder of Maurizio Gucci and the downfall of the Gucci family. It all begins when Patrizia Reggiani marries into the Gucci family and the rest is history. Lady Gaga is great as the ambitious Patrizia Reggiani but she is also inconsistent with her performance. Pacino, Driver and Leto are good per usual. It is however a daring choice by the filmmakers to have the actors speak in English with an Italian accent. It is not a huge problem, but it does occasionally take the viewer out of the experience. The first forty minutes of the movie are great. The characters are well introduced, and the plot is intriguing. The rest of the movie does not maintain this standard. The last 30 minutes are beyond underwhelming and the climax is cold and emotionless. There are issues with "House of Gucci" but the production design is not one of them. The film is beautifully shot and the locations look great. "House of Gucci" is very stylish and the costume department really outdid themselves. With everything said, "House of Gucci" is a decent film with outstanding visuals and great acting. If you like fashion, then you should give this movie a watch. It is beautiful and quite enjoyable despite its excessive runtime.
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Les comédies sont conçues pour divertir par l'humour. Les formats populaires incluent la comédie de situation, l'humour à sketches, la comédie au travail et la comédie romantique.
Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.