Lieu de tournage
127A Smithfield Road, Frederiksted, Virgin Islands
English,Filipino,Français,Indonesian,Kiswahili,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা
The animation film Jiang Ziya, starring an unlisted cast, directed by an unlisted director, was released on October 1, 2020 in Chine. It tells the story of Banished to the mortal world, a warrior has to slay a demon to return to the heavenly realm and become a god. This is an Animation, Action, Adventure film with a runtime of 110 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 6.3/10 from 1,896 viewers.
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
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superb
very cool movie
source: Jiang Ziya
Everything is epic about this animation, or Donghua as the chinese say it, which roughly translates as "moving painting" and is the equivalent to the japanese Anime. Its grandeur comes from storyline, music, characterization, the message, and ofcourse the animation. It's a rollercoaster ride experience, with a message of piety and moral righteousness in grand proportions. Truly one epic scene after another from beginning to the very last end!
This film is the follow-up to 2019's acclaimed Ne Zha, though the link is not clear until the very end and the connection is more thematic. This film also draws on Chinese mythology with surprisingly good animation and energetic action sequences. The designs, colours and lighting are quite masterful with lots of stunning scenes like the dead souls or the (literal) stairway to heaven. I would say it's on the level of Kubo and the Two Strings, wherein any frame could be a stunning desktop wallpaper. The animation of the characters (as in, the expression and movement) is more action-oriented and less comical than that of Ne Zha. The story concerns the titular Jiang Ziya who is trying to solve the mystery of the Nine Tailed Fox and end his banishment. While engaging, it suffers from a lot of choppiness and jarring transitions - many of the flashbacks intrude quite suddenly, a lot of things are not explained and some scene transitions happen without warning (like the one spanning ten years!).
From the art to the concept, from the voice actors to the direction itself... the whole movie is a piece of art. Each scene is beautifully done, truly. There's no other words than I can use other than, stop reading and go watch it. You're missing out on a true gem.... PS: I would go for the original Chinese one, not the dubbed one. And don't tell me you can't read subs, it only takes a couple of mins if you ain't used to it yet.
Legend of Deification Jiang Ziya is the sequel (prequel story wise) to the excellent Ne zha film. However, this movie isn't made by the same team and it really shows. The editing is pitiful and amateurish. The story is serviceable only. Go watch Ne zha instead of this if you want to see what great Chinese animation movie can be
And used the same format of Ne Zha to draft all the similar cartoon figures with ugly patch-up designs, horrible voice over and jump-around over-the-top crazy CGI effects. Such overly used programming formula is exactly like Disney's late cartoons, all with the same facial figures, facial expressions and exaggerated voice over. Only fed satisfactory to the XX generation and those who refuse to grow up and move out of their parents houses. A generation never washed a dish, never cleaned their rooms, only used their fingers to play video games, texting non-stop, selfie non-stop, WeChat each other day and night, smoking, partying and overdosed elsewhere, so arrogantly ignorant, despise their elders, never like to work, never employed...These are the majority viewers of these kind of cartoons that made them feel at home with no substance at all.
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Les comédies sont conçues pour divertir par l'humour. Les formats populaires incluent la comédie de situation, l'humour à sketches, la comédie au travail et la comédie romantique.
Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.