Stuart Millar
dans le rôle de Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ,中文
The adventure film Une bible et un fusil, starring John Wayne, Katharine Hepburn, Anthony Zerbe, etc., directed by Stuart Millar, was released on November 1, 1975 in États-Unis. It tells the story of Marshal Rooster Cogburn unwillingly teams up with Eula Goodnight to track down her father's murderers. This is an Adventure, Drame, Western film with a runtime of 108 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 6.8/10 from 14,277 viewers.
Stuart Millar
dans le rôle de Director
John Wayne
dans le rôle de Rooster Cogburn
Katharine Hepburn
dans le rôle de Eula
Anthony Zerbe
dans le rôle de Breed
Richard Jordan
dans le rôle de Hawk
John McIntire
dans le rôle de Judge Parker
Paul Koslo
dans le rôle de Luke
Jack Colvin
dans le rôle de Red
Jon Lormer
dans le rôle de Rev. Goodnight
Richard Romancito
dans le rôle de Wolf
Lane Smith
dans le rôle de Leroy
Warren Vanders
dans le rôle de Bagby
Jerry Gatlin
dans le rôle de Nose
Strother Martin
dans le rôle de McCoy
Tommy Lee
dans le rôle de Chen Lee
Mickey Gilbert
dans le rôle de Hambone
John Howard Hamilton
dans le rôle de U.S. Cavalry Lieutenant
Chuck Hayward
dans le rôle de Jerry
Gary McLarty
dans le rôle de Emmett
Charles Portis
dans le rôle de Writer
Martha Hyer
dans le rôle de Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
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source: Rooster Cogburn
Bon film !
Rooster Cogburn
That does seem to be the general consensus surrounding Rooster Cogburn and I agree. The best asset of the film is easily the performances and chemistry of John Wayne and Katherine Hepburn, who are wonderful individually and together, and I was also impressed with the handsome cinematography, beautiful scenery and rousing score. There are some moments of witty and fun dialogue too. Conversely, the film is rather sluggishly directed and also the film does drag in spots. I wasn't taken with Richard Jordan, I thought he overacted to the point it was somewhat distracting. The weakest asset of Rooster Cogburn is the story, it feels very cobbled together and is clumsily told. In conclusion, it is a decent movie that could have been more. That said, Wayne and Hepburn actually prevent it from being any less than it turned out to be. 6/10 Bethany Cox
Not the best John Wayne movie, but a damn good one. He and Hepburn make it move along, and you can see the genuine chemistry between their characters. As the movie progresses, you can feel him come to understand and respect her, and you can feel her becoming more fond of him, regardless of his faults. He finally admitting that being with her "pleases" him, and her final speech to him says it all. An enjoyable film all around.
as much as i liked True Grit,i was much more impressed with this followup.it's much more epic, a lot more fun,has a great story,and plenty of action.the witty banter between Cogburn (John Wayne)and Eula(Katherine Hepburn)is is great fun to watch.Hepburn and Wayne really work well off each other.as great as the movie was,it's easy to see that Wayne was on his last legs physically at times,and in pain due to the cancer that would eventually take his life.but,he stuck it out and put in a good performance.when you add it all up,this was a much better movie than i expected it to be.for me,Rooster Cogburn is a well deserved 9/10
Hepburn & the Duke made a fairly decent movie and that's enough reason to see it at least once. The fact that Hepburn has a Father in the movie is suspect, at best, especially since he's not played by Moses himself. But that's besides the point here - they have terrific chemistry and their star power alone could put most of the actors on the screen today to shame. It would have been really memorable if the movie were worthy of them, though.
In my humble opinion, this is the best of the best John Wayne film. Although not a cowboy movie lover, I am an avid John Wayne fan, and I consider this his very best work. The relationship between Rooster and Miss Eula has such chemistry you just can't take your eyes off the screen. Kate Hepburn looking into the eyes of John Wayne is absolutely magical and this is the way I will always remember them both.
I liked this movie quite a bit. However, only a few minutes into the film, I felt like I was experiencing deja-vu. And then I realized it!! This was an obvious remake of African QUEEN. And, they didn't even try to disguise it very well, as Kate Hepburn pretty much plays the same part she did in the original AND John Wayne is playing a part in a movie that should have been re-titled "TRUE GRIT PART II". So, despite its lack of originality, how did I score the film so highly? Well, the acting and dialog is so good that I really didn't mind watching this re-hash. Plus, for those of you who have never seen African QUEEN or TRUE GRIT, you can probably enjoy this movie even more.
Someone in Hollywood had the bright idea of taking the leading character from "True Grit" and putting him in a story redolent of "The African Queen", casting a much older Katharine Hepburn, then experiencing a revival in her career, in the same part she played opposite Bogie. And it worked. If anything Wayne, with an unerring ear for the comic potential of his character, is even better than he was in "True Grit". It's a genuinely funny performance. Hepburn's character is too much an amalgam of Rose Sayer and Mattie Ross; she could be "True Grit's" Mattie 50 years on. But the chemistry between her and Wayne is palpable; they spark off each other. The plot isn't up to much. It's been cobbled together from scraps of better movies and there is a terrible bit of over-acting from Richard Jordan as the chief villain, but it looks great, (the scenery is terrific), and is very enjoyable.
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Les comédies sont conçues pour divertir par l'humour. Les formats populaires incluent la comédie de situation, l'humour à sketches, la comédie au travail et la comédie romantique.
Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.