François Ozon
dans le rôle de Director
English,Filipino,Français,Indonesian,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ,中文
The drame film Été 85, starring Félix Lefebvre, Benjamin Voisin, Philippine Velge, etc., directed by François Ozon, was released on June 18, 2021 in France. It tells the story of L'été de ses 16 ans, Alexis, lors d'une sortie en mer sur la côte normande, est sauvé héroïquement du naufrage par David, 18 ans. Alexis vient de rencontrer l'ami de ses rêves. Mais le rêve durera-t-il plus qu'un été ? L'été 85. This is a Drame, Romance film with a runtime of 101 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 6.9/10 from 15,831 viewers.
François Ozon
dans le rôle de Director
Félix Lefebvre
dans le rôle de Alexis Robin
Benjamin Voisin
dans le rôle de David Gorman
Philippine Velge
dans le rôle de Kate
Valeria Bruni Tedeschi
dans le rôle de Madame Gorman
Melvil Poupaud
dans le rôle de Monsieur Lefèvre
Isabelle Nanty
dans le rôle de Madame Robin
Laurent Fernandez
dans le rôle de Monsieur Robin
Aurore Broutin
dans le rôle de L'éducatrice
Bruno Lochet
dans le rôle de Bernard
Yoann Zimmer
dans le rôle de Luc
Antoine Simoni
dans le rôle de Chris
Patrick Zimmermann
dans le rôle de Le juge
Samuel Brafman-Moutier
dans le rôle de Frère Gorman
Benjamin Allouche
dans le rôle de Le rabbin
Aidan Chambers
dans le rôle de Writer
François Ozon
dans le rôle de Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
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hi
is it worth it !!!!!
horror movie
This endearing love-story is pictured from the point of view of 16 year old naive and impressionable Alex, who head over heals falls in love with the more streetwise and impetuous David. Ozon very convincingly shows the kind of summer-love that many of us are all too familiar with: at the start looking like it will last forever, until somewhere along the line one of the two backs out, leaving the other broken-hearted. Ozon creates a wonderful atmosphere, with a sun-drenched seaside village as decor, beautiful cinematography, and a meticulously rendered retro-setting to revive the eighties. All actors are excellent, even the smaller parts of both mothers, but Felix Lefebvre (Alex) and Benjamin Voisin (David) really steal the show with the natural and easy way in which they play their demanding parts, especially Lefebvre who has to go through a rollercoaster of emotions, he at several times moved me to tears. It surprised me a bit that Ozon, the director of so many complex and at times controversial movies, chose this "little" story as a subject. In spite of the tragedy at the centre of the movie, it's rather one-dimensional (I recently saw "Jonas" by Christophe Charrier, with a more or less comparable story, but much more multilayered). And since Ozon is also renowned for some rather explicit movies, this one is remarkably restrained, especially in view of the premise being the sexual awakening of a young teen. It would be interesting to know his considerations on this. But all in all: an excellent, sensitive and endearing movie.
Toward the end of the movie, Alexis asks the teacher a question about David, which is subtitled: "Did he seduce you, too?" The teacher replies something like: "Yes, but he was my student, and I was his teacher." This is confusing to an English speaker, because the teacher seems at once to be admitting to and denying a physical relationship with David. The confusion is owing to the subtitles. In French the verb Alexis uses is séduire, which can mean seduce. But it can also mean.attract, charm, allure, beguile, etc. From the teacher's answer, it's clear that the subtitle should use one of these words, and not seduce, because the point is that while David charmed the teacher, and perhaps tried actively to seduce him, he did not succeed.
Both are good and alike and recall everyone memories when young.
Summer of 85 is a fantastic film no matter how you look at it. It's shot on film that displays the grain reminiscent of a film that came right out of the summer of 1985; the cinematography is absolutely beautiful; the story is paced perfectly; the acting is absolutely stellar (having had little exposure to French-language films over the years, none of the actors were recognizable, which helped to sell the story that much more, and every single one of them was incredible); the romantic chemistry between the characters was beautifully effective and it conveyed every bit of sexual tension without actually showing anything particularly graphic. Even through reading subtitles, the film stirred strong emotion and showcased the beauty and tragedy of young love and the fragility and unpredictability of our own lives. The soundtrack is also phenomenal, but the biggest emotional impact revolves around the Rod Stewart song "Sailing," which I will never again be able to listen to without crying. The only singular downside to the film is the creepy mother character, which is something you'll notice in the first 15 minutes of the film. I don't particularly understand the significance of having the character be the way she is as it's quite off-putting, but it's easily overshadowed by a beautiful on-screen romance and tragedy. Definitely headed to my Top 10 list.
A very bad bad bad movie. Could not stop laughing.
As "Summer of 85" opens, the Cure's "In Between Days" plays over the opening credits, and we then get to know Alex, 16. He lives is a small seaside town in Normandy. Wnen he goes out sailing, he capsizes and almost drowns, but is rescued by David, 18. They strike up an immediate friendship and start hanging out together. Then Alex encounters Kate, an English girl who is an au-pair girl for the summer while trying to improve her French. At this point we are 10 min. Into the movie... Couple of comments: this is the latest from writer-director Francois Ozon, whose previous work includes, among many others, the excellent ""Frantz", "In the House" and "Swimming Pool", just to name those. Hence my expectations were quite high for this. Alas, it was not to be. For that the movie is just too average. The two acting leads (Félix Lefebvre as Alexis, Benjamin Voisin as David) are tentative at best, and awkward at times. And the story has run its course, literally, after 70 min., and we must endure another 20 min. That are entirely superfluous. One of the most fun things about the movie, set in the mid-80s, is to watch all of the cars from that era (Citroen, Renault, etc.). Other funny side note: the film was originally titled "Summer of 84", but in order to secure the rights to the Cure's "In Between Days" (which was released in 1985), Robert Smith insisted that the film be set in 1985, and hence the movie's title was changed to "Summer of 85". This movie was set to premiere at last year's Cannes film festival. Of course COVID-19 had other plans... The movie opened out of the blue at my local art-house theater this weekend. The Saturday early evening screening where I saw this at was not attended well: 3 people, including myself. I can't see this playing in US theaters much longer. For that the movie simply is too average. But of course you don't have to take my word for it, so I'd suggest you check this out, be it in the theater (while you still can), on VOD< or eventually on DVD/Blu-ray, and draw your own conclusion.
In the title summer, on a beach town, two teenage boys meet while sailing and fall in love. The story is told mostly by way of an essay that recounts the events of the summer, which allows for selective disclosures (or not). Right at the start of the film, we know something bad has happened, but it takes most of the movie to find out what and why. The young actors are natural, and the cinematography is gorgeous. Being set in 1985, I suppose it can't end in "getting married and living happily ever after", but there is maturity and hope.
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Les comédies sont conçues pour divertir par l'humour. Les formats populaires incluent la comédie de situation, l'humour à sketches, la comédie au travail et la comédie romantique.
Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.