Luc Besson
dans le rôle de Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ,中文
The action film Le Cinquième Élément, starring Bruce Willis, Milla Jovovich, Gary Oldman, etc., directed by Luc Besson, was released on May 9, 1997 in France. It tells the story of Dans un futur coloré, un chauffeur de taxi devient sans le vouloir la figure centrale de la recherche dune arme cosmique légendaire pour tenir le mal et M. Zorg à distance. This is an Action, Adventure, Science-Fiction film with a runtime of 126 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 7.6/10 from 539,204 viewers.
Luc Besson
dans le rôle de Director
Bruce Willis
dans le rôle de Korben Dallas
Milla Jovovich
dans le rôle de Leeloo
Gary Oldman
dans le rôle de Zorg
Ian Holm
dans le rôle de Cornelius
Chris Tucker
dans le rôle de Ruby Rhod
Luke Perry
dans le rôle de Billy
Brion James
dans le rôle de General Munro
Tom Lister Jr.
dans le rôle de President Lindberg
Lee Evans
dans le rôle de Fog
Charlie Creed-Miles
dans le rôle de David
Tricky
dans le rôle de Right Arm
John Neville
dans le rôle de General Staedert
John Bluthal
dans le rôle de Professor Pacoli
Mathieu Kassovitz
dans le rôle de Mugger
Christopher Fairbank
dans le rôle de Mactilburgh
Kim Chan
dans le rôle de Thai
Richard Leaf
dans le rôle de Neighbour
Julie T. Wallace
dans le rôle de Major Iceborg
Luc Besson
dans le rôle de Writer
Robert Mark Kamen
dans le rôle de Writer
La disponibilité peut varier selon le pays, la langue et la fenêtre de sortie. Certains titres sont inclus dans les abonnements aux plateformes, tandis que d'autres peuvent nécessiter une location, un achat ou un accès via l'application. Les catalogues de streaming et les accords de licence étant régulièrement mis à jour, les options de lecture peuvent évoluer. Pour une expérience de visionnage optimale, consultez la fiche la plus récente sur le service choisi et vérifiez la prise en charge régionale, les sous-titres et la compatibilité de l'appareil avant de commencer.
127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
Téléchargez les derniers paquets MovieBox pour mobile, les versions FM et les APK compatibles TV. Choisissez le paquet adapté à votre appareil et à votre région, puis suivez le guide d'installation officiel pour une compatibilité et une sécurité optimales.
c'est pas en français ?
Bon film !
ujh778
j7yg
Bon film !
Bon film !
nice 1
The first third of the film is good and you think it's a decent sci-fi/action movie you'll enjoy. Then the Ruby Rhod (Chris Tucker) character is introduced and it's downhill into cliché from then on. Such a shame as the character is completely unnecessary to the plot and without his ever present shrill campness that only a teeny mind would find amusing, and then surely for only 60 seconds, the film would be much better. Plus points, Bruce Willis in laconic form, nice glimpses into the future, like the Chinese Takeaway, Milla Jovovich and Ian Holm are also well cast and add to the film.
The Fifth Element is right. Luc Besson has taken four sci-fi cliche elements and added just one element allegedly worth watching. Cliche 1: There is a purely aggressive warlike race that has somehow managed to not kill itself off. (Klingons, Draconians, etc.) Cliche 2: The universe is to be saved/destroyed by some mystical MacGuffin that everyone is chasing after. (The Genesis device, the Galaxy, etc.) Cliche 3: A wiser power is shocked to discover that mankind has this thing called "war." (The Abyss, Q, etc.) (Bonus points for apparently forgetting the warlike race in Cliche 1.) Cliche 4: Said wiser power is also puzzled because Mankind has this thing called "love." (The Abyss, E.T. etc.) New "Fifth" Element: A neat look, including costumes by Jean-Paul Gaultier. Cool, but isn't eye-candy a cliche too?
I remember when 'The Fifth Element' first came out in the cinema in 1997. I saw it twice. It was awesome. It was only really after its release did the narrative begin breaking through (the ways thing did prior to the internet!) that it wasn't 'very good.' And yet everyone I spoke to loved it. I worked in a video rental store in 1998. It was still a major title and the public seemed to love it, too. Over time I realised that, despite critics seemingly delighting in pulling it apart, the general public thought it was great. They say there are only about ten different story types and that every film is just a variation on the way each is told. With that in mind, 'The Fifth Element' isn't anything particularly original in terms of the actual story - in the distant future, a giant planet of 'pure evil' is hurtling towards the Earth preparing to wipe all us humans out. The only thing that can destroy it is a being of pure goodness (Milla Jovovich before she hit the big time in the 'Resident Evil' franchise), who just so happens to be in the care of a wise-cracking New York taxi driver (Bruce Willis when he still put effort into his performances). However, what makes the film stand out is the way its presented. If ever a film 'built a world' it was here. The special effects may look just ever-so-slightly dated today, they were amazing for the time and I think most people will still enjoy them for what they are. You'll see New York in the future with mile high skyscrapers and flying queues of cars gridlocked around their peaks (beating the 'Star Wars' prequels by a few years!). You'll see a variety of futuristic settings and technology, presented as if they are just everyday items that everyone uses. I hear fashion designer Jean Paul Gauteur (spelling!) personally designed every costume - right from the stars' own wardrobe to the background characters to give every person that 'space-age feel.' I've already said that Bruce Willis was still an A-list star when he made this. His once natural charm and endearing smirk, mixed with wise-cracks and macho heroics worked well here with Milla Jovovich's faux naive persona which underlies her true mystical powers. But they're just the icing on the cake. 'The Fifth Element' is practically an ensemble cast with villainous Gary Oldman as the bad-guy and Ian Holm as the well-meaning priest who's on hand to help out. Maybe the reason there was a certain amount of hate directed towards the film was down to Chris Rock. If you ever see some online list of 'Most Annoying Characters in Films' you'll probably find him as 'Number 2' (only pipped by Jar Jar Binks from 'Star Wars'). Yes, he's pretty obnoxious - but he's supposed to be! You're supposed to be irritated by his antics and he only comes into the story in the last third, so - personally - if you really can't stand him that much, I'm sure he should ruin the whole film for you. Basically, 'The Fifth Element' has everything an enduring film should have. It has action, romance, sci-fi (if you're into that!), adventure, sets, special effects, costumes, humour, brilliant direction (the way characters in one scene answer a seemingly unrelated question a different character had just posed is very nice and adds to the quirky feel very well) and - perhaps most importantly - if has all that without needing to be 'adult' in content. It was rated 'PG' here in the UK and I think it's a film that all the family can enjoy together. Better still... it never received a sequel or remake (to date, 2020!), therefore leaving this as a perfectly self-contained little gem of sci-fi brilliance.
Un décryptage détaillé des récents changements de prix, des raisons pour lesquelles les utilisateurs repensent leur installation et de la façon d'évaluer une solution alternative sans perdre vos habitudes de découverte.
Découvrez la bonne méthode pour installer l'APK Movie Box : d'abord les bases de version, puis des étapes d'installation propres, et enfin comment choisir entre TV, iOS, Web et application.
Une critique détaillée expliquant pourquoi Project Hail Mary se distingue en 2026 : qualité d'adaptation, narration scientifique, profondeur émotionnelle et réactions du public.
Les comédies sont conçues pour divertir par l'humour. Les formats populaires incluent la comédie de situation, l'humour à sketches, la comédie au travail et la comédie romantique.
Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.