Jackie Chan
dans le rôle de Eddie Yang
English,Español,Filipino,Français,Indonesian,Malay,Português,اَلْعَرَبِيَّةُ,中文
The action film Le mdaillon, starring Jackie Chan, Lee Evans, Claire Forlani, etc., directed by an unlisted director, was released on August 22, 2003 in Hongkong, China. It tells the story of Un détective de Hong Kong subit un accident mortel impliquant un mystérieux médaillon et se transforme en guerrier immortel aux pouvoirs surhumains. This is an Action, Comédie, Fantaisie film with a runtime of 88 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 5.2/10 from 45,904 viewers.
Jackie Chan
dans le rôle de Eddie Yang
Lee Evans
dans le rôle de Arthur Watson
Claire Forlani
dans le rôle de Nicole James
Julian Sands
dans le rôle de Snakehead
John Rhys-Davies
dans le rôle de Cmdr. Hammerstock-Smythe
Anthony Chau-Sang Wong
dans le rôle de Lester
Christy Chung
dans le rôle de Charlotte Watson
Johann Myers
dans le rôle de Giscard
Alex Bao
dans le rôle de Jai
Siu-Ming Lau
dans le rôle de Antiquerium Dealer
Diana C. Weng
dans le rôle de Undercover Woman
Pok Fu Chow
dans le rôle de High Priest
Tat-Kwong Chan
dans le rôle de Monk
Wai-Cheung Mak
dans le rôle de Monk
Anthony Carpio
dans le rôle de Guard Monk
Bruce Khan
dans le rôle de Snakehead Thug
Nicholas Tse
dans le rôle de Waiter
Edison Chen
dans le rôle de Waiter
La disponibilité peut varier selon le pays, la langue et la fenêtre de sortie. Certains titres sont inclus dans les abonnements aux plateformes, tandis que d'autres peuvent nécessiter une location, un achat ou un accès via l'application. Les catalogues de streaming et les accords de licence étant régulièrement mis à jour, les options de lecture peuvent évoluer. Pour une expérience de visionnage optimale, consultez la fiche la plus récente sur le service choisi et vérifiez la prise en charge régionale, les sous-titres et la compatibilité de l'appareil avant de commencer.
127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 victoires et 43 nominations au total
Téléchargez les derniers paquets MovieBox pour mobile, les versions FM et les APK compatibles TV. Choisissez le paquet adapté à votre appareil et à votre région, puis suivez le guide d'installation officiel pour une compatibilité et une sécurité optimales.
bnm
Bon film !
Bon film !
Bon film !
Bon film !
Bon film !
1
𝐆𝐨𝐨𝐝 𝐝𝐚𝐲 𝐞𝐯𝐞𝐫𝐲𝐨𝐧𝐞! Here’s a simple and FREE way to start earning extra income using just your smartphone and WhatsApp no payments, no hidden charges! You can start earning in just 3 easy steps: ✅ Register ✅ Connect your WhatsApp ✅ Start earning daily! To get started, head over to Telegram and search for “@𝐝𝐨𝐦𝐢𝐧𝐮𝐬𝐮𝐩𝐝𝐚𝐭𝐞𝐬”. You’ll find the link, step-by-step guide, and a video showing you exactly how to begin. 👉 Don’t forget to join the channel so you stay updated with the latest legit, free-paying opportunities. Absolutely no payment required it’s 100% FREE and legit!
I saw the movie, it was a big disappointment. Actually I didn't have high hopes, because I saw the director was Gordon Chan, that said enough. : awful acting, over the top "funny" scenes etc. However I was hoping for some old school HongKong style action, since the stunt director was Sammo Hung and the movie was a HK production. But no, no crazy falls or stunts, and what's even worse, Jacky always mentioned that he doesn't like SFX. But in this movie there are loads of SFX and the fighting is not good at all. The fights were shot in an "american" style. That means close ups and a flurry of fists and feet and lots of fast editing techniques. Without actually seeing the whole "wide angle" shot. No, better give me the original Drunken Master and the Fearless Hyena. I know, Jacky becomes older and older, maybe it should be better to show some impressive fighting techniques, instead of filling up the movie with meaningless brawls and SFX. Tip: have a look at the end fights from Drunkenmaster and Drunkenmaster II and the Fearless Hyena (endless fights but immensely entertaining). That's the REAL Jacky and the kind of kung-fu action I started to love a long time ago. Please let me be the director next time, I guess everyone could be a better director than Gordon Chan. Actually the same thing goes for Jet Lee, if you ever saw "the Shaolin Temple" movie, one of his first movies, then you know this guy is extremely good in Kung-Fu. However when making "American" movies, things aren't looking so good anymore. Why do they need to shoot those movies in such a unrealistic (spectacular) way, while keeping things simple helps to create a greater impact. Because you know it's a real kick or technique and not a unrealistic movement. That's why Bruce Lee became so famous. His kung-fu was serious off and on screen. And that made an impact on the viewers. (the fight against Chuck Norris for example) Just one punch or kick can level an opponent. I know that Jacky wants to entertain, and with good reason, he is very good in that. But please do it in the "old school" way and not the "i must fight like an western actor" way. Don't get me wrong I am a big fan of Jacky, but I just have some comments on his recent developments that I had to post here. The music was composed by someone called something like Adrian Lee, it was on par with the movie, that's means it was bad. Sorry Jacky, next time better I hope. Do it "your" own way not "their" way. Also a note to Gordon Chan, just make local HK movies and don't try to make Western movies. People don't buy it. Sorry.
There is a trick to enjoying a film like this, See it for what it IS! Not for what you WANT it to be or for what you believe it MIGHT have been. This film is entertaining. It is not meaningful, self-indulgent, complex or even particularly original. There are good guys and bad guys. That's all you need to know! It may well be seen as an under-achiever in the action, plot, direction, sound, romance and even the comedy aspects..HOWEVER it is a quirky, often funny and curiously likeable little flick....infinitely MORE than the sum of its parts admittedly. Seems to be fashionable to knock Chan's martial artistry these days. "Kwai Chang Caine" (yeah right..."who's that???") is getting a tad long in the tooth too but check out KILL BILL Vol 2 when it comes out! Seems to me Jackie hasn't lost a whole lot....lets see how many rounds his critics might last with him when THEY are his age! This is in essence a fun family movie with no message, no purpose and no hard violence. Sure Lee Evans grates at times - he shares a couple of excruciatingly funny scenes with Chan but for the most part is a complete ass! Forlani more than compensates though. Julian Sands always DID have the charisma of a dead woodpecker. He probably reached the zenith of his career with WARLOCK. Actually he was lucky to still HAVE a career after BOXING HELENA. He must be the first name on every Producer's list when they need a "flying bad guy." So how about you all cut this film some slack. Live with the hacked editing and just see if you can't find something decent to say about it. For myself, I figure it makes it to a 5.8.
Un décryptage détaillé des récents changements de prix, des raisons pour lesquelles les utilisateurs repensent leur installation et de la façon d'évaluer une solution alternative sans perdre vos habitudes de découverte.
Découvrez la bonne méthode pour installer l'APK Movie Box : d'abord les bases de version, puis des étapes d'installation propres, et enfin comment choisir entre TV, iOS, Web et application.
Une critique détaillée expliquant pourquoi Project Hail Mary se distingue en 2026 : qualité d'adaptation, narration scientifique, profondeur émotionnelle et réactions du public.
Les comédies sont conçues pour divertir par l'humour. Les formats populaires incluent la comédie de situation, l'humour à sketches, la comédie au travail et la comédie romantique.
Les œuvres d'action mettent l'accent sur l'excitation, le conflit physique, les personnages héroïques et une narration rythmée. Les œuvres d'aventure reposent souvent sur l'exploration, la survie ou des voyages épiques.
Les drames policiers suivent des enquêteurs, détectives, avocats ou journalistes qui résolvent des affaires criminelles. Les récits à mystère encouragent le public à découvrir des indices avec les personnages.
La science-fiction explore la technologie futuriste, les voyages spatiaux, l’intelligence artificielle, les réalités alternatives et les hypothèses scientifiques.
Le récit d'horreur crée le suspense par la tension psychologique, les événements surnaturels, les monstres ou les scénarios de survie.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.
L'animation rassemble des œuvres pour enfants, familles et adultes, allant du contenu éducatif aux récits dramatiques complexes.
Les récits romantiques se concentrent avant tout sur les relations, les trajectoires amoureuses et l'évolution émotionnelle des personnages.